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Diction in poetry analysis
Diction in poetry analysis
Diction and imagery of poetry
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In Philip Larkin’s “Poetry of Departures,” Larkin employs the use of strong and specific diction in order to convey his opinion about two different things. This poem discusses and coneys the ideal of finding yourself in a new way by exploring and reforming your old self while shifting to a new and adventurous life of exploration. In order to truly convey these two different life styles, Larkin uses dramatically different diction in order to contrast the different lives and share his opinions on them. In this poem, Larkin seems to split up the two different lifestyles into separate stanzas. The first and third stanzas discuss the intent and personality of the man who leaves his old life in order to seek out a new and adventurous one. Through diction, Larkin uses words like audacious and purifying to describe the actions of men who live in this way. He uses audacious to show how people who live this way are both bold yet contain a degree of lack of respect, and uses purifying to show how living a life such as this can be purifying to ones life. By using words such as these, it also reveals his attitude towards the different changes in …show more content…
Larkin uses specific diction in order to convey the meaning of this life as well as his own personal attitude towards these kinds of people. He uses words such as hate and detest to show how he does not prefer or enjoy this life. He despises the way that he lives the same life everyday, but also detests the way that others live their lives, and even though he does not like this type of life, he knows that he lives it. In the third stanza, the speaker talks about how he envies the man who seeks adventure and how he is stuck in his old and typical ways. This shows how Larkin has an attitude of both admiration and envy for people who constantly change their lives and do new
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
Ryan reminds us of the suggestive power of poetry–how it elicits and rewards the reader’s intellect, imagination, and emotions. I like to think that Ryan’s magnificently compressed poetry – along with the emergence of other new masters of the short poem like Timothy Murphy and H.L. Hix and the veteran maestri like Ted Kooser and Dick Davis – signals a return to concision and intensity.
This poem captures the immigrant experience between the two worlds, leaving the homeland and towards the new world. The poet has deliberately structured the poem in five sections each with a number of stanzas to divide the different stages of the physical voyage. Section one describes the refugees, two briefly deals with their reason for the exodus, three emphasises their former oppression, fourth section is about the healing effect of the voyage and the concluding section deals with the awakening of hope. This restructuring allows the poet to focus on the emotional and physical impact of the journey.
With reference to three poems studied so far discuss how Larkin presents the theme of illusion and reality.
Larkin published his collection of poems ‘The Whitsun Weddings’ in 1964. The main focus of this collection is of post war Britain, but materialism and consumerism are also common themes which are evident in some of Larkin’s poetry. In Larkin’s poems ‘essential beauty’, ‘the large cool stores’ and ‘here’ all take reference to the ideology that there is a material world that the proletariat aspire to be a part of. ‘Mr Bleaney’ then shows the life of the working class, and that they don’t have these material possessions, which lead to little recognition of their lives. Over all they all suggests that because of the material world we have be born into it allows the bourgeoisies to condition the proletariat into accepting the capitalist society through creating a false
The informal language and intimacy of the poem are two techniques the poet uses to convey his message to his audience. He speaks openly and simply, as if he is talking to a close friend. The language is full of slang, two-word sentences, and rambling thoughts; all of which are aspects of conversations between two people who know each other well. The fact that none of the lines ryhme adds to the idea of an ordinary conversation, because most people do not speak in verse. The tone of the poem is rambling and gives the impression that the speaker is thinking and jumping from one thought to the next very quickly.
In conclusion, I have found that both poets are successful in presenting their particular ideas about what a journey is to them. For Plath, a journey represents a desire for freedom and a metaphorical escape from the insecurities within her own life and it is clear to us that her escape is pivotal in her journey of self acceptance. Larkin has also shown that journeys are an escape from life, but unlike Plath he is running away from society and the oppressions he feels bound by, whereas Plath wants to escape from the shackles of her thoughts.
From analyzing the text it’s obvious to the reader that the narrator is dissatisfied with where he’s at in life. The first stanza is an insight into the atmosphere of his high school, and the word choice and imagery play a role in depicting his disgruntled
During a time of great change, both ideally and physically, in Australian history, a young man by the name of Michael Dransfield made his presence known in the highly evolving scene of poetry. Dransfield was an eccentric character, to say the least, and was recognized for his masterful ability of truly capturing the essence of many of life’s situations. Regardless of the “heaviness” or the difficulties of the subject matter being portrayed throughout his poetry, Dransfield was mentally equipped to fully encompass any life experience and dawn light on some of its “eternal truths” in the world. Although he tragically died of a heroin overdose in 1973 (he was 24 years old), Dransfield made a lasting impression on Australian poetry; never to be forgotten and to be forever considered “one of the foremost poets of the ’68 generation of counter-cultural dreamers” (Chan, 2002).
John Muir and William Wordsworth use diction and tone to define nature as doing a necessary extensile of life. Throughout Muir’s and William’s works of literature they both describe nature as being a necessary element in life that brings happiness, joy, and peace. Both authors use certain writing techniques within their poems and essays to show their love and appreciation of nature. This shows the audience how fond both authors are about nature. That is why Wordsworth and Muir express their codependent relationship with nature using diction and tone.
The overall theme of ‘This Be The Verse” by Philip Larkin is the idea of influence. Larkin is striving to portray the message that everyone is influence by the people in which they surround themselves. This is important because throughout the poem Larkin uses techniques such as changing tenses, giving personal and worldly examples, and figurative language.
On the surface, "life" is a late 19th century poem by Paul Laurence Dunbar. The poem illustrates the amount of comfort and somber there is in life. Unfortunately, according to Paul Laurence Dunbar, there is more soberness in life than the joyous moments in our existence. In more detail, Paul Laurence Dunbar demonstrates how without companionship our existence is a series of joys and sorrows in the poem, "Life" through concrete and abstract diction.
Choosing the first person form in the first and fourth stanza, the poet reflects his personal experiences with the city of London. He adheres to a strict form of four stanzas with each four lines and an ABAB rhyme. The tone of the poem changes from a contemplative lyric quality in the first to a dramatic sharp finale in the last stanza. The tone in the first stanza is set by regular accents, iambic meter and long vowel sounds in the words "wander", "chartered", "flow" and "woe", producing a grave and somber mood.
Overall, dwell on this process of changing throughout the poem, it can be understood that the poet is demonstrating a particular attitude towards life. Everyone declines and dies eventually, but it would be better to embrace an optimistic, opened mind than a pessimistic, giving-up attitude; face the approach of death unflinchingly, calmly.
Progress is in the eye of the beholder. Throughout the years society has forced nature out of its life and has instead adopted a new mechanical and industrialized lifestyle. Technology may be deemed as progress by some, where it is thought of as a positive advancement for mankind. Yet technology can also be a hindrance for society, by imposing itself on society and emptying the meaning out of life. In “Autobiography at an Air-Station,” Philip Larkin conveys his distaste of how society has denounced nature. By employing an ironic tone in the sonnet, Larkin comments on the significance of the sonnet in relation to industrial life. Life has become ironic because it is no longer a natural life that society leads, but a fabricated life. Through his use of rhyme and meter, the extended metaphor comparing the air-station to life, imagery, and diction, Larkin reflects on what life has come to be: a deviation from the intrinsic.