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The corrupting influence of power george orwell
The abuse of power in George Orwell
The abuse of power in George Orwell
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In Wiesel’s speech tone is one of the most vital components established throughout his purpose. By using several different tones varying from sympathetic, to disappointment, to doubt, to anger Wiesel is able to captivate the audience to listen to his words while not being dogmatic or forcing the audience to disregard his purpose. The multiple tone shifts affect the reader in many ways so that the reader and audience is able to gain a new perspective without being yelled at or scorned for what they have done. In Wiesel’s speech tone is a key factor in keeping the audience intrigued so that he may present his purpose of the danger indifference and how it casts a dark shadow upon a society. By doing this, tonal shifts allow Wiesel to bash the
Having an opinion and or a belief is better than not having one at all. A great man such as Elie Wiesel would agree to that statement. He believes standing up for what is right by showing compassion for a fellow human being than for letting good men do nothing while evil triumphs. The message he passes was how indifference is showing the other man he is nothing. He attempts to grasp the audience by personal experiences and historic failures, we need to learn from and also to grow to be the compassionate human being we all are.
Anaphora is a rhetorical device that constantly repeats a sequence of words at the beginning of a sentence. This is used to bring emphasis and rhythm to a word and also allow the audience to remember a certain idea or quote. In addition, an anaphora gives an effect to a speech and appeals to the audience emotion. Elie Wiesel uses multiple anaphora to emphasize certain parts of his speech to give off a certain tone. For example, "You fight it. You denounce it. You disarm it. " this quote stresses the word "you' in order to let the audience understand that Indifference can not operate by itself, a person is the only way for indifference to appear and we have the choice to either amplify it or fight it. So at this point, Wiesel tone is critical
Wiesel appeals to logos, ethos, and pathos in Night. The reader’s logic is not so much directly appealed to, but indirectly the description of the events causes the reader to...
One rhetorical feature that Elie Wiesel uses effectively is pathos. By including the story of the young boy and his journey, the audience gets a sense of somberness about the events that took place and the situations the Jews were put into. When the young boy says, “Tell me, what have you done with my future? What have you done with your life?” he is questioning Wiesel about the impact he has made in the world. Those questions make the audience wonder what they have done to help the oppressed and all those who have perished. This part of the speech makes the audience feel a sense of grief so strong, that they are moved to help him in his fight against the people who have forgotten and the people who have stayed silent.
He says, “These failures have cast a dark shadow over humanity: two World Wars, countless civil wars, the senseless chain of assassinations,... so much violence; so much indifference.” (4). Indifference is shown by not only the people involved in these violent events, but also Wiesel’s audience as well, many clueless of these events. For one to fail to know and understand these events in order to stop and bring awareness to them is just as wrong as committing the event in the first place, according to Wiesel. One must also believe the event itself to escape the corruptive qualities of indifference. During the Holocaust, many did not believe what was happening and chose to then ignore it rather than do anything about it. The unaware audience and people in the 1940s thoroughly proves the corrosiveness of
Many people have given speeches like his, but the significance of this lecture was the passion he showed and still felt for this Earth, and its people, after all the horrible events that had happened to him in his life. He tells anyone who will listen to his speech to stand up for those who cannot stand up for themselves. Wiesel vocalizes that being a bystander and allowing bad things to happen is just as bad, in his mind, as being the person who actually does those bad things. Elie Wiesel says, “In a way, to be indifferent to that suffering is what makes the human being inhuman.” Through his speech he tries to get anyone that is willing to listen to stop just accepting that the world is evil. He tells them to try and change it. The audience in the room he was speaking to never stood up and applauded. Instead, the audience gave Wiesel their undivided attention, never saying a
Along with rhetorical appeals, Wiesel also uses many rhetorical devices such as parallelism and anaphora. Wiesel depicts parallelism when he says, “to fight fascism, to fight dictatorship, to fight Hitler” (Wiesel lines 103-104). The parallelism and anaphora, in the quote, provide emphasis on the discrimination and abuse that has taken place around the world. Repeating the same initial phrase shows the significance of the words Wiesel is speaking. Wiesel mentions the victims of this extreme tragedy when he states,” for the children in the world, for the homeless for the victims of injustice, the victims of destiny and society.” (Wiesel lines 17-19). This use of anaphora and parallelism emphasize the amount of people the Holocaust has affected and impacted. The parallelism being used adds value to his opinions and balances the list of people Wiesel is making in his speech.
This situation introduced two polar opposite aspects–a loss of trust in what is unseen versus a change of trust in what is seen. Yet, in both cases, the decision to make those life-altering changes was undoubtedly a difficult one. To lose your faith is one thing, especially when that faith has shaped who you are. For that reason, it makes sense that on page 69, Wiesel felt as if a void had ripped open inside him when he lost his faith in G-d. Nevertheless, to refill that hole with trust for another man, one as cruel and wicked as Adolf Hitler, is unimaginable.
Wiesel’s loss of religion becomes the loss of identity, humanity, selfishness, and decency.... ... middle of paper ... ... This man is obviously beside himself and does not trust anyone except Hitler, his archenemy.
Wiesel, Elie, and Marion Wiesel. Night. New York, NY: Hill and Wang, a Division of Farrar, Straus and Giroux, 2006. Print.
‘Oh God, Master of the Universe, give me the strength never to do what Rabbi Eliahu’s son has done’” (Wiesel 91). The topic of a father and son relationship is extremely personal to Wiesel, which makes him hark back to how he was raised: religiously. Though clouded with a sense of reality from his experience in the camps, Wiesel still has hints of hope in his view of the world from his upbringing in Sighet. Thus, our upbringing affects much of the way we see the
Elie Wiesel not only spoke on his behalf but also on behalf of all the victims of the Holocaust. His words do not only pertain to his situation but to the situations of every world crisis that has been failed to be acknowledged. Elie’s words can be related universally and makes you question, where were these people that are supposedly suppose to be the voices for the silent? The world thrives for equality but how can a world grow and unit if the people are silent. Elie makes valid points throughout the novel that can be referred to other situations in the past and are to come in the future.
In “The Perils of Indifference” Elie Wiesel uses several techniques to get his point across. Three of them in the speech are Ethos, Repetition, and Pathos. He uses a combination of the three elements throughout the paragraphs of his speech to attract the readers. The combination of these elements help draw the reader’s emotions and interest towards his subject. He focuses on word choice that would pertain to his audience’s level of vocabulary.
Throughout the speech, Wiesel utilizes a wide range of tones and uses strategic pauses so the audience experiences no difficulties in understanding the struggle he went through. In one of his more intense moments of the speech, he begins talking about how much worse being ignored was, versus being unjustly judged. Religion may be unjust, but it is not indifferent. People cannot live “Outside God” (Wiesel), they need Him even if He is far away.
Roethke's Use of Tone Childhood experiences seem to be the ones that are recollected most vividly throughout a person's life. Almost everyone can remember some aspect of his or her childhood experiences, pleasant and unpleasant alike. Theodore Roethke's poem "My Papa's Waltz" suggests even further that this concept could be true. The dance described in this poem illustrates an interaction between father and child that contains more than the expected joyous, loving attitude between the two characters. Roethke's tone in this work exhibits the blended, yet powerful emotions that he, as a grown man, feels when looking back on this childhood experience.