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Medieval code of chivalry
Age of chivalry in Europe
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The basics of chivalry, which are bravery and loyalty, are present in literature and movies of today. Loyalty is present in the book The Count of Monte Cristo while bravery is present in the movie National Treasure. The Count of Monte Cristo is about a man who is wrongfully imprisoned but remains loyal to his family in his course of vengeance. National Treasure is about another man who acts bravely in his search for treasure.
Chivalry was the code of conduct for knights in medieval Europe. Chivalry came from the French word “chevalier” meaning, “knight.” This code of conduct for knights originated from feudalism, the social-political system that governed medieval Europe. Nobility mostly made up the chivalric order, but not all (Dickerman, 611-12).
Feudal qualities included skills in arms, bravery in battle, courtesy towards rivals and helpfulness towards low class. The main qualities were loyalty to a lord and skill in protecting that lord. Glory and honor were the highest qualities of a knight. Social skills were also required, such as conversation, dancing, and capability of playing a musical instrument (Dickerman, 611-12)
Knights were contradictory in their lifestyle. They were good Christians. However, the Church was against their idea of courtly love. Also, chivalry’s bravery, skill, and helpfulness were near selfishness, brutality, and prodigality (Dickerman, 611-12).
The Count Of Monte Cristo begins with a sailor named Edmond Dantès. Edmond has a best friend named Fernand who is sailing with him on the Pharoan (Dumas and Celestine, 1). The Pharoan’s captain falls ill. Edmond stops at an island where Napoleon Bonaparte was exiled. Bonaparte gives Edmond a note to give to a friend and Edm...
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...n who is wrongfully imprisoned but remains loyal to his family in his course of vengeance. National Treasure is about another man who acts bravely in his search for treasure.
Works Cited
Dickerman, Edmund H., “Chivalry.” Encyclopedia Americana: International Edition.
Vol. 6. Danbury, CN: Goiler Inc., 1993. Print.
Dumas, Alexandre, and Roger Celestine. The Count of Monte Cristo. Abridged. New
York: New American Library, 2005. Print.
National Treasure. Director: Jon Turtletaub. Performers. Nicholas Cage, Justin Bartha,
Sean Bean, and Diane Kruger. Buena Vista Home Entertainment, Inc., 2005. DVD.
Ruined Endings. “The Count of Monte Cristo Synopsis.” 20 May 2010.
.
The Internet Movie Database. “National Treasure Synopsis.” 24 May 2010.
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The code of Chivalry can be described as a brave, loyal, courteous, distinguished courage or ability that is admired for their brave and noble qualities. Chivalry is a system of ethical ideals that arose from feudalism and had its highest development in the 12th and 13th centenry.(Columbia ElectronicEncyclopedia).Respect is an essential part of chivalry. The code of chivalry is a set of rules followed by the knights during the middle ages. The evolution of heroic and chivalry code has changed over time beginning from the Middle ages to now. The three stories Sir Gawain and the Green Knight, Lanval and Beowulf illustrate what it takes to be considered a chivalrous knight.
Life during the Middle Ages was full of social change, division, and classism. This feudal society of Britain was divided into three estates. (social classes) Within the second estate was the the knight who was a soldier for the king who fought in many battles. Even though the knight is expected to have the strength and the skills to fight in battle, all knights during the Medieval period additionally had a chivalrous aspect to them. Chivalry was the honor code of a knight which included bravery, courtesy, honor, and gallantry toward women. Within the stories of the “Wife of Bath’s Tale” and “Le Morte d’Arthur”, the code of chivalry was broken by knights which show the corruption of England’s feudal society.
There was never an authentic code of chivalry as such, yet there were qualities idealized as chivalric such as bravery. Bravery was shown through satire during the film as King Arthur and his knights would run into many things that would exemplify their bravery and they retreat or fall back. One example would be when King Arthur and his knights go through the forest and run into the knights of “Ni.” The Knights of “Ni” would back King Arthur and his knights down by using the term “Ni” and force them to find shrubbery to move forward. King Arthur and his Knights would then go get the shrubby to come back for the Knights to say they are no longer the Knights of “Ni” and that King Arthur needs to find another shrubbery. King Arthur and his knights would not knowingly use the word “it” to back the Knights of “Ni” down so they could follow on with their quest to find the Holy
Thomas Malory’s Le Morte D’arthur, T.H. White’s Once and Future King, and George Romero’s Knightriders encompass the evolution of the Arthurian tale from Malory’s time to the 1980s. Through this time many things have changed and these changes can be seen within the differences between each work. While there are many prominent differences chivalry or the knightly code is one of the main forces that tie these tales together. Malory reworks many of his sources to bring attention to the grand fellowship of Arthur’s Round Table and the chivalry that holds the knights together. Malory idealizes the power of chivalry and gives a great importance to it throughout his text. Unlike Malory, White does not idealize chivalry, but he does see the good and honorable aspects of chivalry. From Sprague Kurth’s article, “Conclusion,” it is clear to see that White gives his text an anti-war stance and shows chivalry and the controlling moral compass of Arthur’s knights. Chivalry is once again idealized in George Romero’s Knightriders the situations within the film are modernized but the emotions and illusions remain the same. T.H. White is directly referenced within the film and Malory’s idealization of the glory of chivalry can once again be seen. In my essay, I will show how chivalry is used in all the texts above as a bonding agent between all Arthurian knights. As Arthur’s knights honor and respect chivalry they remain as one cohesive group, but once they begin to abandon chivalry the Round Table begins to crumble and chaos ensues.
