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House on Mango Street Analysis Sandra Cisneros’ novel, The House on Mango Street, examines various key issues within established social systems. As a bildungsroman story, not only is there much growth and development experienced by the character, but from the reader as well. This is because the novel challenges false preset notions that one may have of the main character’s culture. In tearing down custom barriers and voicing out painful truths, there is a deeper understanding of Latina culture in the United States of America. Sandra Cisneros empowers the women who are living in a patriarchal society and her main character, reinforced by her name, Esperanza, gives women just that, hope. Gender is an essential matter in this novel. Sandra Cisneros dedicated the book to women, particularly las mujeres. The amount of oppression suffered by women, mainly colored women is exhibited in this literacy piece. The woman that is repeatedly mentioned on the windowsill serves as a metaphor representing the women who are trapped in a home and must take on the role of a mother, daughter, or wife. As Esperanza describes her neighborhood, she mentions various women whom she does not wish to be like. There is for example, her grandmother whom she was named after. Esperanza hates her name for what it signifies, ‘hope’ and to ‘wait’. She felt that this name …show more content…
Papa for example is a hardworking man and does what he must do to make ends meet. Esperanza’s family may represent the typical immigrant family; Hence, Esperanza’s parents are both hardworking, loving, supportive and very caring. Many immigrant parents are very selfless and give everything they have for their child to succeed. Esperanza is the Chicana who is fortunate enough to have this support and move ahead in life. Although she may not have the money, she has the support and Sandra Cisneros does a great job emphasizing on the importance of a community, of a family in order to
Throughout The House On Mango Street by Sandra Cisneros, many symbols, themes, and motifs appear while analysing the story of Esperanza growing up on Mango Street, a poor neighborhood. Symbols are a very big part of this book, because without deeper consideration of the text, this book would just be a series of dull, unrelated stories. One of the most prominent symbols in this story is the symbol of shoes representing our main character, Esperanza, maturing and adjusting into womanhood and her sexuality.
To them, they feel scared, in danger, and afraid of the people and environment. But to those who live there, they know better. People like Esperanza know everybody and feel safe around others. However, if they were to go to another neighborhood, they too would be frightened. This excerpt depicts a sort of racial prejudice found in society. It all depends on if you know the people in that neighborhood. “But we aren’t afraid. We know the guy with the crooked eye is Davey the Baby’s brother, and the tall one next to him in the straw brim, that’s Rosa’s Eddie V., and the big one that looks like a dumb grown man, he’s fat Boy, though he’s not fat anymore nor a boy.” (Cisneros 28). She understands this sad truth found in society, showcasing her maturity and comprehension of how the world works and how people feel in a foreign environment. By understanding such a thing, Esperanza expresses her intelligence, maturity, and feelings about
Born in Chicago Illinois, into a family of seven children, being the only daughter Sandra Cisneros is a Mexican American novelist and feminist writer. She has been one of the first Mexican American women to receive recognitions for her writing and has sold to date million of copies of her well known book, The House on Mango Street. Sandra Cisneros is an inspirational woman who writes about heroines, strong women who overcome stereotypical barriers. But also gives life to characters who dream and long for economic independence, such as Cleofilas in Women Hollering Creek. Cisneros grew up in the “barrios”, or ghettos of Chicago and moved back and forth thanks to her father’s homesickness and love for Mexico. Being the only woman in the family, other than her mother, she lived a suppressed childhood, wanting to be just as independent as her brothers an...
Sandra Cisnero’s House on Mango Street offers a first-hand account of the poverty encountered by many Mexican Americans. Esperanza, a young Mexican American girl, shares a variety of experiences that closely follow her development of identity and maturity. Throughout the novel, Esperanza follows the process of maturity and learns the ways in which gender, class, and ethnicity affect her place in society.
In Sandra Cisneros’ The House on Mango Street she captures the lives and difficulties of poor Hispanic women through the eyes of a young character named Esperanza. Though Esperanza’s age is not specified at any point in the story it is very clear that she is going through the motions of growing up. In this story Cisneros shows the many troubles these women face such as conflicts with themselves, their husbands (and men in general), and their culture. She also presents the limiting choices they make.
In The House of Mango Street, Sandra Cisneros depicts the character of Esperanza as a coming-of-age female who dreams about having a house of her own. The house will bring for her the personal and family stability that she needs; as evidenced by the way the author uses the house to represent Esperanza’s search for what she wants to be as an artist and as a woman. This is significant because it speaks about how people may use their imagination as a means to reinvent themselves.
Stereotypes and Child labour. Then out of the blue a boy who likes clouds. Getting a first job and comforting father's. Then BAM talking about how some birth days are evil and a deathly sick aunt. An abused child and a young single mother. Then a dinner joke. All these things happen, in their little groups, to Esperanza during her time at Mango Street. That is why I believe that in The House on Mango Street by Sandra Cisneros, Esperanza’s story is an example of how life keeps going and things can happen one day and be forgotten the next.
