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Critical analysis of a TALE OF TWO CITIES
Critical analysis of a TALE OF TWO CITIES
Critical analysis of a TALE OF TWO CITIES
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When an author begins to write a story, he/she does not simply write to write, every author has one major purpose in their writings, and that purpose is to have a moral. A lesson learned, so the world as the characters know it will be a better place; but how does an author express that moral? The answer is through literary devices. There is no such thing that one author moral in their writing is better than the other authors writing and vice versa when it comes to how they explain it. Everyone writing is unique, but in my opinion, there is only one piece of writing that had a great moral and used amazing literary devices to express it and that piece is The Thousands and One Nights. The Thousand and One Nights is a combination of stories that were put together over hundreds of years ago. As time evolved it has maintained its original moral that used many literary devices to explain it. The frame tail or overall story in The Thousands and One Nights is the story of King Shahrayar. King Shahrayar brother Shahzaman found his wife in the arms of one of their kitchen boys. Hurt and with rage he killed his wife and the kitchen boy, and fled went to his brother's kingdom. While at his brother's kingdom, he was very depressed until one night he saw his brother wife sleep with a slave. Of course King Shahrayar was …show more content…
appalled until he saw it with his own eyes. Just like his brother, he has been hurt and angry and because of that he decides that all women are the same. To mend his broken heart and to never get hurt again, King Shahryar begins to marry a succession of virgins only to execute each one the next morning. Of course that is not right. Just because a woman hurt you that does not mean every woman will hurt you, so you cannot just kill women because you think they are all the same. A woman thought the same way I did and that woman was the character Shahrazad. Shahrazad had a plan, which she felt will work. Her first night with the King she begins to tell him the story of the Merchant and the Demon. One day a merchant rode and walked for certain counties to which he called his business. As the heat was stifling, sat under a tree, and laying hold the sack of provisions, took some dates, and when he had eaten pulled far bones, but suddenly there appeared an old demon, brandishing a sword, came to the merchant and said, “Get up, that I kill you as you killed my son. After much weeping and pleading the demon let the merchant go, but only to tell his wife and children goodbye. When he saw his family “he wept bitterly, and when his family saw his sorrow and grief, they began to reproach him for his behavior, and the wife said “Husband, what is the matter with you? Why do you mourn, when we are happy, celebrating your return? He replied why “not mourn when I only have one year to live” (1189). Having his wife still very confused, he explained to her the encounter with the demon. Hearing what the merchant has just said “his wife struck her face in lamentation and cut her hair, his daughters wailed, and his little children cried”(1189). While the merchant waited for the demon an old man appeared asking the merchant why is he an in area full of demons? The merchant told the old man why he was there. Shocked the old man said “I shall not leave until I see what will happen to you with the demon” (1189), so he sat down and the two men begin to talk. At this point what happened while they talk is a mystery because morning overtook Shahrazad and she fell asleep, leaving the King very curious to know what happened next. For one thousand and one nights Shahrazad kept telling stories to the king that she would leave off on cliff hangers on purpose just so he would spare her life and let her finish the stories.
Her point in doing this lays out the main format of One Thousands and One Nights. You have her and King Shahrayar story as the reason while she is telling stories like The Merchant and the Demon within her story and uses cliff hangers and dramatic realization and other embedded narratives to emphasize, her distracting Shahrayar from killing women and making him realize the moral of the story. That women are powerful creatures, and though some are deceitful not all
are.
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
At first glance, the reader sees the women shown as malicious, conniving adulterers. But, if one looks deeper into the stories, in reality, the women are rather clever and tactful. In the Prologue, a women who is the prisoner of a jinnee threaten Shahriyar and Shahzaman to do her bidding
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
It’s the year of 1961, at the West and East of Berlin. Presented in first person and as the main character Gerta. A young caring and also a very curious 12 year old girl. She has dirty blond hair and her height is around 5’ 2’’. Some of the other main characters are Fritz her older brother, who looks like her. Her mom who has blond hair turning and wrinkles around her eyes. Also her dad Aldous and her other older brother Dominic, the ones in the West side of Berlin. The reason to me why that the author named the book A night divided was because the wall went up in the night and her brother Dominic and her dad Aldous went to the West side and they couldn’t come back. So I think the reason why she named it was because her family was split all
Stories like Sindbad, Aladdin and the Magic Lamp and other popular stories are very common today in the western culture. Animated movies were also made for the entertainment of kids on these popular stories. One might wonder that where these stories originated and how it came down and made place in the western culture. Although these stories are very popular in both the western culture and the eastern culture but the original literary work is not so popular in common people. Theses stories are some of the stories from the Arabic work "The Thousand and One Nights." The work of "The Thousand and One Nights" represents basically a female that is a strong and clever idol and continuously imaginative and creative. It is an anonymous work which is widely known in the Arab world. It is an Arabic collection of a thousand tales, which is derived from the Persian version, telling of a King who was in the habit of killing his wives after the first night, and who was led to abandon this practise by the cleverness of the Wezir's daughter, who nightly told him a tale which she left unfinished at dawn, so that his curiosity led him to spare her till the tale should be completed. Many people have written about these stories, that where they originated, what time period was it originated, how they have been changed, and also literary criticism of the work.
