Analysis of The Underdogs by Mariano Azuela In The Underdogs written by Mariano Azuela, we are introduced to a character that strongly symbolizes the fuel of the Mexican Revolution. Heroes like Demetrio Macias brought the Serrano’s hope of giving them what they felt they truly deserved. Although Demetrio Macias, the general (colonel) of a rebel army is hunting down the army of Pancho Villa, he seems to have the same ideals as the enemy. In addition to Demetrio Macias, we meet women like Camilla and War Paint who represent the different roles that women played during the Mexican Revolution. The character of Demetrio Macias proves to be quite ironic. One facet of his character reveals his determination to find Pancho Villa’s army, while the other side of his character parallels the extraordinary qualities Pancho Villa had as a hero. People viewed Pancho Villa as a revered hero who pushed out foreign "proprietors" and fought for the common man. On one hand, there is the compassionate man who helped those in need and rescued orphans providing them with food, education, and a home. On the other hand, there was the ferocious general who destroyed villages and killed innocent victims. Villa was generous and helpful to his followers, of which he insisted on loyalty and trust, but to those who violated his trust and authority, he was merciless and cruel. We can clearly see the similarities of these two leaders when we analyze their noble actions. Demetrio’s reluctance to stop ...
The Parsley Massacre was the first instance where the world realized that Rafael Trujillo was a ruthless dictator. Rafael Trujillo's 1937 massacre of the Haitians, was his first time committing mass murder. This massacre killed more than 20,000 Haitians and even some Dominicans (“Dominican Republic and the Parsley Massacre”). Even though Trujillo committed this treacherous act, he still defended himself with, “He who does not know how to deceive does not know how to rule” (1 “Rafael Trujillo”). It is crazy that even when he went extremely public with his terror, he still tried to defend himself. The Parsley Massacre symbolized that the man who was supposed to lead and benefit the Dominican Republic was actually ruining their country one treacherous act at a
In this biographical paper, I will be exploring the history of Juan Cortina, a man who is a hero or bandit depending on who you ask, his historical significance, and then exploring what we know of Juan and what we can deduce about his personality.
Pancho Villa and the Road to GloryPancho Villa once said, “I am not an educated man. I never had an opportunity to learn anything except how to fight.” Though greatly viewed as cruel and villainous, Villa is one of the most important generals in Mexican history. Fighting for the people’s rights and Mexico’s independence, he took brutal action against the towns and people that supported the continued ruling of President Carranza. Even though Pancho Villa was looked down upon by most of the Mexican population and, after a series of events, the United States because of his mistakes in battles, he was also seen as a hero to families, such as the Garzas, that faced the hardships of a dangerous and unstable government.
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
The novel, The Underdogs by Mariano Azuela is a great perception of the Mexican Revolution. The stories of exploits and wartime experiences during the Mexican Revolution was fundamentally driven by the men. The war was between the people and the government. Throughout the novel, these men had to isolate themselves from their families and battle for a cause they greatly believed in. Even with not enough resources, the people were able to fight aggressively in order to overthrow the government. Regardless of the men who were at war, there were two females who played a significant role in the Mexican Revolution, Camila and War Paint. While the representation Mariano Azuela captures these ladies and their role in society are accurate, he neglects
The role of strong female roles in literature is both frightening to some and enlightening to others. Although times have changed, Sandra Cisneros’ stories about Mexican-American women provide a cultural division within itself that reflects in a recent time. The cultural themes in Cisneros’s stories highlight the struggle of women who identify with Mexican-American heritage and the struggle in terms of living up to Mexican culture – as a separate ethnic body. The women in Sandra Cisneros’ stories are struggling with living up to identities assigned to them, while trying to create their own as women without an ethnic landscape. In Sandra Cisneros’ stories “Woman Hollering Creek: and “Never Marry a Mexican” the role of female identities that are conflicted are highlighted, in that they have to straddle two worlds at once as Mexican-American women.
Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that
When drastic changes are needed to be done for equal opportunities and a better chance for the future a revolt is bound to happen. So with the Mexican revolution going on and men off to fight, the women faced many personal and governmental issues at home. Eventually being mobilized through political destruction, women were able to change the roles they were perceived, restrictions amongst them lessened, and Hermila Galindo became a huge factor with it all as she had political connections. In the end, the women of Mexico were bounded successfully in which they change how they were look upon among men and the rest of Latin America.
