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Maggie: a girl of the streets essay
Maggie: a girl of the streets essay
Maggie: a girl of the streets essay
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According to Crane, Maggie "tries to show that environment is a tremendous thing in the world and frequently shapes lives regardless." This quotation will support my view that a person’s identity can be shaped by their surroundings.
This essay aims to explore how the urban environment moulds a person’s identity. I will be focusing on the novels, Maggie: A Girl of the Streets by Stephen Crane, Nella Larsen’s novel Passing, The Autobiography of an Ex-Colored Man by James Weldon Johnson and The House of Mirth by Edith Wharton.
There are many trial and tribulations associated with being raised in the slums of New York City. Crane’s novel, Maggie: A Girl of the Streets demonstrates this and how the environment can affect a person’s identity. In the first few lines of the novel, Crane depicts the world that his characters were raised in by writing, ‘A very little boy stood upon a heap of gravel for the honour of Rum Alley. He was throwing stones at howling urchins from Devil's Row who were circling madly about the heap and pelting at him’. Crane creates an introduction to the Johnson family here and the environment they live in. In these first few lines we see a little boy “throwing stones”, which could suggest a bad development of the urban environment, particularly a slum setting and the theme of the overpowering effect of the environment according to David Prizer.
The reader is also oblivious to who this “little boy” is, giving a further loss of identity through the use of the urban environment. Crane uses his style of writing to emphasize the power of the environment over the characters, consequently leaving the characters without a definitive identity. Crane introduces ‘Rum Alley’ before he mentions any of the ...
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...elf!’ This tells the reader that she is of high status by visiting places like ‘The Benedick’. When Rosedale’s sees her leaving the building, he uses her high status against her to help him get higher in the social chain, by cleverly manipulating her. ‘Yes, that’s the name: I believe it’s an old word for bachelor, isn’t it? I happen to own the building – that’s how I know.’ This can be applied to social Darwinism as Rosedale sees she is of importance through the urban settings she visits and wants to get higher in the social chain by applying the theory “survival of the fittest.”
The texts mentioned in this essay have clearly shown that the urban environment can shape a person’s identity. Some individuals might put it down to their own self-being but as proven by the texts above, its possible that a person’s surroundings have made an impact on their identity.
In this passage “The Street” by Ann Petry, Lutie Johnson’s relationship with her urban setting is expressed using figurative language. Lutie allows us to walk with her and experience one cold November night near the streets of seventh and eighth avenue. The relationship between Lutie Johnson and the urban setting is established using personification, imagery, and characterization.
The award-winning book of poems, Brown Girl Dreaming, by Jacqueline Woodson, is an eye-opening story. Told in first person with memories from the author’s own life, it depicts the differences between South Carolina and New York City in the 1960s as understood by a child. The book begins in Ohio, but soon progresses to South Carolina where the author spends a considerable amount of her childhood. She and her older siblings, Hope and Odella (Dell), spend much of their pupilage with their grandparents and absorb the southern way of life before their mother (and new baby brother) whisk them away to New York, where there were more opportunities for people of color in the ‘60s. The conflict here is really more of an internal one, where Jacqueline struggles with the fact that it’s dangerous to be a part of the change, but she can’t subdue the fact that she wants to. She also wrestles with the issue of where she belongs, “The city is settling around me….(but) my eyes fill up with the missing of everything and everyone I’ve ever known” (Woodson 184). The conflict is never explicitly resolved, but the author makes it clear towards the end
Society tries to put constraints on people, providing labels and guidelines of how to dress, how to act, and how to fit into the world. In some occurrences people break these invisible boundaries and declare no to the labels of society. With this in mind, Lacy M. Johnson's, “White Trash Primer” is a nonfiction, short story told through a second person point of view. Johnson's short story is an example of the theme, self evolution. With the use of second person as well as familiar settings; she displays the hardships of growing up in a poor family and despite this achieves a better life for herself not only with hard work but also with perseverance.
In conclusion, this essay has outlined an example range of ‘making and remaking’ on City Road in relation to ‘connections and disconnections’. It outlined how differences and inequalities are produced, how a person’s identity is attributed to them by other people and it is not always chosen and finally, the relationship between; society, making and remaking and connection and disconnection.
The 1946 novel, “The Street” by Ann Petry establishes a struggling relationship between the main character; Lutie Johnson, and her new surroundings. Lutie seeks, her overall objective in finding a safe refuge to live, however; the description of 116th street seems less than an ideal home. Petry uses decrepit imagery and forceful personification showing a battle between Lutie, the town, and the wind. The combination of the destructive town, and the winds haunting figure creates an overall feeling of caution within this gloomy road, making the goal seem near impossible.
Have you ever gone to Chinatown supposing to find a culture full of African Americans? Probably not, because that is not where they’re expected to be. We live in a world where colonies of different colored people are expected, or otherwise discriminated into populating distinct spaces; African Americans are supposed to be in the ghetto, Chinese belong in Chinatown, and Caucasians reserve more elite communities. For centuries, each race has been striving to belong in a society where people are accepted as equals and certain jobs are not handed out to favored ethnicities. This form of discrimination has somewhat dwindled down, however, it still has an undeniable impact on the lives of every single generation since mankind was created. In Dionne Brand’s What We All Long For (WWALF), we view and contrast the lives of four different but very similar characters in which they negotiate different aspects of their lives in order to find their own unique and comfortable place in the powerful and diverse city of Toronto. The following essay examines the depiction of global spaces and the effects on diasporic identity through characters Tuyen and Carla from WWALF. I will analyze and contrast the adaptation of the characters to the city, the influence from the characters’ homes, and the connection to the emotional spaces; illustrating the effects on identification.
