“In a Grove written by Ryunosuke Akutagawa” is divided into seven different parts to portray different testimonies, confessions or repentances of the murder of the married samurai. The first four testimonies were all people who were bystanders now incorporated with the solving of a murder. The first testimony comes from a woodcutter who found the body lying in a grove of bamboo. He re accounts his findings of the samurai “Lying flat on its back dressed in a bluish silk kimono and a wrinkled head- dress of the kyoto style” (Akutagawa1). The woodcutter describes a wound of a single stroke from a blade on the samurai’s chest. The second testimony is given by a Buddhist Priest. The priest tells of seeing the samurai and his wife riding horseback
toward the town of Sekiyama. Third testimony is from a police officer whom didn’t have run ins with the murdered samurai rather the expected murderer: Tajamaru. The final testimony is from the mother of the samurai’s wife. Akutagawa used this emotional questionnaire to give personal info on the samurai, and his wife, Masago. The last three sections are each personal experiences of the murder coming from: Tajomaru (portrayed murderer), Masago (wife of samurai) and finally the ghost of the dead samurai. All three personal experiences are different from one another, as if trying to cover up who really murdered the innocent samurai. Akutagawa finishing the chapter without closure leaves it up to the reader to decide what really happened in the grove.
Men must face hardships. Men must face disease. Men must face each other [Parallel]. Men constantly pressure one another into perfection. Some men, however, crumble under the burden looming over their heads [FoS]. When some men cannot face themselves or those around them any longer, they choose a dangerous and deadly escape. They would rather commit suicide than face their hardships. In the japanese culture, society encouraged seppuku to end a life before a man brought dishonor to his family. In a world full of yearning for honor, young men learned that they must express courage through suicide to fulfill their honorable ancestors’ wishes. Gail Tsukiyama uses her novel The Samurai’s Garden to prove that only
At this point, the speaker's newfound empathy toward the killer prompts his diatribe about American support of capital punishment. He begins with a hypothetical portrayal of an audience chaotically discussing the meaning of the word "kill," each person exclaiming "how they spell it" and "what it means to them." Subsequently, he recounts a story about insensitive reporters at a hanging, followed by a claim that "we throw killers in one grave / and victims in another. We form sides / and have two separate feasts." While the speaker may seem to be utilizing the description of the audience and the story of the reporters in order to denounce the mindset of his peers, he is in fact condemning his own former mentality. By denying five times that he is a witness, the speaker avoids the guilt that results from involvement in the death of another man. Through his repeated use of the phrase "I am not a witness," he essentially enables and catalyzes the execution of the killer, dismissing his humanity and conforming to the opinion that he deserves to be killed; however, once the speaker recognizes his fault and his conformity to this mindset, the tone of the poem suddenly shifts. The speaker's empathy for the killer reaches its maximum when he fully understands the pain of the condemned and finally sees the killer as his equal, which prompts his own admission of guilt and prior indifference: "I am a
There are some literary devices or methods that can be applied in analyzing a given story that can either be short or long. Other aspects include literary devices, contrast, repetition, and anomalies (Wallek and Warren, 1956). In this task, I will use the short story, The First Day, which is written by Edward P. Jones. I will provide a summary of the story and later analyze it by identifying the devices used and how they have been applied to bring out the meaning of the story. The story is about a little girl seeing her mother as a flawed woman. The first day of school or the young girl, she found out her mother is not perfect. It’s not easy when you grew up expecting something, but after a while you find out the opposite is completely right.
Akira Kurosaw’s Seven Samurai is a film that encompasses various ideologies in order to allow the audience to understand the lives of Japanese people during the 1600’s. The film delves deep in social issues of the roles of the people within the society, the expectations as well as the obligations within the respected castes and elements within groups of ; suffering, working together, protecting family and working for the better good of the community.
Joseph Conlans “State of War; The Violent Order of Fourteenth Century Japan” is an depth look at Japans emerging warrior class during a time period of constant warfare in Medieval Japan. His work however doesn’t revolve around the re-fabrication and in-depth analysis of battles sieged like many contemporary examinations of wars and battles won and lost. Instead the author vies to navigate the reader on journey into the warrior class’s lives and how they evolved through a statistical analysis of records. This illustrates how warfare changed and transformed with the constant evolving of the Samurai, but it also includes how their actions affected their Political environment as well as the society in which they dwelled from the bottom up. Through his survey of records and documents, Conlan is able to give readers a compelling look into the Warrior class and at times shatters in the process many of the pre-conceived general notions that one may hold about this ancient class of professional warriors. Many of the notions & common misconceptions debunked in this scholarly piece include the idea that the Samurai was a male only fraternity, reserved for those of impeccable candor and loyalty. When truth be known, woman and young men (boys) were also trained in the art of war and thus were as likely to be found on the battle fields as men when times were tough and solider numbers were depleted. Further, another misconception (Generally thought to be caused by the popular and well known; “The Bushido Code: The Eight Virtues of the Samurai”) of the warrior class is that all of these men were truly Samurai which translated to “one who serves” when really, loyalty for the warrior class as Conlan points out only went as far as ones right to ...