After the Mirabal family met Lio, they all thought that he was a man of wisdom. Once the news of his revolutionary actions became known, Mama was against the girls seeing Lio, especially Minerva. “But I didn’t know they were communist ideas!” Minerva and Dede came together so that they could both see their ‘secret loves’. The girls weren’t the only one’s to be affected by God. The whole country was very religious. “paper fans with the Virgencita on one side and El Jefe on the other.” Trujillo wanted to make himself loved just the same as the people of the DR loved God. This is evident in the Mirabal household, where Trujillo’s portrait is hung up right besides a holy
They’ve set a shining example of how the will to make a difference can have drastic and incredible results effective or not to the immediate situation at hand, it encourages the surrounding people to question the value of their freedom. After the dictatorship fell, the trial of the murderers was on T.V. for a month, and they admitted to killing the Mirabal sisters and Rufino by strangulation. Although they died however, their sacrifice had not gone unnoticed. The memory of their sacrifice is honored today, by a national holiday and monuments, and through these closure is found, but their story is not lost. “Las Mariposas” leave an important legacy that enforces the ever existing
Los de Abajo, the realistic portrayal of those involved in the Mexican Revolution? After only reaching a small audience with serialised publications of Los de Abajo, the importance of the novel and author, Mariano Azuela, only became apparent in the 1920’s. The rugged nature of the narrative in the novel proved to be something different to the norm of the romanticised literature that had been published regarding the revolution. A testimonial view provided by an eyewitness account offered ‘mexicanidad’ and a realistic snapshot of life in that era. Azuela writes all from memory and draws from his real life witnessing of the Mexican revolution, thus all the characters are somewhat an indication to the people that were involved. Therefore it is
Gender is an essential matter in this novel. Sandra Cisneros dedicated the book to women, particularly las mujeres. The amount of oppression suffered by women, mainly colored women is exhibited in this literacy piece. The woman that is repeatedly mentioned on the windowsill serves as a metaphor representing the women who are trapped in a home and must take on the role of a mother, daughter, or wife. As Esperanza describes her neighborhood, she mentions various women whom she does not wish to be like. There is for example, her grandmother whom she was named after. Esperanza hates her name for what it signifies, ‘hope’ and to ‘wait’. She felt that this name
In 1910, the first social upheaval of the 20th century was unleashed in Mexico. Known as the Mexican Revolution, its historical importance and impact inspired an abundance of internationally renowned South American authors. Mariano Azuela is one of these, whose novel, "The Underdogs" is often described as a classic of modern Hispanic literature. Having served as a doctor under Pancho Villa, a revolutionary leader of the era, Azuela's experience in the Revolution provides The Underdogs with incomparable authenticity of the political and social tendencies of the era between 1910 and 1920. The Underdogs recounts the living conditions of the Mexican peasants, the corruption of the government troops, and the revolutionary zeal behind the inspiring causes of the revolution. In vivid detail and honest truth, Azuela reveals the actuality of the extent of turmoil that plagued Mexico and its people during the revolution. However, before one can acknowledge The Underdogs as a reflection of the Mexican Revolution one must have an understanding the political state of Mexico prior to the Revolution and the presidents who reigned during it.
The Vicario brothers in Gabriel García Márquez’s Chronicle of a Death Foretold and Esteban Trueba of Isabel Allende’s The House of the Spirits are prime examples of vengeance not being sweet relief, but instead a bitter burden. Even if it is meant to protect personal morals and values, the act of escalating the anger into violence will never satisfy. The keen understandings of the Chronicle of a Death Foretold’s narrator and Alba give hope for the future to not be rot by the illogical thought that revenge is sweet because in reality, it eventually turns bitter.
Life in Mexico was, before the Revolution, defined by the figure of the patron that held all of power in a certain area. Juan Preciado, who was born in an urban city outside of Comala, “came to Comala because [he] had been told that [his] father, a man named Pedro Paramo lived there” (1). He initially was unaware of the general dislike that his father was subjected to in that area of Mexico. Pedro was regarded as “[l]iving bile” (1) by the people that still inhabited Comala, a classification that Juan did not expect. This reveals that it was not known by those outside of the patron’s dominion of the cruel abuse that they levied upon their people. Pedro Paramo held...