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Technology has steadily evolved to develop more innovative and productive techniques in the making of various crafts. In addition to enhancing the quality of products, the ability to create them at a higher rate has been discovered. However, quality and quantity are usually inversely proportional to each other. In more recent times consumers have begun to desire Japanese artifacts. Most producers attempt to sate this desire through mass production. While this alternative may be inexpensive, it lacks the high quality that true artisans can deliver. In these cases, consumers are also at fault as they let their desire for instant gratification outweigh their desire for superior creations. Largely, in the production of crafts, producers sacrifice optimal quality for a high output in order to fill the demand for inexpensive products by the consumer.
Until recently, the craft of the Japanese sword had almost been lost as it was being abandoned for various reasons. One of the earliest catalysts of this trend was the Haitōrei Edict, or the Sword Abolishment Edict. The edict was a proclamation issued by the Meiji government on March 28, 1876 that prohibited the carrying of swords in public. While there were exceptions for Japan’s law enforcement, it was one of the earlier steps taken to abolish the samurai class. When this occurred, the market for swords almost collapsed as many swordsmiths had to find a new trade. Eventually, under the occupation of the United States after World War II, there was a complete prohibition on the manufacture and possession of swords in Japan (Kapp 27). This lasted for seven years until 1953. This was due to a meeting between Dr. Homma Junji and General Douglass MacArthur in which Dr. Homma produ...
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...ment level is low, more people will favor quantity over quality” (Kam). Because of this, the majority of consumers embrace the markets of mass produced sword imitators.
These alterations on both the sides of the producers and consumers are negative for many reasons. The foremost difference between the two styles is the forging process. While machine made blades usually rely on the stock removal process, swordsmiths generally use on a process called folding to forge swords. In this process, the layers of metal in the sword would be “folded in on itself around 10 to 16 times to remove impurities” and make it a more uniform piece of metal (Beginners). These folded metals are far superior to the stainless steel metal that is commonly found in replicas. For instance, the steel found in mass produced blades “lose the ‘bite’ of their edge after some use” (Motoyasu).
Thomas Smith is my great, great, great, grandfather that fought in the Civil War. In the Civil War many soldiers were issued swords, such as artillerymen, Cavalry men, and Musicians(Stoddard). Thomas Smith was a Civil War soldier in the 128th regiment of Pennsylvania, wounded and involved in the battle of Antietam and owned and fought with a sword as many others did in the Civil War.
Joseph Conlans “State of War; The Violent Order of Fourteenth Century Japan” is an depth look at Japans emerging warrior class during a time period of constant warfare in Medieval Japan. His work however doesn’t revolve around the re-fabrication and in-depth analysis of battles sieged like many contemporary examinations of wars and battles won and lost. Instead the author vies to navigate the reader on journey into the warrior class’s lives and how they evolved through a statistical analysis of records. This illustrates how warfare changed and transformed with the constant evolving of the Samurai, but it also includes how their actions affected their Political environment as well as the society in which they dwelled from the bottom up. Through his survey of records and documents, Conlan is able to give readers a compelling look into the Warrior class and at times shatters in the process many of the pre-conceived general notions that one may hold about this ancient class of professional warriors. Many of the notions & common misconceptions debunked in this scholarly piece include the idea that the Samurai was a male only fraternity, reserved for those of impeccable candor and loyalty. When truth be known, woman and young men (boys) were also trained in the art of war and thus were as likely to be found on the battle fields as men when times were tough and solider numbers were depleted. Further, another misconception (Generally thought to be caused by the popular and well known; “The Bushido Code: The Eight Virtues of the Samurai”) of the warrior class is that all of these men were truly Samurai which translated to “one who serves” when really, loyalty for the warrior class as Conlan points out only went as far as ones right to ...
The samurai were the warriors for the shogun in the feudal times of Japan. The samurai were one of the highest ranked class. The samurai’s from Japan used a variety of weapons. Some were quite different in design and size and some were very similar. The variety of weapons had a variety of purposes. Most people know of the samurai sword and the shuriken or more commonly known as the ninja or throwing star. What most people don’t know is that there were a lot more then just those weapons. Some of those being the Naginata, Tetsubo and the Kunai Knife.The Samurai
Akutagawa is famous for his use of symbolism and aspects of modernism in order to convey a hidden truth about human nature in society. To put it simply, his story, “In a Grove,” is a tale about a murder. However, underlying throughout the story are themes of deception and honor. The murder victim, a trained samurai is lured into a grove and killed, and the suspects are his wife, the robber, and himself. Rather than plead innocent, each suspect pleads guilty to preserve their honors. The blade is a recurring symbol in this story and shows the preservation of this honor. On page 25 the robber, Tajomaru, claims that he “didn't like to resort to unfair means to kill” the samurai, Takehiko. Instead, he claims that he offered to cross swords with him, and then killed him after twenty-three strokes. In this way the sword represents a means to accomplish an act of honor. To murder the samurai without a fight would be dishonorable, but by using the sword Tajomaru achieves honor. Furthermore, Takehiko goes on to claims, You, you don't use your swords. You kill people with your power, with your money,” (Akutagawa 20). Takehiko makes the accusation that the Ju...
Throughout History, there have been many different groups or events that are still widely known today. Groups of people such as the Indians or Vikings are popular groups which are referenced constantly in today’s society. However, none of these groups is more known or referenced than the Japanese Samurai. Originating in 646 AD, these Japanese warriors developed from a loose organization of farmers to the dominant social class in Feudal Japan. Along with their dominant military and political standing, the samurai brought with them a unique code or moral belief that became the core of Samurai culture. Because of this, the Samurai and their principles still affect modern day Japanese society with social customs today deriving directly and indirectly from the beliefs of the Samurai.
