In a well-written short story, different literary elements and terms are incorporated into the story by the author. Ernest Hemingway frequently uses various literary elements in his writing to entice the reader and enhance each piece that he writes. In Hills Like White Elephants, Hemingway uses symbols to teach the reader certain things that one may encounter during daily life. Symbolism may be defined as relating to, using, or proceeding by means of symbols (Princeton). The use of symbols in Hills Like White Elephants is utterly important to the plot line and to the fundamental meaning of the story. Through this use of symbolism, the reader can begin to reveal the hidden themes in this short story.
Hemingway provides the reader with insight into this story, before it is even read, through the title. The girl in the story mentions the hills that can be seen from the train station and describes them as looking like white elephants. Jig is at a crossroads in her life, accompanied by her partner. She is pregnant and cannot decide whether to choose life for the baby, or to get an abortion. Throughout the story, she experiences persistent uncertainty over what she wants to do with her life. Whatever decision she makes will have a drastic impact in her later years as a woman. While seated at the bar inside the train station, the girl says, “The hills look like white elephants” (Hemingway). The hills that are spotted in the distance directly parallel the decision that Jig must make. Critic Kenneth Johnston was recorded stating, “A white elephant is a rare pale-gray variety of an Asian elephant held sacred by the Burmese and Siamese. The girl’s reverence for life is captured by this meaning of the phrase.” Johnston also says, “A white ...
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...ephants.” Studies in American Fiction. Vol. 10. No. 2. Gale Group, 1999. 233-238. Web. 8 Jan. 2015.
Link, Alex. Staking Everything on It: A stylistic Analysis f Linguistic Patterns in “Hills Like White Elephants.”. The Hemmingway Review. 23.2 (Spring 2004); 66-74. Rpt. In Twentieth-Century Literary Critisism. Vol. 203. Detroit; Gale, 66-74. Literature Resources from Gale. Gale. . 12 Jan. 2015
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While reading short stories, two stood out: Ernest Hemingway’s Hills Like White Elephants and Raymond Carver’s Cathedral. The themes in both stories are powerful and convey strong messages that really pose existential thoughts. Not only is each story’s theme attention grabbing, but so is the common and reoccurring use of symbolism throughout the stories. They did not just use the Element of Fiction symbolism, but even used one common symbol. Ernest Hemingway’s story Hills Like White Elephants and Raymond Carver’s story Cathedral each contain existential and similar themes such as talking versus communicating and looking versus seeing, as well as demonstrating creative and comparable symbolism throughout.
Hills Like White Elephants, written by Ernest Hemingway, is a story that takes place in Spain while a man and woman wait for a train. The story is set up as a dialogue between the two, in which the man is trying to convince the woman to do something she is hesitant in doing. Through out the story, Hemingway uses metaphors to express the characters’ opinions and feelings.
Akers, Tim. “Hills Like White Elephants.” Short Stories for Students. Ed. Vol. 6. Detroit: Gale Group, 1999. Short Stories for Students. Gale. Web. 8 Apr. 2015.
In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the symbolism of their surroundings. Upon examination of the setting, the couple's final choice becomes instantly apparent.
Stukas, Jake. "Literary analysis: Hills Like White Elephants, by Ernest Hemingway." Helium.com. Web. 21 Nov. 2009. .
One can analyze the story of “Hills Like White Elephants,” in the form of the structuralist perspective by using the system of binary oppositions. Robert DiYanni states in the text “Literature Approaches to Fiction, Poetry, and Drama,” that “Structuralist critics find all kinds of opposition in literature, from small scale elements, such as letters and syllables; through symbols, such as light and dark; to motions or directions (up and down)... places (inside and outside)... to elements of plot and character , such as changes of feeling and reversals of fortune” (1583). In addition, Isaiah Smithson’s definition of structuralist criticism supports Robert DiYanni’s statement. He defines it as “A method of analyzing phenomena, as in anthropology, linguistic, psychology, or literature, chiefly characterized by contrasting the elemental structures of the phenomena in a system of binary oppositions” (Smithson 145). Also, one can use Richard Webster’s definiti...
Ernest Hemingway is an incredible writer, known for what he leaves out of stories not for what he tells. His main emphasis in Hills Like White Elephants seems to be symbolism. Symbolism is the art or practice of using symbols, especially by investing things with a symbolic meaning or by expressing the invisible or intangible by means of visible or sensuous representations (merriam-webster.com). He uses this technique to emphasize the importance of ideas, once again suggesting that he leaves out the important details of the story by symbolizing their meaning.
Most people who read “Hills Like White Elephants” are unaware of Hemingway’s emotional ties to the story. The relationship and abortion in this unique short story, reflects a conflict he had 4 years prior in 1923. After the divorce, it became a third-person narrative and the story was
"Slopes Like White Elephants" composed by Ernest Hemingway is about a young lady grappling with the possibility of fetus removal because of the weights and impacts of the man in the relationship. The expression which emerged and was rehashed regularly all through the section the slopes resembling "white elephants." Throughout the entry, one can perceive how as the young lady examines the white slopes she starts to reflect and acknowledge how remarkable her child is. The young lady starts to reexamine the premature birth. This suggestion connects the unborn youngster and the white elephant. The man sees the task as a straightforward restorative system and he tries his best to convince her into it. As she considers his perspective she takes a