They were brave and skilful in battle, but merciful to their enemies once vanquished. They were courteous to ladies, and never ate or drank in excess. Knights associated in groups which they called orders. They vowed loyalty to the king they fought under and formed military organizations to defend his land and property against the enemies.
During the Medieval Times, knights hold high status and are seen as sovereign, yet their actions are contradicting. Knights stand for loyalty, justice, and chivalry; however, most are liars, cheaters, and foolish. Throughout medieval literature, authors create characters that contain both attributes and utilize literary elements to highlight this medieval crisis. Many Knights maintain a loyal and noble character because chivalry outlasts hypocrisy.
This edition of the Chivalry is a result of a reissue of the original edition and is photographically reduced by one-fifth. Though not a fault of Keen’s literary style, this reduction does make reading text much more difficult to accomplish, no matter one’s age. This reduction also sometimes makes the many black and white illustrations, a helpful addition of Keen’s, blurred and reduces their effectiveness in aiding the reader. Overall, however, Chivalry excellently communicates Keen’s belief of the practical importance of chivalric ideals and institutions and results in an enduring work with the “last word” on chivalry.
For example, towards the end of the film, Marian was being held in the dungeon within the castle for being unloyal to her husband. In order to fight for her right to be with whomever she pleases, Robin fights mercilessly in order to help her escape. Also, when the knights try to invade Sherwood in search of Robin, all of his men go to secret hideouts among the trees and wait until the Sheriff and Prince pass along through in order to attack to protect their land and leader. This action shows chivalry because it is only fair that the men of Robin defend their homes land and leader just as well as the Nottingham army would do for their country, therefore making it a just cause. Clearly, Robin and his men demonstrate a clear understanding of which situations are worth fighting
Chivalry began in the 12th century in the form of a knightly code of conduct,
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
Chivalry was a big part of this fourteenth century and it was embodied throughout the men of king Arthurs round table. In General, Chivalry was a set of religious values and moral goals that medieval knights
Closely associated to the romance tradition are two idealized standards of behavior, especially for knights: courage and chivalry. The protagonist within many medieval romances proved their worth by going on quests, as many a knights went in those times, thus returning with great tales of their travels and deeds. Many modern people think of chivalry as referring to a man's gallant treatment of women, and although that sense is derived from the medieval chivalric ideal, chivalry could be seen as more than that. Knights were expected to be brave, loyal, and honorable-sent to protect the weak, be noble to...
Broughton, Bradford B. Dictionary of Medieval Knighthood and Chivalry: Concepts and Terms. New York: Greenwood Press, 1986.
In the tale, The Knight’s Tale, Chaucer made sure not to deviate away from what he saw during his time because some qualities emerged as prominent figures. The Knight’s Tale made sure to exemplify the idea of courtly love and what it truly means to be a knight who follows the code of chivalry. Some of the qualities of being chivalrous is being generous, honest, courageous, and supporting the notion of justice, which the readers can see that Chaucer understood the significance of the noble behavior and how that affected people at that time. Furthermore, the article, “The Canterbury Tales for Poetry of Students” highlighted how the noble life of the chivalry was a momentous part of the tale since the tale was “a comment on the possibilities
Chivalry dealt with loyalty honor, and service to women on and off the battle field’ (“The Medieval Period: 1066-1485” 76). The Knight in The Canterbury Tales is the perfect example of someone who follows the code of chivalry. Chaucer describes him with much admiration as “a most distinguishable man, who from the day on which he first began to ride abroad had followed chivalry, truth, honor generousness and courtesy” (Chaucer, "The Prologue." 117). While Chaucer praises the knight for ... ... middle of paper ... ...