Enchantment of the World, Japan p. 70. 18 Davidson, Judith. Japan - Where East Meets West, p.74. 19 p. /.99. 20 p. 111.
The exhibit contained several examples of Japanese samurai weaponry and protective wear from various time periods. The first piece examined is a frontal plate of a do (chest armor) made of iron from the Momoyama period in the second half of the 16th century.
“About one thousand years ago, people in two societies halfway around the world from each other faced this problem. In Europe, the mighty western Roman Empire had fallen, in the late 400s, leaving a continent divided among weak kingdoms”..... “The warriors of Europe were called knights. The warriors of Japan were called samurai.” (Mini-Q Background Essay). The downfall of the Roman Empire in the late 400s, led to the origination of knights and samurai, in Europe and Japan. These new forms of warriors, arose due to feudalism, that appeared in the land. Samurai and knights may have portrayed similar characteristics, yet in general, these two kinds of warriors fought their own different kinds of battles, with their own different kinds of
Braue, John. "The Fine Art of Seppuku." The Fine Art of Seppuku. Rat's Nest, 19 July 2002. Web. 8 Mar. 2014.
Myths and Legends of Japan Japan has many myths believed to be true by the Japanese culture. Such as: "You can tell a person's character from their blood type". The Japanese creation myth starts off with brother and sister gods Izanagi and Izanani. They dipped a spear into the churning sea and when they pulled it out the drops that fell on the water surface became the islands of Japan. Next, the sun goddess Amaterasu, was created and was soon sent to heaven to rule over the world.
In 1573, however, one man, Oda Nobunga, came to the fore in Japan. He became the Shogun, or military dictator, and for nine years succeeded in gaining control of almost the whole of the country. When Nobunga was assassinated in 1582, a commoner took over the government. Toyotomi Hideyoshi continued the work of unifying Japan which Nobunaga had begun, ruthlessly putting down any traces of insurrection. He revived the old gulf between the warriors of Japan - the samurai - and the commoners by introducing restrictions on the wearing of swords. "Hideyoshi's sword-hunt", as it was known, meant that only samurai were allowed to wear two swords, the short one which everyone could wear and the long one which distinguished the samurai from the rest of the population.
According to the documentary series Craft in America (2009), “the American craft tradition didn’t just appear one day, fully-formed and mature.” Over hundreds of years of history, craft techniques and materials have emerged because of social, political, economic, and technological factors. Master craftspeople have educated apprentices for generations in skills that have been passed down through domestic associations on handicraft goods made in home-based industries. However, industrial globalization, urbanization, and immigration at the end of the nineteenth century brought uncertainty to many regions of the United States, causing many community members to look back to an imagined past. An invention of creative style and conventional comradeship (Anderson, 1983, 7), this “imagined past” was an idea of nostalgia playing a major role in the lives of arts and craftspeople after the Great Depression. In response to arts and craftspeople searching for a more predictable and normal lifestyle, they sought refuge in a lifestyle of familiarity, reaching back to a time when life held less economic and emotional turmoil.
...e respect, honor, and loyalty make this difference for me, but there is something to be said about the comparison. I find that the knights are very efficient, great warriors, and are very similar to samurai’s in a lot of ways. They both wear armor, they both train from a young age, and both are taught about honor, loyalty, and respect; but samurais are taught more effectively in their training, and the Japanese concepts were better. So to answer the essential question of this essay, I would say that there is certainly a large amount of similarities between the two warriors, but if you would consider the samurai’s skills that are better, or enhanced; to be differences, than I would have to conclude with no. The ‘differences’, are far too great in my opinion to say that the similarities are so great that they are almost the same, because they are very different indeed.
A popular ancient Japanese saying states that “The sword is the soul of the warrior.” (Buchanan 120) The warrior in the proverb pertains to the samurai of feudal Japan and the sword refers to their most prominent weapon, the Katana. An ancient blade made through a complicated forging process, the Katana is truly a work of art. Also known as the Japanese long sword or the samurai sword, the Katana is a curved, single-edged blade with ridges along its exterior. It is primarily used as a weapon to cut down or slash its foes (Robinson 28). The ridges along the blade, called the hamon, divides the soft metal components, the shingane, from the hadagane of the hard metal components used to forge the sword to give it its trademark razor sharp edge and flexibility (Turnbull 12). The blade of the Katana is around sixty to seventy centimeters in length and is often likened to the arc of the new moon. With its signature curved edge and its fusion of hard and soft metals, the Katana is considered to be the greatest offensive weapon ever created (O’Neill 114,116). It is a hallmark of Japanese sword history and is a noteworthy aspect of Japanese craftsmanship. The Japanese Katana is an important symbol of Japanese culture whose significance must be asserted.
Our preliminary class gave a brief, yet detailed outline of major events affecting the East Asian region. Within that class, prompted by our limited geographical knowledge of Asia, we were given a fundamental explanation of the geographical locations of the various events taking place in the region. In subsequent classes, we were introduced to the major wars, political shifts, and economic interests which shaped Japan, China and Korea to what they are today. We examined the paradigm of pre-modern Japanese governance, the Shogunate, and the trained warriors which defended lord and land, Samurai. In addition, we examined the socio-economic classes of Medieval Japan, which included the Samurai, peasants, craftsmen, and the merchants. We also examined pre-1945 Japan’s policies toward foreign entities, notably the Sakoku Policy, which sought to expunge all foreign presence and commerce in an effort to protect its borders and culture. 1945, however, saw ...