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Many authors use symbolism to convey messages about society as a whole. One particular symbol which is trans-cultural and appears in much of literature is that of the blade. The blade in many cases embodies masculinity, honor, and courage. In the two stories “In a Grove” and Chronicle of a Death Foretold the authors use the motif of the blade to convey similar messages about the societies in which they take place. Both authors Akutagawa and Marquez use the motif to give an insight into views of honor and masculinity in the societies of Japan and Latin-American countries, respectively.
Akutagawa is famous for his use of symbolism and aspects of modernism in order to convey a hidden truth about human nature in society. To put it simply, his story, “In a Grove,” is a tale about a murder. However, underlying throughout the story are themes of deception and honor. The murder victim, a trained samurai is lured into a grove and killed, and the suspects are his wife, the robber, and himself. Rather than plead innocent, each suspect pleads guilty to preserve their honors. The blade is a recurring symbol in this story and shows the preservation of this honor. On page 25 the robber, Tajomaru, claims that he “didn't like to resort to unfair means to kill” the samurai, Takehiko. Instead, he claims that he offered to cross swords with him, and then killed him after twenty-three strokes. In this way the sword represents a means to accomplish an act of honor. To murder the samurai without a fight would be dishonorable, but by using the sword Tajomaru achieves honor. Furthermore, Takehiko goes on to claims, You, you don't use your swords. You kill people with your power, with your money,” (Akutagawa 20). Takehiko makes the accusation that the Ju...
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...ar masculine in societies where these qualities are highly valued. The fact that the blade appears in both works, and carries similar symbolic meanings, shows that not only is image of the blade is truly trans-cultural, but so are many of the views on honor and masculinity in the Japanese and Latin-American societies. Both masculinity and honor determine how society views a person, and in many cases this is a crucial part of society. The image of blade demonstrates how paramount these aspects are to people of different cultures around the world, and how many strive to be perceived by their society as masculine and honorable.
Works Cited
Akutagawa, Ryunosuke. Rashomon and Other Stories. Transl. Takashi Kojima, Tokyo:
Tuttle Publishing, 1952.
Marquez, Gabriel Garcia. Chronicle of a Death Foretold. Transl, Gregory Rabasa. New York: Vintage International, 1982.
Ideally, the author and the audience must share mutual feelings, and the use of universal symbols in the novel is crucial in understanding the tragic that the family faces (Duckart n.pag). However, the use of universal symbols in Otsuka’s book takes a different dimension by attaching personal symbols to the ideas and feelings of the reader. In the end, nature, colors, and animals are recurrent symbols that are integral in embracing individual symbols that are attached to the tragic times that the Japanese-American family
"13 Happiness Street" is a political satire which relies largely on the subversion of conventional symbols to convey its message. By subversion, I mean the process by which Bei Dao uses unconventional meanings of conventional symbols to undermine accepted literary norms. That is, he offers in place of the common associations of a symbol, another symbolic association that draws its meaning from the context of the narrative. Indeed, the very meaning of the narrative is couched in the language of metaphors and symbols. It is here that the author constructs a narrative using conventional symbols which play upon and also against the reader's expectations. Before we examine the means by which the author subverts the archetypal notions of symbols, it is first imperative to understand how these symbols stand in relation to the narrative and the reader.
The use of symbolism in short stories enhances the meaning behind the literal meaning that the plot poses. It connects the reader towards visually connecting symbols to particular concepts in the story. In the story, “The Paring Knife” by Michael Oppenheimer, introduces us to two characters whom are lovers yet through the finding of a paring knife under their refrigerator, a past unfortunate event in their relationship begins to unfold. Symbolism is present all through the story, as even the title suggests at first that the paring knife will be symbolic to understand the meaning of the story. Symbolism is prevalent in “The Paring Knife”, to contribute to the overall significance of the short story.
The texts I chose for this essay are Fuentes’ Aura and Thomas Ligotti’s The Last Feast of Harlequin. Both are dark tales that are full of symbolism. Interpreting some of this symbolism may tell us why the main character acts the way he does and what his mental state is throughout the story.
Through vivid yet subtle symbols, the author weaves a complex web with which to showcase the narrator's oppressive upbringing. Two literary
Symbolism is commonly used by authors that make short stories. Guin is a prime example of how much symbolism is used in short stories such as “The Ones Who Walk Away from Omelas” and “Sur.” In both of these stories Guin uses symbolism to show hidden meanings and ideas. In “The Ones Who Walk Away from Omelas” there is a perfect Utopian city, yet in this perfect city there is a child locked in a broom closet and it is never let out. A few people leave the city when they find out about the child, but most people stay. Furthermore, in “Sur” there is a group of girls that travel to the South Pole and reach it before anyone else, yet they leave no sign or marker at the South Pole. Guin’s stories are very farfetched and use many symbols. Both “Sur” and “The Ones Who Walk Away from Omelas” have many symbols such as colors, characters, objects, and weather. The four types of symbols that Guin uses help the readers understand the themes in her short stories. Although her stories are farfetched, they need symbolism in them or the reader would not understand the theme; therefore the symbols make Guin’s stories much more enjoyable.
