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A little learning poem analysis
Introduction to poetry analysis
Introduction to poetry analysis
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With reference to three poems studied so far discuss how Larkin presents the theme of illusion and reality.
The poems Sunny Prestatyn, Essential Beauty and love Songs in Age, are all presented with the theme of illusion and reality. Illusion is a false impression or delusion, so when an illusion is used within a poem there is a deeper meaning or reality behind the words. Because of this reality, the reader can see what Larkin is really trying to convey in the poems is shown and we understand what was meant by the illusion
In the poem Sunny Prestatyn, Larkin uses harsh reality to show the depth of the illusion. In the poem we are presented with a sunny, picturesque and idealistic scene on a billboard, with a pretty girl asking you to ‘Come to Sunny Prestatyn’. This idealistic scene gives us the illusion that in Prestatyn the weather will always be sunny, when in fact, as Prestatyn is in Wales it will most likely be raining.
The girl shown in the advertisement is shown to be laughing and is also wearing white satin, ‘In taunted white satin’. This gives the idea of the girl being unspoilt, virginal and pure. This deludes the reader of the poster into thinking that this is what Prestatyn is actually like: unspoilt and pure. The poem goes on to describing the palm trees at Prestatyn and the coast. This is described as, ‘…a hunk of coast, a hotel with palms’. This ‘hunk of coast’ suggests manliness and the palm trees also suggest an erotic type of Eden. This gives the reader the illusion that Prestatyn will be the holiday of their dreams. We are then given the image of the girl offering her palms to the reader, ‘…and spread breast-lifting arms’; this line gives the reader delight or excitement at the end of the first stanza, deluding the reader even more. In this first stanza the illusion and image of the perfect place is built up.
In the second stanza of the poem Larkin begins to use harsh reality to break down the illusion and destroy the image that was built up. ‘She was slapped up one day in March.’ This harsh sentence shows the reality of the world and that vandalism was expected. ‘A couple of weeks and her face was snaggle-toothed’, this flippant remark also suggests casualness about the violence. The violence of the girl in the picture being disfigured also represents the illusion being destroyed.
T.S. Eliot once suggested that there were `three voices of poetry,' so it may be wise to begin by asking what is meant by the term `voice,' and what is meant by the term `vision?' Voice is an expression that has a variety of meanings - it could refer to the persona the poet adopts whilst writing the poem; it could refer to the author's style; the author's tone; or the characteristics of the speaker in the poem. With regards to this essay I will assume that `voice' refers to both the writer's style, and the writer's tone. Conversely, the term `vision' can be more easily defined as the author's purpose in writing the poem, and any messages or themes conveyed to the reader. The two poems that I will make reference to are `Assisi' by Norman MacCaig, and `Glasgow 5 March 1971' by Edwin Morgan. By comparing the poet's style and tone in these poems it can be seen that both writers have a similar `vision.'
In all poems the theme of Disappointment in love is seen throughout. Duffy focuses on the pain, despair and acrimony that love can bring, whereas Larkin focuses on the dissatisfaction before, during, and after a romantic relationship. Both Duffy and Larkin differ in tone. Duffy takes a more aggressive and dark stance to portray what love can do to a person after a disappointing love life. Duffy also uses this sinister and aggressive stance to try and convey sympathy for the persona from the audience in ‘Never Go Back’ and ‘Havisham’ Whereas Larkin conveys his discontent in love through his nonchalant and dismissive tone, but still concealing the pain that has been brought by love in ‘Wild Oats’ and ‘Talking in bed’.
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
Larkin published his collection of poems ‘The Whitsun Weddings’ in 1964. The main focus of this collection is of post war Britain, but materialism and consumerism are also common themes which are evident in some of Larkin’s poetry. In Larkin’s poems ‘essential beauty’, ‘the large cool stores’ and ‘here’ all take reference to the ideology that there is a material world that the proletariat aspire to be a part of. ‘Mr Bleaney’ then shows the life of the working class, and that they don’t have these material possessions, which lead to little recognition of their lives. Over all they all suggests that because of the material world we have be born into it allows the bourgeoisies to condition the proletariat into accepting the capitalist society through creating a false
The overall theme of ‘This Be The Verse” by Philip Larkin is the idea of influence. Larkin is striving to portray the message that everyone is influence by the people in which they surround themselves. This is important because throughout the poem Larkin uses techniques such as changing tenses, giving personal and worldly examples, and figurative language.
