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Maggie: A Girl of the Streets illustrates the harshness and grim lives that the lowest class of Americans experienced during the Industrial Revolution. Those without jobs in the factories often turned to alcohol and did not live a long, healthy life. Many men ended up like Maggie's father, a shell of a human being that would do anything for another drink. Others relied on God and the notion of a reward in the afterlife to retain their sanity in their harsh and dreary lives. In his novel, Maggie: A Girl of the Streets, Stephen Crane depicts the state of slum dwelling Americans of the eighteen nineties , believing, much like Darwin, that the disadvantaged laborers will never be able to escape their socio-economic class. Crane's viewpoint on the lives of the lower class in America is very similar to the view of hard determinists. In Maggie: A Girl of the Streets, the protagonist, Maggie, is born into poverty that she will have to live with for the rest of life. Despite growing up in a savage environment, Maggie believes that she can change her future. Maggie's beauty works to her advantage but she has no real education about how the world works other than the dramas that she attended where the poor and virtuous always triumph over the rich and cruel. The truth of her unfortunate situation is that she never had a chance to become successful in life. Crane shows that her many misfortunes along her short life prove this point. One example is Maggie's first meeting with Nell. Her silence during this meeting is a key piece of the reason that Pete left Maggie for the more out spoken Nell. However, if Maggie had spoken, she would have been ridiculed for her ignorance and accent, therefore leaving the lesser of two poor choices, to remai... ... middle of paper ... ...drunken insults. Maggie can no longer fit into even the lowest of social classes and eventually ends up committing suicide. This was brought about by Maggie believing that she could escape her family and her original social status, but Crane brings her hopes and dreams down to reality by having her betrayed by all of her loved ones. Stephen Crane, a man of the upper class during the late eighteen hundreds, sends a message to the people of America through his novel, Maggie: A Girl of the Streets, about "the destructive nature of urban life in the 1890s Bowery," (Maggie: A Girl of the Streets, Bloom's Guides.) He witnessed with bitter cynicism that there was no hope for millions of people who lived lives of barren cruelty in the tenements and slums of American cities. One hundred and twenty one years later no obvious solutions to multi-generational poverty exist.
In the beginning of the novella, Crane introduces the environment of New York City and the growing effect it had. The story took place in the industrialization period in New York City in the 1800s where the poverty rate was at a high. Maggie lived in a tenement building which was joint overcrowded buildings with the lack of sanitation and no privacy. An excerpt from a poem by William Carlos William, The Poor “It's the anarchy of poverty delights me, the old yellow wooden house indented among the new brick tenements” shows the un-controlling poverty of the time. The people in her neighborhood were at the bottom of society white hierarchy. Many people in the neighborhood were drunks including her own mother. Maggie’s neighborhood alone proves to be the start of her own
The narrator has two daughters, Dee and Maggie. Dee was this cute girl who was super intelligent and sophisticated. She often saw herself as being above her mother and sister and would often make them feel stupid and bad about themselves. "She used to read to us without pity, forcing words, lies, other folks' habits, whole lives upon us two, sitting trapped and ignorant underneath her voice". She shows that Dee enjoyed making her mother and younger sister feel dumb about themselves because it made her feel superior. Her whole life Dee detested her family and where she came from and couldn’t wait to get away. But, still her mother worked her booty off to provide her with high education and a good life. Dee goes away to college and when she returns she is a completely different person, suddenly interested in her family; photographing them upon arrival. With her guest, new "Wangero Leewanika Kemanjo", invades her mothers house taking everything in like it’s a cute display for her. Finally, when Wangero (Dee) demands that her mother give her some quilts, her mum can not take anymore. She tells Dee that Maggie, not her, will be receiving the quilts and she snaps. "I did something I never had done before: hugged Maggie to me, then dragged her on into the room, snatched the quilts out of Miss Wangero's hands, and dumped them into Maggie's lap. Maggie just sat
...sents some discrepancies in how people value their family history. To some, family does not mean much at all but others are very much aware of their ancestors and the traits that they share in common. Some people use this self-awareness to better themselves while others find ways of exploiting it to satisfy their superficial needs. Dee is the type of individual that misuses her heritage. She is using it to fit in and attract the new religious group with which she has begun to associate. Maggie just seems oblivious, although the story does not allow the reader to know what she is thinking. The truth is that Maggie and her mother are living their heritage. This is the lesson that Dee's mother is trying to teach her; to accept and embrace who she is rather than continuously search for something she is not. She could search for her entire life and never be fulfilled.