Musui’s Story is the exciting tale of a low class samurai’s life towards the end of the Tokugawa era. Although one would normally imagine a samurai to be a noble illustrious figure, Musui’s Story portrays the rather ignominious life of an unemployed samurai. Nonetheless, this primary account demonstrates the tenacity of samurai values and privileges present at the end of the Tokugawa shogunate. The social status of samurai had been elevated to such a state that even someone like Musui was easily able to gain influence in everyday affairs with his privileges. Not only that, but he had retained his values as a warrior and still kept great pride for his arts in weaponry.
Misery, trauma, and isolation all have connections to the war time settings in “The Thing in the Forest.” In the short story, A.S. Byatt depicts elements captured from both fairy tale and horror genres in war times. During World War II, the two young girls Penny and Primrose endure the 1940s Blitz together but in different psychological ways. In their childhood, they learn how to use gas masks and carry their belongings in oversized suitcases. Both Penny and Primrose suffer psychologically effects by being isolated from their families’ before and after the war. Byatt depicts haunting effects in her short story by placing graphic details on the girls’ childhood experiences. Maria Margaronis, an author of a critical essay entitled “Where the Wild Things Are,” states that “Byatt’s tales of the supernatural depend on an almost hallucinatory precision for their haunting effects.” The hallucinatory details Byatt displays in her story have an almost unbelievable psychological reality for the girls. Penny and Primrose endure the psychological consequences and horrifying times during the Blitz along with the magical ideas they encounter as children. As adults they must return to the forest of their childhood and as individuals and take separate paths to confront the Thing, acknowledge its significance in their childhoods, and release themselves from the grip of the psychological trauma of war.
The short story “An Occurrence at Owl Creek Bridge” by Ambrose Bierce, exemplifies the idea of dream versus reality. A dream is believe that comes from the deepest stage of your mind. Is based on ideas, emotions and sensations that sometimes are related to our real life or just a fantasy. Reality is a succession of events that exist.
Akutagawa is famous for his use of symbolism and aspects of modernism in order to convey a hidden truth about human nature in society. To put it simply, his story, “In a Grove,” is a tale about a murder. However, underlying throughout the story are themes of deception and honor. The murder victim, a trained samurai is lured into a grove and killed, and the suspects are his wife, the robber, and himself. Rather than plead innocent, each suspect pleads guilty to preserve their honors. The blade is a recurring symbol in this story and shows the preservation of this honor. On page 25 the robber, Tajomaru, claims that he “didn't like to resort to unfair means to kill” the samurai, Takehiko. Instead, he claims that he offered to cross swords with him, and then killed him after twenty-three strokes. In this way the sword represents a means to accomplish an act of honor. To murder the samurai without a fight would be dishonorable, but by using the sword Tajomaru achieves honor. Furthermore, Takehiko goes on to claims, You, you don't use your swords. You kill people with your power, with your money,” (Akutagawa 20). Takehiko makes the accusation that the Ju...
Snow Falling on Cedars opens up in the middle of Kabuo Miyamoto’s trail. A trail that deals with a first degree murder case, that Kabuo was being accused of murder of a white fellow fisherman by the name of Carl Heine. In this murder case, racism has played a very important role in affecting the judgement and outcome of the trail. As being Japanese, Kabuo has been placed under a very unpleasant circumstance. The evidences founded had lead the investigator, Sheriff Art Moran to believe that Kabuo was somehow suspicious. Together with the judgement made by the coroner of the wound on the victim’s head, which was predominantly affected by his racist thought toward Japanese....
First came the pride, an overwhelming sense of achievement, an accomplishment due to great ambition, but slowly and enduringly surged a world of guilt and confusion, the conscience which I once thought diminished, began to grow, soon defeating the title and its rewards. Slowly the unforgotten memories from that merciless night overcame me and I succumbed to the incessant and horrific images, the bloody dagger, a lifeless corpse. I wash, I scrub, I tear at the flesh on my hands, trying desperately to cleanse myself of the blood. But the filthy witness remains, stained, never to be removed.
guilt, greed, betrayal, and murder are no strangers. In this story an honorable warrior and
One of the most fundamental philosophies of the samurai is that of detachment from the self. This detachment allows for a freedom from fear, which is essential to the samurai warriors. In the opening of Hagakure, Tsunetomo states that “the Way of the Samurai is found in death”. These rank among the greatest and most well known phrases in Japanese history, and in fact in the history of the world. Death is not to be feared by the samurai, it is to be embraced. The relationship between the samurai and his master is of the utmost importance, and only through detachment can the samurai fully and properly serve his master. These are two core, fundamental philosophies of bushido, and both can are reminiscent of similar ideologies in Buddhism, and Confucianism.
In the beginning of this story, one expects for the characters to follow the concepts that they represent. This story displays one man's journey to leave his home and comfort zone in order to fully explore his curiosity. He goes off into a forest and undergoes a life changing experience there. He encounters three different things that set him on the path to the journey of knowledge. This forest was symbolic of an assessment of strength, bravery, and survival. It took determination to survive in the forest and the young person entering into it would not emerge the same. Conversely, this story is more representative than realistic and the peril is of the character. This story is more of a vision or conscious daydream th...
Knowing a victim of an unforgettable and unforgivable crime will cause a person to lose a type on innocence. However, witnessing the heinous violation of the victim is much stronger. After the witness sees and hears the exact event, it is nearly impossible to disregard his or her memory. This is true in the short story “In the Shadow of War.” The protagonist of the literary work, a young boy named Omovo, witnesses the killing of a woman.