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Female roles in medieval literature
Female roles in medieval literature
Female roles in medieval literature
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Throughout history, women were not always well regarded by men. Because of this, most societies treated their women as second class citizens. The stories from, Tales from the Thousand and One Nights, illustrate how the portrayal of women affected Muslim society in the Ninth century. Sometimes women were seen as mischievous, unfaithful temptresses. Other times they were depicted as obedient, simple minded slaves looking to please their master. With the use of charm, sex and trickery, they used the labels that they were put in, to their advantage; demonstrating that women during this century were clever, smart, and sly.
At first glance, the reader sees the women shown as malicious, conniving adulterers. But, if one looks deeper into the stories, in reality, the women are rather clever and tactful. In the Prologue, a women who is the prisoner of a jinnee threaten Shahriyar and Shahzaman to do her bidding
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Since women technically had no power without the help of a man, she had to be sly and crafty to get what she wanted. The perfect example of this is the teller of all these stories. Shahrazad the Vizier’s eldest daughter, willingly chooses to become the King’s next bride to be. “‘Give me in marriage to this King: either I shall die and be a ransom for the daughters of Moslems, or live and be the cause of their deliverance.’”. (pg19) Shahrazad tricked the King into keeping her alive by telling him stories and stopping in the middle of it to survive another night. Her plan works and not only is she spared but thanks to her, the king realizes that women are eloquent, and that they can be trusted. She also saved the lives of other girls since the king no longer needs a new woman every night. In The Tale of Al- Haddar, the barber’s second brother is tricked into shaving his beard and dye his eyebrows by a beautiful woman. This demonstrates that one should not to conclusions, even if it is a pretty
Looking back through many historical time periods, people are able to observe the fact that women were generally discriminated against and oppressed in almost any society. However, these periods also came with women that defied the stereotype of their sex. They spoke out against this discrimination with a great amount of intelligence and strength with almost no fear of the harsh consequences that could be laid out by the men of their time. During the Medieval era, religion played a major role in the shaping of this pessimistic viewpoint about women. The common belief of the patriarchal-based society was that women were direct descendants of Eve from The Bible; therefore, they were responsible for the fall of mankind. All of Eve’s characteristics from the biblical story were believed to be the same traits of medieval women. Of course, this did not come without argument. Two medieval women worked to defy the female stereotype, the first being the fictional character called The Wife of Bath from Geoffrey Chaucer’s The Canterbury Tales. The second woman, named Margery Kempe, was a real human being with the first English autobiography written about her called The Book of Margery Kempe. In these two texts, The Wife of Bath and Margery Kempe choose to act uniquely compared to other Christians in the medieval time period because of the way religion is interpreted by them. As a result, the women view themselves as having power and qualities that normal women of their society did not.
In conclusion, all three of these women use their cleverness and trickery to achieve their goals. Penelope was able to stall enough time for Odysseus’s return by using her weaving trick and the stringing of Odysseus’s bow. On the other hand, Medea’s ability to think fast and act slyly allowed her to achieve her goal of revenge against her husband. Lastly, Shahrayar used her cleverness and creative storytelling to stop King Sharayar from killing all the women from their kingdom. Each of these women were quick thinkers and determined to succeed in the goals they made for themselves.
One of the aspects of the Middle Ages which is explored by numerous scholars today is that of the antifeminist stereotypes which pervaded literature and cultural mores during the period. In an era governed by men, the fact that women were treated as inferior is unsurprising; archetypal visions of femininity fit neatly into medieval history. However, most people would like to believe that such pigeonholing has been left in the past, allowing for more liberated times in which women are portrayed realistically and as the equals of men.
Throughout studies of ancient civilizations Woman's place seems to be similar, but through a large spectrum of roles; as in the tales of Medea and Gilgamesh. Both tales tell their own views on Women, but also show each woman in their best and worst: The common, the priestess, the harlot, the wise, or just an evil witch. By analyzing and contrasting each woman one can see the view of women in ancient societies through the way stories detail them and their defining actions.
...y, as they are the characters that move the story forward. Shamhat’s seduction abilities, as well as Utnapishtim’s wife’s compassion, along with the help of Ninsun and Ishtar, the protagonists in the story moved forward. The women in the story display examples of feminine qualities and the overall strength women possess. The Epic of Gilgamesh shows that a women’s touch can tame even the wildest of men, and that a women’s wrath can send them spiraling. It also shows the nurturing and caring side of women, through their wisdom and compassion for others. Had it not been for these women and their places in society, Gilgamesh would never have accomplished all that he did.