Maggie, although not the main focus of Recitatif, plays an extremely important role in the sense that she represents the idea that there is more to a person’s identity as well as oppression than just their race.
Have you ever seen the Disney movie Cinderella? Cinderella was always jealous of her step sisters always being up lifted, while she was always degraded by her step mother however, at the end everything changed for Cinderella just as it did for Maggie. There are a numerous of themes throughout the story “Everyday Use”. Race is showed when Dee leaves home and comes back embracing her African American cultural. Family also plays a major role in “Everyday Use”. In “Everyday Use” Maggie’s characterization presents her as ignorant; however, a closer look reveals Maggie ignorance is not a representative of her potential but, rather her mother’s bias.
... Maggie ultimately garners respect for herself and her husband- “You're a backward lad, but you know your trade and it's an honest one,”- with her will. The challenge to overcome her father’s oppression garnered her ‘good life’ alongside the respect her father and his family business (Hobson). The search for our definition of the good life is wrought with trials and tribulation, working to overcome deep seeded trends of oppression within society and family.
Maggie relationship with Dee is full of jealousy and envy. Maggie thinks that her sister is better, prettier, and smarter than she will ever be. Because of that, Maggie is shy and intimidated when her sister and her boyfriend come home to visit for the first time in years. Dee on the other hand does not make it any better, because of her jealousy and judgmental ways make Maggie feel unloved and unappreciated. When Maggie is burn in the house fire Dee shows no concern if her sister lives or die. Even their mother knows that their relationship is nonexistent. Dee’s mother said “I used to think she hated Maggie” (Walker 154). Even as adults Dee and Maggie love for one another is arm distance away. Dee feels that her mother and sister are not claiming their heritage and are close minded country
When we meet our narrator, the mother of Maggie and Dee, she is waiting in the yard with Maggie for Dee to visit. The mother takes simple pleasure in such a pleasant place where, "anyone can come back and look up at the elm tree and wait for the breezes that never come inside the house." (Walker 383) This is her basic attitude, the simple everyday pleasures that have nothing to do with great ideas, cultural heritage or family or racial histories. She later reveals to us that she is even more the rough rural woman since she, "can kill and clean a hog as mercilessly as a man." (Walker 383) Hardly a woman one would expect to have much patience with hanging historical quilts on a wall. Daughter Maggie is very much the opposite of her older sister, Dee. Maggie is portrayed as knowing "she is not bright." (Walker 384)
Although the author, Betty Smith, denied ever writing a novel with socially political motives, A Tree Grows in Brooklyn abounds with references to class issues. Nearly every scene, every character illustrates or deals with the problem of poverty in early twentieth-century America. For the Nolan’s, being poor means they must always think about being poor – how they will buy the next load of coal, where their food will come from, their insurance, rent, medicine, all the necessities of raising a family. The novel also shows that poverty is not just the absence of food or comfort, it is the direct cause for Uncle Flittman to leave, Johnny’s utter nothingness and Francie’s inability to go to a high school. Every action in the novel is based around a limited amount of resources, as not only the Nolan’s but also the entire community suffers. Exploitation abounds, whether in the overpriced sale of candy, child labour in metal collection, dishonest grocers and butchers and employers with impunity to set their own rules. Katie does her best with the household money, and we find that for the poor sometimes a luxury isn’t in getting something, but in being able to waste it.
