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Essays on war and trauma
Essays on war and trauma
Suffering in the trenches
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Question 2 Orozco’s masterwork “The Trench” (1926) is a restrained yet disconcerting representation of the revolution’s violence. Orozco haunted by the carnage and chaos he had witnessed firsthand emphasizes on the death, suffering, and violence brought on by the revolution. Three soldiers are seen as they fall to their death, their falling and lifeless bodies form a tilted cross. The cross, which is another stereotypical and favored symbols of mexicanidad. Orozco implemented this christian iconography in a cubist arrangement which was distinct in the modernist style of twentieth century Mexico. While Orozco was the least politically dogmatic and the most outwardly pessimistic, Diego Rivera idealized the armed struggle of the peasants. Rivera’s
This art analysis will define the theme of the universality of 20th century modern warfare in the context of modern works of art by David Levinthal and Roger de la Fresnaye. David Levinthal’s “Untitled” (1972) is commentary on the mass killing of modern warfare in the 20th century, which killed many millions of men during Hitler’s invasion of Europe. Levinthal’s childhood imagery of tanks, soldiers, and homes visualize the mass killing of war as a “universal” concept in the depiction of the modern psyche. Roger de la Fresnaye’s “Artillery” (1911) is also a commentary on cubist imagery that projects a military
Catlett and her husband were deeply involved in activism and politics. In her article titled----, Herzog writes that “ The Taller de Grafica Popular, was known to progressive artists here as well. Like the paintings of the Mexican muralist, the work of the Taller had its ideological roots in the expressions of indiginism and national cultural identity known as Mexicanidad , or ‘Mexicanness’. ” Because one of their goals was to produce a national identity, their art was made for everyone, including poor people. At the taller, they did linoleum print because the linoleum print was an inexpensive medium and thus was perfect for public art. In addition, most of Catlett`s work focused on portraying women of
The Mystery of Chaco Canyon introduces viewers to a very complex structure that was built by Ancient Pueblo Indians. Although there is no language to explain the structure’s meaning and purpose, researchers were able to read their architecture as a language. Four themes that were extracted from the structure were, the native’s immense understanding of astronomy, the use for the structure, the level of spirituality that the structure represents, and migration from Chaco Canyon.
“The Contact Zone”, is defined by Mary Louis Pratt as “the space in which transculturation takes place – where two different cultures meet and inform each other, often in highly asymmetrical ways.” Pratt describes what she calls ‘contact zones’ and elaborates on the pros and cons of these cultural interactions. She sees the contact zone as a place that allows people to exchange cultural ideas and break down the dividing cultural borders. When a contact zone is started, people are able to interact on new levels gaining a new perspective because they are able to collaborate with people from foreign cultures. If you are always with people of the same culture as you, you become used to hearing everything from the same perspective. With a new perspective, you can see your culture from a different point of view and reanalyze the logic behind your cultural traditions. Every ethnic/ religious/ regional/ cultural group has its high and low points, and it is just as important to learn about the low points as it is to learn about the highs. Gloria Anzaldua’s essay, “how to tame a wild tongue”, focuses on the ideas of losing an accent or native language to conform to the dominant culture.
In The Underdogs written by Mariano Azuela, we are introduced to a character that strongly symbolizes the fuel of the Mexican Revolution. Heroes like Demetrio Macias brought the Serrano’s hope of giving them what they felt they truly deserved. Although Demetrio Macias, the general (colonel) of a rebel army is hunting down the army of Pancho Villa, he seems to have the same ideals as the enemy. In addition to Demetrio Macias, we meet women like Camilla and War Paint who represent the different roles that women played during the Mexican Revolution.
The corrido has been identified as having distinctive characteristics that make up its theme and plot. First, the corrido has a “context of hostile relations between Anglos and Mexicans along the border and the establishment of a scenic structure, geographical locale, and opposing social forces” (Mendoza 146). The corrido’s hero “is a hard-working, peace-loving Mexican, who, when goaded by Anglos, outrages into violence, causing him to defend his rights and those of others of his community against the rinches, the Rangers” (Saldívar). This hero “is quickly introduced in legendary proportions and defiant stature” and many people must die before the hero reaches his triumphant, but tragic, demise (Mendoza 146).