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
In classic works being a strong woman seems to run hand in hand with being manipulative. Medea lied and cheated friends to try to acquire time in order to get what she wants. In this case what she wants is revenge agents her ex-husband. She tricks a friend to give her asylum in Athens after she has committed her insane task. Medea even goes so far as to be able to con Kreon, the king himself into giving her an extra day. This unwittingly gives her exactly what she needs. Antigone tries her hand at manipulation but is not as successful as Medea. Antigone tries, with no avail, to persuade her sister, Ismene, to help her give their brother Polyneices a proper burial. In this way they are more like foxes, cunning but not always getting it right. Their deceitful nature is their strength.
When studying gender roles in history, one will find that females are often depicted in similar ways no matter the era or region of study. Even when comparing the industrialized, early, twentieth century to today’s progressive era, there are striking similarities between female roles. We can see that over the course of the twentieth century, the qualities of loyalty and honesty have decreased in marriages due to the treatment of the two main female roles as depicted literature. The first was the role of the wife. The wife was often portrayed as a housekeeper and a nanny. Dull in appearance, there was no aesthetic beauty to this typical female. The other main role was the “other woman.” The more mysterious and promiscuous character, this woman portrayed the other part of the female population. Both of these types of characters are composites that portrayed the average, disposable female while how they were treated conveyed the general handling of females in the early, twentieth century.
Ideas on social and gender hierarchy are evident in this religious text. The Qur’an states that both men and women are spiritually equal and equally rewarded by God. But, as it continues, it goes on to state that, “Men are the protectors and maintainers of women, because God has given the one more (strength) than the other, and because they support them from their means.” Men and women are said to be “spiritually equal”, yet men are still seen as stronger and women should be “devoutly obedient” to their husbands. Women subordination during the Middle Ages was shaped mostly by local culture, which varied with time and place. In early communities, women had more liberty, but by the mid 700’s, women began to be subordinated, especially elite women. Though the Qur’an guaranteed woman more rights than the Bible, it also subordinates wives to their husbands, and women’s inheritance to
The roles of women was an issue in medieval times and in The Canterbury Tales. In A Knight 's Tale, the women were portrayed as objects. To men they didn 't mean much. Women for them were there to help only when needed and didn 't hold an important role in society. Women were treated differently and had not much of importance.
When a person becomes trapped in a situation that stems from an individual with greater authority, being manipulative can be a very promising method to escape. The Thousand and One Nights does a very good job of being a good example of someone in this situation that uses stories within a story to capture encapsulate the attention of the reader. Despite the many little stories that go into the text, the main story behind it all is about a king named King Shahrayar and how he goes insane after catching his wife having sexual relations with a slave. After he sees this happen, he realizes that he can never trust any woman again and none of them are trustworthy. By expressing his views on women, he decides to marry a different woman every night, then the next morning have them killed by beheading. This is an ongoing event that brings death to most of the women in the village. Soon after, the king’s Vizier’s daughter, Shahrazad, came up with a brilliant idea that will end up saving her fellow countrywomen and hopefully keep the king from murdering so many innocent people. Her method behind all this is by telling the kind a different story every night that leaves him on a cliffhanger, making him curious enough to keep her alive for another day to continue her story. Shahrazad keeps herself spared from the king because of her cunning, and compassionate personality.
Women’s myths were thought to be irrelevant and not socially dominant which as an effect overlook them. Generally, these myths made assumptions to sex differences almost resembling those that give credit to male dominance, while transforming these characterizations and reversing the moral interpretations. For example, men are childish and women are mature, men are morally weak but women are virtuous, men are brutish and women are gentle, and men are hardheaded and power-hungry while women are cooperative. Women’s specific beliefs could vary by period, region and social
The Ramayana as retold by R.K. Narayan, explores the roles and duty of women and what it takes in order to be a good woman in Indian society. He explores these roles through the women through out the epic whether it is the wife of a King or some form of deity. While in general women were viewed as subpar to men and were seen as second-class citizens, the women in the book shape the men into who they become and account for much of the manipulation of the individuals and the caretaking of the individuals. Women such as Sita and Kausalya demonstrate those women that are good. These women were regarded as beautiful, not only for their physical attributes, but for their behavior in regards to the males in the epic. They are everything women should be- they are kind and respect the males in their lives above all else. However these women are also met with their opposites, those women who have much improvement to make before being recognized as good women in the Indian society. These women, like Kaikeyi and Soorpanaka go against all Indian ideals. They use their sexuality in order to attempt to manipulate the men of the epic. They do everything in their power in order to get their way, even if it is at the cost of others.
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
Throughout all of these examples, it’s obvious to see that women in Greek Mythology are portrayed as deceptive. Penelope, Demeter,Gaia, and Rhea are just a few of the women who were portrayed as misleading in the Greek society. As readers interpret the readings, such as The Odyssey, Theogony, and Homeric Hymm, they will see the numerous deceitful acts commented by the Greek women. People should take into account though their reasons for being misleading, some of the women found themselves doing it for other reasons, other than just being deceptive. With the women discussed earlier, it’s clear to see that although the women deceive and use trickery on others, it’s clear to see there is commonly more to than merely to deceive.