In this story, Maggie is a lot like her mother. They both are uneducated, loving, caring, and allow Dee to run over them. Maggie has been through more things than her mother has though, because of the incident that happened. Maggie has scars like Emily, except Maggie’s scars are from a house fire (319). The house fire has impacted Maggie’s life tremendously, since she is very self-conscious and shy. Walker stated that Maggie is “ashamed of the burn scars down her arms and legs (318). The mother is protective of Maggie and will be there for her whenever she needs her too. Even though her mother knows all her struggles, she still supports her and pushes her to be better. I think that is one reason she pushes her to marry John Thomas, because she wants her to become her own person and to be strong (319). The mother of “Everyday Use” is opposite from the mother in “I Stand Here Ironing”, because she is there for her children no matter what their financial status
In the story “Everyday Use” Walker weaves us into the lives of Momma, Dee, and Maggie, an underprivileged family in rural Georgia. Momma is described as a loving, hard working woman who cares more about her family’s welfare than her appearance. The conflict comes along with Momma’s two daughters Dee and Maggie whose personalities are as different as night and day. Dee, the younger, is an attractive, full figured, light skinned young lady with ample creativity when it comes to getting what she wants and feels she needs. Maggie on the other hand, is darker skinned, homely and scarred from the fire that destroyed the family’s first house. Throughout the story we are told about Maggie’s timid and withdrawn behavior. Her own mother described her as “. . . a lame animal, perhaps a dog run over by some careless person rich enough to own a car . . . That is the way my Maggie walks . . . chin on chest, eyes on ground, feet in shuffle, ever since the fire.” (Handout, Walker) She is constantly overpowered by her dominant sister who “held life in the palm of one hand, that “no” is a word the world never learned to say to her” (Handout, Walker). It seems as if Walker herself find Maggie inferior, seeing as how she is a minor character in the story. Things begin to turn around for Maggie towards the end when she receives the family’s...
The use of color in Stephan Crane’s Maggie: A Girl of the Streets is crucial when looking at the setting of the story; the repeated use of red is significant when describing Maggie’s mother Mary and the importance of color in describing the social system through the story. It is seen prominently when Maggie and Pete go to the theater, parts of the play paralleled the lives of the common people: "The latter spent most of his time out at soak in pale-green snow storms, busy with a nickel-plated revolver, re...
The mother describes her younger daughter, Maggie, as ."..not bright. Like good looks and money, quickness passed her by," and ."..perhaps a dog run over by some careless person rich enough to own a car, sidle up to someone who is ignorant enough to be kind to him...That's the way my Maggie walks." The reader already feels the older daughter Dee, although ."..stylish...with nicer hair and a fuller figure...and full of knowledge" is more like the careless person rich enough to own a car. Although Maggie and her mother make attempts to improve the appearance of themselves and their home for Dee's arrival and seem eager to see her, having no relation to Dee the reader is given no reason to like her. Already Walker is placing value on "slow, self-conscious," Maggie, who plans on marrying and staying close to home, and casting, Dee, who is attractive and cosmopolitan, and could conceivably bring greater resources to her sister and mother, in a negative light.
Maggie lives with a poor and dysfunctional family and a hopeless future with only the small possibility of change. The environment and setting she grows up in do not support anything more than a dull, dreary and pathetic future for her. An old woman asks Maggie's brother Jimmy: "Eh, Gawd, child, what is it this time? Is yer fader beatin yer mudder, or yer mudder beatin yer fader? (Maggie, 10)" while he runs to Maggie's apartment one night. The lack of love and support of her family hinders Maggie's ability to live a happy and fulfilling life. Without knowing that someone loves her no matter what she does or how she acts Maggie may feel desperate enough to change her situation by any means she can, and without any useful guidance. Even without any positive influences Maggie grows up different from the low-life's living with and around her. Crane explains Maggie's uniqueness in the passage "None of the dirt of Rum Alley seemed to be in her veins. The philosophers up-stairs, down-stairs and on the same floor, puzzled over it" (Maggie 16). Maggie's uniqueness gives her the chance to improve her life, but only a slim chance. Even though Maggie differs from the people around her they remain sleazy, making it harder for her to change her life because she must go outside of her community for help.
In Crane’s story the people of a higher socioeconomic standing appear to think less of the people who earn less than them as proven in this passage “By the time he had reached City Hall Park he was plastered with yells of "bum" and "hobo," and with various unholy epithets that small boys had applied to him at intervals, that he was in a state of the most profound depressed state”(Crane 1). Similar to Voltaire’s story those who are successful look down and think less of those who have been unable to rise to their level of intelligence and wealth. Given the perspective of Crane’s story form the young man’s point of view