Amateur City, a city filled with confusion and intolerable human behavior. In this detective fiction novel, Katherine Forrest demonstrates the social, sexual and power dynamic of each character which all leads to the curious homicide of Fergus Parker. In Forrest’s Amateur City there are multiple analysis regarding the characters of the “Modern Office” also including the detective Kate Delafield. Amateur City portrays a huge hierarchy of the predominant human society in which the class of race, ethnicity and gender are all divided in the image of Forrest’s characters. The social, sexual and power dynamic of the “Modern Office” provides a powerful message in Forrest’s Amateur City, which clearly magnifies the realistic and true nature of humanity. This essay will stress upon the representive of Forrest’s characters relating to the modern world.
Although not picturesque at first, the grim energy of the urban wind extracts the dreary colors of “the dirt and dust and grime” (Petry) from the city sidewalks and dances around the readers, entrancing their first glimpse of Ann Petry’s 1946 novel, The Street. Throughout the introduction, Petry portrays the wind through personification as a tour guide in the blustery town. She then includes small important details to make the readers accustomed to the town’s characteristics. By following the wind’s guiding hands Petry explores the wind’s relationship with people in the town through figurative language and finally wrestles with imagery as the focus of the story zooms in on Lutie Johnson and her frustration then reluctant approval with the urban setting.
Maggie lives with a poor and dysfunctional family and a hopeless future with only the small possibility of change. The environment and setting she grows up in do not support anything more than a dull, dreary and pathetic future for her. An old woman asks Maggie's brother Jimmy: "Eh, Gawd, child, what is it this time? Is yer fader beatin yer mudder, or yer mudder beatin yer fader? (Maggie, 10)" while he runs to Maggie's apartment one night. The lack of love and support of her family hinders Maggie's ability to live a happy and fulfilling life. Without knowing that someone loves her no matter what she does or how she acts Maggie may feel desperate enough to change her situation by any means she can, and without any useful guidance. Even without any positive influences Maggie grows up different from the low-life's living with and around her. Crane explains Maggie's uniqueness in the passage "None of the dirt of Rum Alley seemed to be in her veins. The philosophers up-stairs, down-stairs and on the same floor, puzzled over it" (Maggie 16). Maggie's uniqueness gives her the chance to improve her life, but only a slim chance. Even though Maggie differs from the people around her they remain sleazy, making it harder for her to change her life because she must go outside of her community for help.
Maggie’s traits that she gained from her father helped make her the woman she is today. Her
Adrienne Rich once wrote an open letter titled “Politics of Location” that profoundly opened my eyes to a relevantly obvious concept of self-identity. More often than not, one fails to see the truth that sits right before his or her own eyes. However, it is still the responsibility of the individual to be accountable for that truth. The concept of politics of location is simply that one’s life experiences affects one’s perspective. Unintentionally, individuals make themselves the center of reality. When, in actuality, one is only the center of his or her own reality. Rich also goes on to explain that people are different; yet, individuals have an uncanny since of imagined community. That being, the feeling that
Life is a serious of events. Each person comes and goes from one activity to another, a run to the Starbucks on the corner for a morning brew or the boarding of the evening commute back home. In the genre of realism, these every-day monstrosities are explored. This concept, combined with the “scientific principles of objectivity and detachment” (Campbell), creates the style of naturalism in literature. Through his detailed usage of realism, the author Stephen Crane is often portrayed as one of the leading founders of naturalism in American literature. Having been raised in a religious family during the rise of Darwinist ideals, Crane uses the trends of the times and the world around him to create works that are celebrated by critics as some
This can partiality be seen as a result of the book being set in London rather than America, like in “Maggie.” However, the character Tessa had a background similar to Maggie in a couple of ways. Tessa is also from America, and was rather poor. The reason she moves to London to be with her brother is that she sold all of her possessions to pay for her aunt’s funeral. This shows that her and her aunt had very little money to get by on. The thing that sets the two characters apart is that Tessa is educated. This fact is shown in the dialog of Tessa, as she says things like, “I'm awfully obliged to you for everything, Jessamine. Shall we return to the institute now?” (Clare 120). She is well spoken and doesn't get called out by other characters for her speech other than when using what is mentioned in the book as American phrases. This feature of the character seems to be attributed by Clare to the fact that Tessa has a love for books, which would have imparted on her the sort of eloquence that is seen in Crane's world descriptions. While Tessa is poor and begins in a similar position as Maggie, Cassandra Clare uses the character’s ability to converse on the same level with a proper lady like Jessamine to establish that she has the potential to escape from her dire social
My mother often told my sisters and me stories of her childhood move from Virginia to North Carolina. She’d describe the heartbreak of being ripped away from her home, family, and best friends. Although it was painful in the moment, in hindsight she can honestly say that the move was one of the best things that even happened to her. Here she met the love of her life and gave birth to her three girls. The change of environment impacted her life forever. In Great Expectations, Charles Dickens writes of a boy named Pip as he grows and changes as he transitions from his home in the marsh to the hustle and bustle of London. In his novel he proves that our surroundings have a life-changing impact upon us.
I am black, I am a woman, growing up I was called “white girl.” As a black woman from sin city (Las Vegas, NV) the term urban did not describe my reality. Perception can be the only reality that you see in examining the lens of what is “urban”. What is urban? When the word urban comes to mind does it elicit emotions of privilege, pride or fear? Hunter; & Leonardo (2007) look at the term “urban” (particularly in the ghetto) they define it as both a “real” and “imaginary place” and divides the urban perspective into three distinctive categories of “space”: Urban is sophisticated, Urban is authentic, and Urban is a Jungle. Furthermore, from the text the author(s) argue, “daily constructions