By the original wives committing adultery, they were fulfilling their own desires and pleasures. The final wife displayed her feminist qualities by controlling her destiny through weaving her tales of mysticism. Mysticism played a huge role throughout this story. Chapter one, “The Story of the Merchant and the Jinnee,” begins with the story she told on the first night of marriage and continues into the third night. The wife tells a story with characters such as an “efreet, of enormous height” (Lane) and a jinnee. Those two characters directly depict mysticism; therefore, they are representations of Dionysus. Another example of the Dionysian theme depicted in The Thousand and One Nights is the huge welcoming festival that took place towards the beginning of the story. The welcoming festival was in honor of the king being reunited with his brother after many years apart. One can assume that there was a steady supply of wine at the royal event. Yet again, this is a direct correlation to Dionysius, the god of wine and
The Novel has a consistent theme of whether or not the right thing will be done.It holds the story together since some characters “good” morals clash with the “ traditional “ morals of others. Almost as if a battle of light and dark or good vs evil takes place throughout the entire
This 2004 novel written by LGBT rights activist Jaime Cortez was based on the transgender life of a Cuban man known as Adela Vasquez. For me, this graphic novel was very enlightening, interesting and demonstrated a great deal of courage. As a young woman who comes from a Hispanic background, I am fully aware that expressing your sexuality is a very touchy and sensitive subject for several. In numerous occasions, people who identified themselves as lesbian, gay, bisexual or transgender face numerous acts of discrimination and shame. From time to time, they are disowned from their families and end up becoming homeless with no support from them.
King Shahryar decides to lie with a new woman every night, only to take her virginity and kill her the next morning (1001 Arabian Nights 11). For three years, King Shahryar stays on track, killing one thousand and ninety five women. After those three years, the king’s wazir was having trouble finding new women for the king to lie with, for they were all running in the opposite direction (1001 Arabian Nights 12). That is when the Wazir’s own daughter, Scheherazade, made a courageous move. Scheherazade had read one thousand histories, stories, fables, fairy tales etc. whatever one chooses to call them, Scheherazade was very well versed in story-telling. Through these tales, Scheherazade had the courage to offer herself up to lie with the king, well knowing that she would be dead the next morning (1001 Arabian Nights 12-3). Scheherazade had a plan to save herself, however, and it involved her younger sister, Dunyazad. Scheherazade was brought to the king by her father, the wazir (who only agreed to offer up his daughter because Scheherazad blackmailed him). Scheherazade’s courage from the fairytales empowers her, and it causes her to become incharge/a woman of action, which is not common in Islamic culture. Scheherazade defies the double standards/sexisms in 1001 Arabian Nights, and is refreshing to the book’s constant sexisms/standards. Scheherazade made love to the king, but started crying during their love-making.
The book The One Thousand and One Nights as a typical representative works in middle ancient Arabia literature is the crystallization of wisdom from Arab. There are a lot of characters created by this book such as the clever Alibaba, Beautiful and intelligent Scheherazade and the forty thieves that are so cruel. Because a lot of stories collected and the characters created in the book are told from the nomads or merchants of ancient Arabia when they gathered or chatted around the fire, ate food for amusement. So the stories and characters in this book can reflect the living condition of Arab. We can know the Arabia culture better just from some female images in this book.
“The story of an Hour,”tells the tale of Mrs. Mallard who has fallen victim to the misogynistic oppression of the late nineteenth century. She receives word of her husband’s death, and upon hearing news is filled with a mix of emotions. Ranging from anger,and sorrow, to relief, and joy. She is torn between her desire to be free and her sense of obligation to mourn the loos of her husband. This crates an internal conflict for her, as well as a character verses society conflict due to the fact that she did at times lover her husband and truly feels bad about his death but is also unable to repress her joy, and dreams of her freedom which was not exemptible at the time.
December of 1894 Kate Chopin published "The Story of an Hour". The main character Louise Mallard is a wife during this time period and could be described as a suppressed, fragile, and unconfident woman due to the world she lives in. Mrs. Mallard lives in a male-dominated world where it is difficult to find female independence. Once Mrs. Mallard hears that her husband has supposedly died, "The Story of an Hour" becomes a Person versus Person as well as Person versus Society tale. Chopin undoubtedly gets her point across throughout the development of Mrs. Mallard in the only hour the readers know her.
The parables interrupt the daily activities and plans of the king. The daily reality is interrupted with stories that create dilemmas, as well as questions. The actors within the stories will have to choose “between two loyalties, two lives, two worlds, two selves” (196), and so will the king. The king, as well as reader, can discover truth within the fiction, “if only fiction can reach below the misleading surface of reality” (185). The night stories interrupt the status quo, and show how different current reality could be (187). The night is seductive but it also reveals to King Shahrayar the possibility of choice in this conflict of the worlds of fiction and reality. The hope of Sharazad, and the moral of the night stories is to disclose truths within the parables, that “will in the end influence reality”
The nineteenth century was a period in which marriage was viewed differently from the way it’s viewed today. Women didn’t have the same rights they have now, in fact they didn’t have any rights. Staying home and tending to the house, while the husbands went out and worked was a woman’s job. This period was filled with men whom held a sort of dominance over women which in turn prevented women from satisfying their own desires and ending up unhappy. In Kate Chopin’s “Story of an Hour” she uses irony and symbolism to show how an unwanted marriage can deprive a woman of her happiness and independence during the nineteenth century. Chopin’s “Story of an Hour” put me in mind of an author named Charlotte Perkins Gilman and her short story “The Yellow
The Story of an Hour encompasses one or two different themes that fit together to make a bigger statement. This story, by Kate Chopin, mainly focuses on how marriage restricted women’s rights, keeping their lives connected to their husband’s own.