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Theory about magical realism
Magical realism in fiction essay
Theory about magical realism
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In the 1970s, Argentina was struck with political and social distress. With the death of President Peron and his wife, Isabel, coming into power – only to be overthrown by a military junta led by Jorge Videla – Argentina and its people were traumatized with terrorist violence “leaving hundreds dead” and thousands having “disappeared” (“Timeline: Argentina”). This era of violence became known as the ‘Dirty War’ and several of the people that went against the current socio-political system were left devastated or killed. Several of those killed were ones who were identified as either homosexuals or Marxists. Manuel Puig’s novel the Kiss of the Spider Woman portrays the story of two imprisoned men from different spectrums of the unacceptable standards that goes against the Argentinean society of the 1970s: one a Marxist (Valentin) political threat and the other a homosexual (Molina). At the onset of the novel, the two characters are presented as polar opposites who cannot seem to get along; which later on, their relationship evolves to one that requires them to have a real desire to become close to one another despite the prejudices instilled in them by the Argentine society. Through the movies described by Molina, we, the reader, are shown the progression of the two characters as they realize that they both are no different from the other and create a special bond. Puig’s uses of the movie the Cat People, the footnotes, and Molina’s death as symbols highlights the idea of magical realism. Through the use of magical realism, Puig allows the reader to become more open-minded towards different societal ideals, specifically homosexuality.
Magical realism, by definition, is a literary style that addresses social concerns, but masks the...
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...understand the need for a change in their perspectives towards others; mainly homosexuals. The main point of the use of magical realism is its fantasy aspects. The fantasy allows a safe and controlled environment for the reader, the characters, and the author to express freely worldly ideas and thoughts that cannot be defined nor modified by the prejudices and harshness of the real world. Molina and his homosexuality is depicted as a testament to challenge and to remind the reader of the issues of all societies, not only just of the issues of homosexuals. Puig wishes for a world wherein oppressed people like him could freely walk the streets and no longer worry about living in a fantasy.
Works Cited
Puig, Manuel. Kiss of the Spider Woman. Trans. Thomas Colchie. New York: Vintage, 1979. Print.
"Timeline: Argentina." BBC News. BBC, 07 Oct. 2012. Web. 19 Apr. 2014.
The 1985 Argentine film La Historia Oficial, directed by Luis Puenzo, is truly deserving of its academy award. The film is set in Argentina in the 1980s, during the last years of a military dictatorship that killed and tortured thousands of its own people who did not agree with their radical polices. The film has many underlying themes especially regarding government-sponsored terrorism, classroom politics and the authority of certain texts. However, one theme is represented again and again throughout the film. The theme that “machismo” will reign supreme in the relationship between males and females, and males in political aspect in the country of Argentina. Men had to hold all the authority in the household and all aspects of life, including
Faris, Wendy B. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Nashville: Vanderbilt UP, 2004. 24 Sept. 2012. Web. 15 Mar. 2014. 21
Delbaere-Garant, Jeannie. "Variations on Magical Realism". Magical Realism Theory, History, Community. Ed. Lois Parkison Zamora and Wendy B. Faris. Durham" Duke U.P., 1995. 249-263.
The short story of “Chivalry” expresses how magic can be expressed in literature to bring out certain concepts of the human being. The short story is based on realism considering that the character, Mrs. Whitaker, is confined to her life of boredom and is very conservative. She likes to have a normal and routine life, “Every Thursday afternoon Mrs. Whitaker walked down to the post office to collect her pension” (2) and “on alternative Fridays Mrs. Whitaker and Mrs. Greenberg would visit each other” (4). Realism is expressed in the fact that although this is her life, which might be boring and lacking fun, she is comfortable with it and does not complain about it. This is evident that the story is based on realism. Fantasy elements that disrupt realism in “Chivalry” are shown by the fact that sir Galaad showered Mrs. Whitaker with precious gifts, but Mrs. Whitaker did not value these magical gifts. She however valued her normal life and maybe sharing lemonade with the knight. Sir Galaad also treated her like a queen, something Mrs. Whitaker doesn’t value or show appreciation for. She however prefers to be treated normally and live a normal and usual life. These fantasy elements are therefore the disruption to realism as expressed by Neil Gaiman in
On the surface, Manual Puig's Kiss of the Spider Woman is about politics and oppression. Caged literally and figuratively in an existential cell, both Molina and Valentin are wards of a police state and are therefore powerless to change their circumstances. But the novel is really about how spiritual freedom is cultivated and made manifest by Molina's retelling of his favorite movies. Because the substance of the films is first filtered through Molina's perspective, his perversion of the characters and plots reflect his own progression from an oppressed prisoner to a heroine who freely chooses the path to her own death.