In a well-written short story, different literary elements and terms are incorporated into the story by the author. Ernest Hemingway frequently uses various literary elements in his writing to entice the reader and enhance each piece that he writes. In Hills Like White Elephants, Hemingway uses symbols to teach the reader certain things that one may encounter during daily life. Symbolism may be defined as relating to, using, or proceeding by means of symbols (Princeton). The use of symbols in Hills Like White Elephants is utterly important to the plot line and to the fundamental meaning of the story. Through this use of symbolism, the reader can begin to reveal the hidden themes in this short story.
Leading towards the end of the story, Armand builds a bonfire on the pyre. The bonfire symbolized Armand getting rid of all his memories of his wife and child. Throughout this paper I have shared Chopin’s use of symbolic elements by discussing symbols of racism, social class distinction, and the symbolic elements involving the difference between the gender roles. At the end of the story Armand reads a letter from his mom to his father. Armand finds out that his mother is from the African descent after; he has lost his marriage and family.
In every single novel, the importance of the symbolism is probably as important as the language the novel is written in. Author uses symbolism to create memorable scenes that have a hidden meaning behind their original face value. Symbolism especially plays a huge role in the novel by Albert Camus, ”the Outsider” , where author’s examples imply various emotional short-cuts and serve as a helper to understand the inner world of the main character – Meursault. This is a thought-provoking novel, which brilliantly illustrated Albert Camus’s theme of absurdity. One interesting aspect about “The stranger” is the protagonist, where in his life there are no certain meanings and motives for his actions and his life overall. The absurdity of the protagonist has no rational explanation. Each of the many actions by Meursault have huge influence on the description of the indifference of the world, where symbolism used by the protagonist underlines the human’s dignity and unimportance of the world. In the provocative novel “The stranger” by Albert Camus uses symbolism such as the crucifix, th...
“‘Instrumental’ violence, however, murder for a purpose, - political power, rape, sadistic pleasure, robbery, or some other base gratification – remains the domain of the male. After all, every male is a potential killer in the form of a warrior – and he only becomes a murderer when he misuses his innate physical and socialized capacity to kill for ignoble, immoral, and impolitic reason. While the male is built and programmed to destroy, the female nests, creates, and nurtures. Or so the story goes”.
The reason why William Golding chose to write his work “Lord of the Flies” is because the book was based on his own emotional views of mankind and his disconnection with his parent’s view of the world. His emotional views of mankind also stemmed from being a part of WWII as a member of the Royal Navy where he witnessed many deaths. Golding wanted to share with his readers the true complexity of the rise and fall of social order and the concept of survival of the fittest. Ironically, at the end of the book, a naval officer was their savior.
“In a Grove written by Ryunosuke Akutagawa” is divided into seven different parts to portray different testimonies, confessions or repentances of the murder of the married samurai. The first four testimonies were all people who were bystanders now incorporated with the solving of a murder. The first testimony comes from a woodcutter who found the body lying in a grove of bamboo. He re accounts his findings of the samurai “Lying flat on its back dressed in a bluish silk kimono and a wrinkled head- dress of the kyoto style” (Akutagawa1). The woodcutter describes a wound of a single stroke from a blade on the samurai’s chest. The second testimony is given by a Buddhist Priest. The priest tells of seeing the samurai and his wife riding horseback
Masculinity is changing today as society requires not just a skill set of something that a man should have, but rather certain characters that they should uphold. It is a development of motivating character that stems to actions that define masculinity. Masculinity does not tie to certain set of skills and the process of retaining masculine identity in society today is evolving around one’s knowledge and character. In society today, the concept of masculinity can be possessed in both men and women, depending on certain types of characters that he or she acquires. I this essay, I will discuss about masculinity that embodies in the role of heroes in the two films, Star Wars and The Matrix.
...sequently, the identity of Japanese women within popular culture would transform with the empowerment of Japanese women. They create a new type of identity ‘female masculinity’ which reinforces the reversal of gender roles and the alternative world that it achieves. In a patriarchal society, the characters should be able to influence and inspire the audience to gain confidence and challenge the status quo. From another viewpoint, gender is a type of social construction insofar as they needed the feminine side of masculinity to have a balanced world and to explain it. Although, there will always be a fine line between the ideal and reality because the films are supposed to represent the ideal alternative to the world to resolve the social issues that are not directly discussed. Reality is just supposed to be influenced by it and to understand the problems of society.
A popular ancient Japanese saying states that “The sword is the soul of the warrior.” (Buchanan 120) The warrior in the proverb pertains to the samurai of feudal Japan and the sword refers to their most prominent weapon, the Katana. An ancient blade made through a complicated forging process, the Katana is truly a work of art. Also known as the Japanese long sword or the samurai sword, the Katana is a curved, single-edged blade with ridges along its exterior. It is primarily used as a weapon to cut down or slash its foes (Robinson 28). The ridges along the blade, called the hamon, divides the soft metal components, the shingane, from the hadagane of the hard metal components used to forge the sword to give it its trademark razor sharp edge and flexibility (Turnbull 12). The blade of the Katana is around sixty to seventy centimeters in length and is often likened to the arc of the new moon. With its signature curved edge and its fusion of hard and soft metals, the Katana is considered to be the greatest offensive weapon ever created (O’Neill 114,116). It is a hallmark of Japanese sword history and is a noteworthy aspect of Japanese craftsmanship. The Japanese Katana is an important symbol of Japanese culture whose significance must be asserted.