Esperanza carries an undeniable love and respect for her father despite his absence and closed off personality. Since Esperanza and her family live in a six person household in poverty, her father has a big part in providing for the family. She explains, “My Papa, his thick hands and thick shoes, who wakes up tired in the dark, who combs his hair with water, drinks his coffee...is gone before we wake”(Cisneros 70). Esperanza’s use of thick hands and tiredness to describe the tough labour her father goes through holds a sense of respect that she has for him since she understands he has to do this for the survival of their family. However, to no fault of his own, the father’s absence creates a very private and unemotional relationship between
Patriarchal Chicana culture can certainly contribute to the feeling of confinement for female characters, such as Mamacita, Esperanza’s great-grandmother, and Rafaela, as they “lean out the window and lean on [their] elbow and dream” (Cisneros 78). Furthermore, readers see how Rafaela “gets locked indoors because her husband is afraid Rafaela will run away since she is too beautiful to look at” even though “Rafaela wishes she could go dance” (Cisneros 79). Therefore, she “submit[s to] the hegemony of the man and the society by which [she is] encompassed” (Kalay 119) due to her husband’s machismo. However, Esperanza serves as an example of women who view the home as a symbol of liberation and independence. For example, Esperanza claims that she does “Not [want] a flat. Not an apartment. Not a man’s house. Not a daddy’s house. A house all on my own…Nobody to shake a stick at. Nobody’s garbage to pick up after” (Cisneros 108). Therefore, her house is an expression of independence because she recognizes “her power is her own,” and “She will not give it away” (Cisneros 89). Therefore, she views owning a house of her own as a symbol of success, independence, and liberation from her patriarchal culture and proletariat status. Certainly, the house represents the intersectionality of gender, ethnicity, and socioeconomic status through its foundational and
Furthermore, Esperanza was born the year of the horse which is considered bad luck only if you are a female, her great-grandmother was also born under this year whom she attained her name from. Esperanza believes she will be different from her great-grandmother as she claims, “Esperanza. I have inherited her name, but I don’t want to inherit her place by the window” (Cisneros 10). In addition, growing up she has seen many women obtain a spot by the window which describes their helplessness to their situations like Rafaela. Rafaela is not allowed to go outside and is kept inside due to her husband so she requests the kids to get her juice,” … Rafaela, who is still young but getting
House on Mango Street is a novel written by a Mexican-American writer Sandra Cisneros. It is a collection of short stories centered around the coming of age. The novel is centered around Esperanza Cordero life and each story represents an element of her life growing up in Chicago. In one of her short stories “Papa Wakes up Tired in the Dark” she is told the shocking news from her father, one morning “ Your abuelito [grandfather] is dead” (Cisneros 56). Her father begins to cry which is the first time Esperanza has seen her father in a weak state. The father then leaves for Mexico as Esperanza refers to it as “that country” (Cisneros 57) as trying to say the country of sadness. Mr. Cordero goes to Mexico to bury his father. In the meantime Esperanza, as the oldest one in her family has to take charge around the house and take care of her family while he is gone. She's the one that has to break the news to her siblings about their grandfather passing away and explain to them why they must stay quiet and not play today. Soon after, as every morning passes by her father wakes up in the dark filled with sadness in his face. All she does is hold him in her arms.
Esperanza sees how there is a pattern and many of the women in her neighborhood are treated the same. Esperanza desires to be something that
In The House on Mango Street, by Sandra Cisneros, twelve-year-old Esperanza Cordero must navigate through the trials and tribulations that one can associate when encountering young adulthood. Cisneros uses her unique writing style of vignettes to illustrate the narrative voice of Esperanza in her text. A major theme that can be seen as the most prominent thus far, is on the feminist role of Esperanza as a female in her Latin American culture. The House on Mango Street is an overall bildungsroman that can be considered to be a feminist work of literature. The bildungsroman is encompassed by various feminist values throughout the text of written work, regarding the particular subject. Cisneros illustrates these feminist views through the creation
In many cases, girls are pushed to grow up and leave their childhood behind at a young age. This is especially true in Sandra Cisneros The House on Mango Street. The culture that is portrayed in this small latino community in Chicago shows most of its women being dragged into adulthood no matter how young or ready. These adolescent girls are forced to grow up far too quickly.
The House on Mango Street is a fiction novel written by Sandra Cisneros and was published in 1984. It highlights the life of Esperanza Cordero, a young Latina girl, as she seeks to escape the poverty infested Mango Street. Throughout the book, she has to constantly deal with not belonging in her neighborhood. However, not belonging isn’t necessarily bad. Through the use of syntax, Cisneros emphasizes how not belonging can motivate a person to have a more successful future.