Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The importance of drama in culture
Themes addressed in drama in the contemporary society
Setting a literary element in the storm
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The importance of drama in culture
Culture and society have a strong effect on the individual, including decisions, relationships, and responsibilities. Often, one can lose their own identity in the midst of societal roles and stereotypes. Seeing human nature as it truly is, without external influences, is nearly impossible in realistic scenarios. Modern literature and cinema accomplish this seemingly impossible task, separating the individual from society and other influential forces, through storms or catastrophic events. In Shakespeare’s, The Tempest, the storm is the disaster which strands the characters on the Island on their way from a wedding. There are many modern examples where disasters, natural or caused by humans are used to strip the individual down to its most …show more content…
This storm serves a few different purposes in both the plot and the development of the characters. Prospero creates the storm because he is trying to punish and those who had done him wrong. His brother, Antonio, betrayed him and stole his dukedom and was assisted by other. In this case, the storm is not natural, but one Prospero created. Prospero did not kill them all in the storm, but rather had them, through Ariel, make it safely to the Island, becoming separated in small groups. In this scenario, they are being taken from any social hierarchy and each character is seen truly as they are at some point over the course of the play. One’s true identity fully makes itself present, whether that is through the attempt to acquire power of the fact that power has been stripped away, and therefore recognizes their wrong …show more content…
What was often revealed about the character's true self was the greed and desire for power. Without any elected leader or source of authority on the island, people begin to seek more power for themselves. This is evident through the plans to kill those in positions of higher power. When Ariel puts all but Antonio and Sebastian to sleep, they see the benefits of killing those who had fallen asleep. Antonio convinces Sebastian that they could rule Naples if they kill Alonso. They are about to kill Gonzalo and Alonso, but Ariel awakes them. Another example is when Caliban first meets Trinculo when he is carrying wood, mistaking him for a spirit sent by Prospero to torment him. Soon Stephano meets them and the three start drinking together. After a while, Caliban proposes that they kill Prospero and make Stephano king of the Island. The three agree to the plot and set off to kill Prospero. In the presence of Prospero, although resistant, recognizes him as a figure of superiority and authority. Without any form of punishment for their actions on the island, chaos occurred.
In modern cinema and literature, catastrophes or disasters are used to set up or start the plot. This has a very similar effect to the disaster used in The Tempest. This same way of exposing character’s true identity can be seen in many popular culture movies. A television show also uses a disastrous event to set up the scene on which
... For instance, Miranda and Ferdinand believe that they have chosen each other, when in fact Prospero orchestrated their falling in love from the outset. By using reverse psychology to make the couple think he does not approve of Ferdinand, Prospero catalyzes a rebellion against himself with the purpose of bringing the couple together. In the end, Prospero reveals himself to King Alonso and his men.
Prospero enslaved the spirit Ariel or other-worldly figure of sorts. And in-turn Ariel causes a violent storm that causes the shipwreck in the opening scene, due to Prospero's request, thus bringing those back that caused Prospero to lose his dukedom. After which Ariel asked for his freedom having done his deed for Prospero, but Prospero denied his request, saying to Ariel time must be served first. Prospero continues with something of a guilt-instilling speech, reminding Ariel that he had freed him and Ariel becomes submissive once again saying, “all hail, great master, grave sir, hail! I come to answer thy best pleasure; beat to fly, to Swim, to dive into the fire, to ride, on the curled of clouds”(1,2,189-190). This shows Ariel’s language is that of someone being oppressed imprisoned or enslaved and such is the relationship that of a slave and a master. Prospero does not only oppress Ariel but also enslaves Caliban the once ruler of the island simply because Prospero believed his new ideas were much better meaning slavery over freedom, which he did impose on Caliban by saying “Dull thing, I say so; he, that Caliban, Whom now I keep in my service.” (Act. I, Sc. II, Ln. 285-286). Furthermore Prospero makes it even clearer what he thinks of Caliban the native that had helped Prospero to survive on the Island has
Ariel goes on to tell Prospero that all the people had made it to shore safely and that she had separated the people on the island into groups so that they wouldn’t know of each other 's survival. Prospero then ask what happened to the King 's ship and the rest of the ships. Ariel said that she had hidden the King 's ship and had sent the other ships back to Naples so that they would go back to Naples and tell everyone about the shipwreck and death of their king. Prospero wisely orders the separation of the factions in order to create a belief in their mind that would help him institute his master plan. One person that Ariel singles out is Ferdinand, "The king’s son have I landed by himself, Whom I left cooling of the air with sighs In an odd angle of the isle, and sitting, His arms in this sad knot." By placing Ferdinand alone Prospero makes Ferdinand believe that his father is dead and that he is now the King of
Having been usurped and wrecked on an Island Prospero and his young daughter Miranda have to settle. It is here in Prospero's past that it first clear to see where any confusion about his character may appear. As a learned and powerful man Prospero is able to take direct control of the island, he frees a trapped and tortured spirit (Ariel) and befriends the inhabitants (Caliban). Prospero 'helps' Caliban, he tries to educate him and teaches him to communicate, in exchange Caliban helps Prospero to survive on the Island. But in taking power of the Island Prospero is committing the same act that happened to him as Duke of Milan, now Prospero himself has become the usurper. In this act of goodness Prospero has unknowingly shown his evil side.
