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The theme of shame by Dick Gregory
A essay about shame
The theme of shame by Dick Gregory
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In The Glass of Milk, Rojas suggests that shame stops the boy from taking help until he realizes he has something to lose.
The young man’s shame keeps him from accepting help. In the beginning of the story, the boy is hungry because he has not eaten in awhile. He refuses food from a sailor who is offering food to people. The narrator says, “The youth, ashamed that his appearance should arouse feelings of charity, seemed to quicken his pace, as if he were afraid he might think better of his negative answer” (1154). The boy is embarrassed by his looks and does not want others looking at him with sympathy. He knows he can not afford something to eat but decides to move along because his shame stops him from taking help. Later in the story, the
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boy works for the day and when he is done decides to ask the foreman for his pay early but the foreman tells him no. Instead, the foreman says he can lend the boy forty cents. The narrator says, “The young man thanked him for the offer with a sorrowful smile, and went away” (1156). The boy cannot take the money he is offered because he does not want to take handouts. He does not want handouts because he does not want others to think of him as charity. The boy wants the money he worked for that day. When the boy remembers what is important to him then he realizes he must act upon his hunger. Up until this moment in the story, the boy lets his shame stop him from getting something to eat. In this moment, the boy is very close to passing out from starvation. But the boy sees something, “At that moment, as if a window had been opened before him, he saw his home and the countryside around it, his mother’s face, and the faces of his brothers and sisters: everything he loved and cherished appeared and disappeared before his eyes, shut with sheer fatigue” (1156). This vision he has been eye-opening because before he was going on without food like he had nothing to care about. When he sees his family for a quick second, it shows that he can lose what is important to him instantly if he continues to be shameful. He cares for and loves his family the most and being without them hurts him. The young man acknowledges his shame but understands he must fulfill his needs first.
At the end of the story, the boy decides to finally eat. Though he still has no money to pay for food he decides to go to a restaurant and leave without paying. The narrator says, “He did not dare to look at her: it seemed to him that if he did so she would become aware of his frame of mind and his shameful intentions” (1158). The boy’s plan to eat the food and leave without paying starts to make him feel guilty. Even though he still feels too embarrassed to look at the waitress, he puts his need to eat before his feelings. After that moment the boy starts to cry in front of the waitress. She brings another plate of cookies to the boy and he eats them. The narrator says, “He ate slowly, without thinking about anything, as if nothing had happened, as if he were in his own house and his mother were that lady behind the counter” (1158). In this moment, the boy eats and does not think about himself crying. He eats the cookies and is comfortable because he feels like he is at home. He also feels comfort because he imagines the waitress is his mother. The boy relating the woman to his mother shows the reason why he must eat, because his mother is important to
him.
In the story he tells us how he and his father would sit and wait at the restaurant his mother worked at. How is mother would whirl around the restaurant “pencil poised over pad, while fielding questions about the food” (9) calculating each step she took. “She walked full tilt through the room with plates stretching up her left arm and two cups of coffee somehow cradled in her right hand. She stood at a table or booth and removed a plate for this person, another for that person, then another, remembering who had the hamburger, who had the fried shrimp, almost always getting it right.” (10) He described his mother’s calculated steps and how she had to modify her behavior for the needs and wants of each guest and table.
The second stanza is only two lines, “My father told us this, one night,/and then continued eating dinner.” This stanza breaks up the chronology of the poem, pushing the previous stanza into the past, and making it disjointed, almost like another poem in itself. The result of the father continuing eating after he tells the story shows how dead he is inside, the recalling of the story no longer affecting him in the same way it does the reader and his own family. It is implied that he is the only one able to eat after telling the story. This short stanza foreshadows the father’s personality change.
“Moreover, many of the feelings that express character are not about what one has done or should have done, but rather about what one cares deeply about.”(Sherman154) The narrator cared for K., the boy was his best friend. Obviously he cared immensely. It was hard for the narrator to understand, so he blamed
“Girl” makes the impression that the mother wants the daughter to take over the “women’s” work around the house as well as she tells her which day to wash the white clothes Monday, wash the colored clothes on Tuesday, and she is teaching her how to iron her father’s clothes the way he likes them done and how to sew on a button; “This is how to make a button-hole for the button you have just sewed on.” (380) The mother also is teaching her daughter how to cook for the family. “Cook pumpkin fritters in very hot sweet oil,” (380) so that everyone will eat them. The mother also discusses table manners, “always eat your food in such a way that it won’t turn some-one else’s stomach.”