Flores, Angel. "Magical Realism in Spanish American Fiction." Magical Realism. Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, N.C.: Duke UP, 1995: 109-116.
For this engagement essay the article Mean Ladies: Transgenders Villains in Disney Films by Amanda Putnam and the chapter “Someday My Prince Will Come”: Disney, the Heterosexual Imaginary and Animated Films by Carrie L. Cokely will summarized, analyzed, and engaged with using the Queer analytical framework.
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
Major turning points in history such as the overthrow of a country’s government, political violence, guerrilla movements and civil wars, bloody revolutions, brutal dictatorships, domestic violence, criminal violence, physical and sexual abuse and psychological damage are all well known throughout history and they serve as a common theme in literary works of the time period. This is especially true of Isabel Allende, in which the true event of the overthrowing of the Chilean government by the military is an important aspect of the plot in her novels. The aim of the paper is to analyse Isabel Allende’s Of Love and Shadows as a story reading in between the shadows of violence and the gentleness of love by mixing politics and love and demonstrating
In order to see how Magical Realism is found in this treatment, one must first consider at least one of the identifying marks of Magical Realism. Among the characteristics that identify Magical Realism is the feeling of transcendence that the reader has while reading a Magical Realist text (Simpkins 150). During transcendence, a reader senses something that is beyond the real world. At the same time, however, the reader still feels as if he or she were rooted in the world (Sandner 52). After the reader undergoes transcendence, then he or she should have a different outlook on life.
Working mainly with dialogue he creates characters in confinement who are forced to find a way to escape their own reality. In Kiss of the Spider Woman, Molina and Valentin escape their prison cell by telling movies. The importance of this is it helps them maintain their sanity and keep their brain thinking, their fantasies allow them to create their own reality based on their thoughts and ideas. Manuel Puig highlights the importance of their escape throughout the whole book by constantly using parallelisms to illustrate the change in his characters and their increasing similarities with the characters in the films. As well as having Molina and Valentin contrast femininity and masculinity in the story, and the manner in which they interact with one another. In Eternal Curse on the Reader of These Pages, Mr. Ramirez relies on Larry, and Larry relies on Mr. Ramirez to escape their own realities. Mr. Ramirez and Larry ultimately take on the role of a father and son and strengthen their relationship and bond. Manuel Puig weakens their bond as they become too convinced in their fantasy and believe that it is their new reality. However, the fantasy they create, which seems innocent at first, but ends up being their own curse, as they are hurt by the realization that their fantasy is not real. Although, in the end in both works the characters are defeated, they all manage to survive and cope with their situation a bit longer because of their alternate reality. As a result, Manuel Puig is highly successful in providing a theme of fantasy and escapism in his books, Kiss of the Spider Woman and Eternal Curse on the Reader of These Pages. The manner in which he describes his characters, a dependent on someone, allows for an understanding reading as one sympathizes with his characters
Faris, Wendy B. "Scheherasade's Children: Magical Realism and Postmodern Fiction". Magical Realism Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, Duke U.P.: 1995. 163-190.
"What came to dominate the story and to leave a lasting impression was the view of man as a mystery surrounded by realistic data. A poetic divination or denial of reality. Something that for lack of a better word could be called magical realism." -Uslar Pietri
The footnote allows readers to fill in the gaps of Molina’s character, should they choose to believe the research or not. Puig brings Fenichel’s and Frued’s research into the novel to help readers understand Molina’s character in Kiss of the Spider Woman, particularly to explain why Molina volunteers to help Valentin clean up his “accidents” during his illness. To begin, Puig introduces Fenichel’s research, which argues that “the probability of a homosexual orientation increases the more the male child identifies with his mother” (Puig 137). Molina talks about his mother in such an affectionate way, as if he longs for her like how Valentin longs for his girlfriend. Molina describes his mother’s illness as “the danger inside, she carries the
Magical realism is a term that describes contempory fiction. Magical realism blends magical or fantastical elements with reality this means that they put something that’s real, and is meant to be fake to be used as reality. It tells its story from the perspective of people who live in our world and experience a different reality from the one we call objective. Magical realism is used in a lot of stories, but it takes a role in one of the stories we read in class which was “The Handsomest Drowned Man”.