“In memory of the men and women who served in the Vietnam War and later died as a result of their service. We honor and remember their sacrifice”(“Vietnam War in Memory”). This simple inscription stands at the Vietnam Veterans Memorial in recognition of the names who are not able to join the walls with their fellow soldiers. The memorial as a whole contains the names of deceased Vietnam veterans, and stands tall for people to view and remember their friends and relatives who fought diligently in the war. However, Maya Lou’s Vietnam Veterans Memorial is a very controversial piece of art because of the public image towards the war, the making of the memorial and the powerful message represented in the work.
Diego Rivera was deemed the finest Mexican painter of the twentieth century; he had a huge influence in art worldwide. Rivera wanted to form his own painting fashion. Although he encountered the works of great masters like Gauguin, Renoir, and Matisse, he was still in search of a new form of painting to call his own (Tibol, 1983). His desire was to be capable of reaching a wide audience and express the difficulties of his generation at the same time, and that is exactly what h...
Another form of expression and bringing awareness was through the way of art. The style of art and representation solely raised from the Chicano movement. Murals played a big part in the activism and progression people wanted to see. Most, if not all murals represented native Mexicans and their struggles of being oppressed. All murals told a story whether it was Mexico’s poverty or the farming industry. Many popular symbols and images were used again in the Chica...
Life in Mexico was, before the Revolution, defined by the figure of the patron that held all of power in a certain area. Juan Preciado, who was born in an urban city outside of Comala, “came to Comala because [he] had been told that [his] father, a man named Pedro Paramo lived there” (1). He initially was unaware of the general dislike that his father was subjected to in that area of Mexico. Pedro was regarded as “[l]iving bile” (1) by the people that still inhabited Comala, a classification that Juan did not expect. This reveals that it was not known by those outside of the patron’s dominion of the cruel abuse that they levied upon their people. Pedro Paramo held...
World War One was one of the deadliest results of human violence, simply to attain riches, land, and to fulfill the greed for victory and pride. Young and old men alike were deceived into joining war to fulfill a fictitious and nationalistic duty, and were forced to live in the inhumane conditions in the trenches, offering their lives as a patriotic duty. In Wilfred Owen’s poem, “Dulce et decorum est”, the readers are given an accurate description of the hardships and horrors of the world war 1, through the personal experience and eyes of Owen himself. Poetic devices and figurative language were both used immaculately in representing the tormenting situations that the soldiers were placed in. Vibrant imagery, themes and irony were also incorporated exceptionally into the poem, adding depth and meaning. With a remarkable use of techniques, Owen really creates a mental image of utter despair, disgust, revulsion and well, war in our minds.
In the book The Labyrinth of Solitude by Octavio Paz depicts Mexican as an identity almost like a tangible object seeking its place in the world. It is an account of Mexican history since the beginning in Spanish conquest to the revolution. He refers to himself as a Mexican which makes his writing more personal where he uses “I” and “ours” in the book. Throughout the book he focuses on a variety of subjects that directly relate to Mexican identity such as the Day of the Dead, “He is even familiar and complacent in his dealings with it. The bloody Christs in our village churches, the macabre humor in some of our newspaper headlines, our wakes, the customs of eating skull shaped cakes and cadies on the Day of the Dead,
The Sand Cone Model describes business improvement as a process which should be based on improving specific competitive dimensions in a different order (Meredith & Shafer, 2013). For instance, a business which is struggling with quality outputs should place an emphasis on improving the quality of its outputs first. Businesses that produce high quality outputs are successful over the long term. Matthew 7:24-25 (ESV) states, “Everyone then who hears these words of mine and does them will be like a wise man who built his house on the rock. And the rain fell, and the floods came, and the winds blew and beat on that house, but it did not fall, because it had been founded on the rock.” When a business builds its foundation on
Wilfred Owen is most famous for his anti-war poem in which he is able to portray gruesome images of the Great War. He also uses caesura in order to further emphasize his point of view through his poems. Through his use of enjamed lines he successfully foreshadows what is to come next in his poems. He is still considered by most critics “the best” of the English poets of the “great war” (Hoffpauir 41). Owen was recognized for his courage and rewarded with the Military cross (Encyclopedia Britannica). In Wilfred Owen’s poem “Dulce et Decorum Est” the writer uses imagery to portray his theme that if the gruesome truth behind war was acknowledged it wouldn’t be praised and honored.