Fife’s poetry uses modern language with wording clearly understood by her audience. This approach of using simple, modern language gives the interpretation that Fife is wanting to attract a youth audience, or young adults to read her poetry. Strong imagism is a concept that is used in all three of the poems. This concept of imagism is used to make the reader feel empathy towards the characters within the poem as well as give the reader a vibrant image of what is happening to said characters. In her poem “This is not a Metaphor” it is said:
How far and in what ways is the poem ‘High Windows’ characteristic of Larkin’s collection High Windows?
Edna St. Vincent Millay has created complex as well as emotionally and politically charged poetry in her career. Her poetry is often considered expressive yet also indifferent by some critics. Yet, her skill with metaphor and other evocative poetic features bring us poems that are reflective of her self, and also ourselves as readers. By developing skilled metaphors for interpreting and developing her own identity as an author and for us as a reader, we are given a construction of selfhood. In this essay, I will analyze Edna St. Vincent Millay’s two poems; If I should learn, in some quite casual way, and What lips my lips have kissed in order to explain the meaning and presence of selfhood in lyric poetry. Through interpreting Millay’s poems, I will explain the construction of selfhood or identity in each poem through formal structures. Understanding selfhood comes with understanding one’s surroundings and how we are able to relate or compare ourselves to these surroundings. Edna St. Vincent Millay does a very complete job of bringing metaphor, narrative, diction and imagery to h...
In his poems “Talking in Bed” and “High Windows” Phillip Larkin is able to use simplistic language to convey the themes of isolation and questioning the values of cultural norms. In “Talking in Bed” Larkin uses a perceived common social experience and feelings of isolation to relay a deeper social commentary on the evolution of relationships. Additionally, in “High Windows” Larkin’s choice of explicit words and tone, not only draws in themes of isolation but draws attention to the cultural values of sex and religion. Though his poems seem to tackle mundane life experiences, his singular view helps convey themes of isolation and questioning of cultural values which transcend his poems into universal relatability.
The ironic use of rhyme and meter, or the lack thereof, is one of the devices Larkin uses to emphasize his need to break out of industrial society. The typical rhyme scheme is not followed, but instead an ironic rhyme scheme is used in the sonnet in the form of abab cdcd efg efg. Larkin writes this poem as a sonnet but at the same time diverges from what a typical sonnet is supposed to be. He is commenting on society’s inclination to form restrictions on those within it. By writing out of the accepted form of a sonnet, his writing becomes more natural because of a lack of constraints due to following certain rules and fitting a certain form. He breaks free and writes as he pleases and does not conform to society. Just as with the rhyme, ...
The most relevant technique that MacNeice uses is the irregular structure of the poem. Although it is presented as a prayer, the subject matter is contrasted to be vulgar, morbid and violent, heightening the effect all the more. The varied length of the stanzas and lines is a mere reflection of the chaos in the world. The deterioration of humanity is effectively brought out through the cascading lines in the poem – we are left with the feeling that with every second that pas...
Allusions towards drunkenness, or any drugged like state in general, also play an important role in shaping the poem’s meaning. The use of these allusions effectively enhances the idea that art, or more specifically poetry, can take the mind away and become an almost
In his introduction to the Norton Anthology of English Literature M. H. Abrams attempts to overcome these difficulties by identifying the 'five cardinal elements' of Romantic poetry. According to Abrams, Romantic poetry is distinguished by the belief that poetry is not an "imitation of nature" but a "representation of the poet's internal emotions". Secondly, that the writing of poetry should be "an effortless expression" and not an "arduous exercise". The prevalence of nature in Romantic poetry and what Abrams calls "the glorification of the ordinary and the outcast" are identified as two further common elements, as is the sense of a "supernatural" or "satanic presence" (Abrams, 2000, pp. 7-11). It is with regard to this elemental understanding of Romantic poetry that I will conduct my close critical analysis of 'Frost at Midnight' to examine the extent to which the poem embodie...
"The point of view which I am struggling to attack is perhaps related to the metaphysical theory of the substantial unity of the soul: for my meaning is, that the poet has, not a personality' to express, but a particular medium, which is only a medium and not a personality, in which impressions and experiences combine in peculiar and unexpected ways."
The first poem is from Hart Crane and I believed each stanza is concealed but underneath it is a clear evidence of what he is going through. In this poem he is trying to express his own experience and I believe that at his time and place maybe he was suffering from dementia or he was classified with a mental illness that didn’t allow him to remember moments and when reality hits him is when he writes the the poem.