Daydreaming that the girls will all be fawning over him, Sammy makes a stand against Lengel and his motive is to receive thanks from the girls for his brave deeds. Yet, 180 degree turn for his expectation when he quits and departs from A&P, “they are gone of course” (835). Sammy may have quit his job and announces it loudly, the girls think about the embarrassment they had before and left Sammy with resentment. The idea dawned upon regarding in this situation is Sammy made an involved mistake. This type of mistake is familiar with nature of a person but take efforts to prevent it. Without distinguishing what is right or wrong, defending from the right side may results a fake vision and the wrong side may leads the person to misery. Along with the depression from the being left behind, Sammy regrets about the gestures that is “[fold the apron, ‘Sammy’ stitched in red and put it on the counter]” (835), he made before he walks out of the doors. As soon as he steps out of A&P, Sammy does not know what to expect or do. All he realized is that he was forced to be a dynamic character when he quit his job and has to put away in juvenile self to go into adulthood. This reveals one complex mistake which is making decisions that has unpleasant outcomes and unable to avoid them. The complex mistake that young people tend to results make is making a sudden
The husband was also selfish in his actions. With good intentions, the wife had planned a surprise for him, but he was not pleased. “Instead, he was hotly embarrassed, and indignant at his wife for embarrassing him” (13). When the narrator describes the husband at the beginning, he has a “self-satisfied face” (3). Embarrassment is a result of feeling self-conscious. Because of his self-conscious nature, he assesses first how the few people in the restaurant will view him because of his wife’s actions. He does not prioritize appreciation for his wife’s effort and care, but rather sees the worst in her misguided actions. The husband’s selfishness causes him to be prideful, which in turn causes him to destroy his relationship with his wife through his actions.
In the story, "Fish Cheeks" it talks about how Amy Tan's Chinese family invites an American boy's family over for dinner. Amy Tan wants to impress him and thinks that he wont like the food her mother made even though it is her favorite food. She can tell that he doesn't like the food and she is embarased. So, Amy wants to fit in.
The Narrator’s family treats her like a monster by resenting and neglecting her, faking her death, and locking her in her room all day. The Narrator’s family resents her, proof of this is found when the Narrator states “[My mother] came and went as quickly as she could.
“ I did what I always did: not weep -- she never wept--and made my face a kindly whitewashed wall, so she could write, again, whatever she wanted there”. This last part show the three things that have been talked about. Authority, strength and compassion. Authority on the part “not weep— she never wept—“ indicating she was going to make him/her stopped. Strength, this time shown by the son/daughter by not crying while seeing his/her mom in that painful situation. Compassion on that last part “and made my face a kindly whitewashed wall, so she could write, again, whatever she wanted there”. Not showing his/her sadness so she didn 't have to feel even worse that she probably felt and pretty much making space for a new lesson by the mother, the teacher and the
Analysis: In this he is talking about all his mother wanted was to have a man in her life. She is so weak that she couldn’t go 2 months without a man. He says that her "appetite" has grown and she needs to feed on so...
“I’m really hungry, Papa. I know” (McCarthy 51). The son tells his father that he is hungry many times throughout the novel. This small talk between the father and son showed me how thankful and blessed I am. There are so many people out there in the world who are struggling and don’t know where their next meal is going to come from. They are trying their best to survive and some have families just like them, have to try to keep them surviving as well. This whole novel, along with this quote, showed me how meaningful life really is.
The young waiter seems selfish and inconsiderate of anyone else. In the beginning of the story, he's confused why the old man tried to kill himself. "He has plenty of money," he says, as if that's the only thing anyone needs for happiness. When the old man orders another drink, the younger waiter warns him that he'll get drunk, as if to waver his own responsibility rather than to warn the old man for his sake.
In the story, the Jewish mother uses the “Basic Facial Expression”(Greenburg 200), which is basically making others feel guilty. She would say things like “I’m fine”, “don’t worry about me”, “I don’t mind staying home alone” (Greenburg 200). In the story, the Jewish mother puts her children in impossible and comes up with ridiculous situations where no one can win. An example from the story is when the mother caught her daughter kissing a boy. She makes a big deal over something little, doesn’t give her daughter a say in anything, and her solution was telling her daughter, “you’ll leave this house and you’ll not come back until you’re a virgin.”(Greenburg 205). A mother should never kick her daughter out for simply kissing a boy. In many ways we think this solution is unbelievably ridiculous.
...ing to see if the mushroom was edible for the kids. At the end of the story the reader finds out that Mary would become their stepmother. This story portrays storge, the love of family. The oldest brother hates Mary for eating the mushroom in front of his starving sisters. He said “I endured the smell of the mushroom frying as long as I could. Then I said “Give me some”. Mary says “Tomorrow , maybe. But not tonight.” This showed that Mary was willing to give up her life for the kids just like a mother would. If she would have died the next day the kid would not eat the mushroom. But if she did survive the kids could eat it and not starve anymore. Only people from a family would do this for each other. The children’s father married Mary because she was like a mother to his children. That is why at the end of the story the boy said “My stepmother was a great person.”
“each child was given a sandwich.” Faulk's focused on children, this is to make the reader feel sympathetic as children are seen and innocent and helpless. This simple sentence gives the reader insight and foreshadow of the future and inevitable death of the children.