The play opens with a fearful tempest threatening to destroy the king's ship and all of its passengers. This situation along with the terrified emotions of the characters appears to the reader to be very real. However, in the second scene, the reader meets Prospero and his daughter Miranda. Through their conversation we learn of Prospero's magical powers, his brother's unjust claim as the Duke of Milan, and the exile of the two to this mysterious island. Next unveiled is Prospero's plot of revenge to regain his rightful title, the first step being to shipwreck the royal party on his island with the creation of the magical tempest. The reality of the situation is that there never was any danger from the storm at all.
Prospero promotes both the mutual affections of Ferdinand and Miranda and the two regicidal conspiracies (Antonio's and Caliban's). Through the establishment of the graver conspiracy, and through the overwhelmingly magical nature of the island, he drives Alonso into a state of confusion from which any escape would be welcome. He turns Alonso's men against him and separates his son, inciting the paranoia and fear that come with an insecure station, while reminding him of his own fate twelve years prior—proof that such paranoia is not without foundation.
This time however, Prospero used his daughter as bait in order to draw Ferdinand closer in the hopes of getting them married. He wants to regain his title as the Duke of Milan. Prospero presents himself as a victim of injustice, however his belief of justice and injustice is somewhat contradicting. He takes advantage of this authority over other people and situations he encounters while using his integrity and compassion to mask his dangerous plans and to retain love and respect. The Tempest in the end suggests that love and compassion are more effective political tools than violence, hatred or even abusive magic.
Shakespeare's "The Tempest" forms a world within itself. Within this world, many topics regarding government, power and colonization are addressed. Shakespeare tackles the discovery of new places and races, the relationship between the colonized and the colonist, old world ideologies on new soil, as well as theories on civilization and government. These aspects at the core reveal a very clear struggle for political power. Prospero's first major monologue creates the foundation of such a theme. In 1.2 lines 30-175 Prospero tell his story recounting the usurpation of the power he had as Duke of Milan, then quickly renews his power on the island. Prospero beings his story with an authoritative tone stating: "Obey and be attentive" (1.2 48). Desiring political power and authority becomes the core from which other themes derive.
The members of the royal party are those who suffer the most from Prospero’s unethical use of magical power. Prospero first creates the Tempest to capsize their ship for the purpose of enacting his plan for revenge. While on the island, he continuously uses his magic to terrorize the group, he allows Alonso to grieve Ferdinand and believe him dead. Prospero also manipulates them with magical illusions in sending Ariel as Harpy to threaten them, “Lingering perdition, —worse than any death / —shall step by step attend / You and your ways” (3.3.77-79). After which he works their minds into madness, and then later imprisons them.
The Tempest, like any text, is a product of its context. It is constructed in relation to moral or ethical concerns of 17th century European Jacobean society. The resolution of conflict appears 'natural' or an inevitable consequence if regarded in relation to the concerns of its context. The resolution of conflict in this play incorporates Prospero being returned to his 'rightful' or natural position as Duke of Milan, his daughter Miranda getting married to Ferdinand, and the party returning to Milan leaving the island to the 'monster', Caliban. The resolution is a consequence of the concerns of the time, including the idea of the divine right of kings, courtly love, and colonisation.
Throughout history, the struggle for power has led mankind to commit unspeakable acts of violence in order to obtain or maintain dominion over others. Imprisonment, torture and murder are all tools tyrants such as Caligula of Rome, Ivan IV of Russia and Pol Pot of Cambodia used to subject their will on others. At the most basic level these are all stories of men obsessed with power. The Tempest, by William Shakespeare is another such story that shows just how far a person will go to gain control and power over others. The character relationship between Prospero and his slaves, Ariel and Caliban, provides insight into the overall theme of the story which is the struggle between those who have power and those that are envious of that power and will stop at nothing to take it from themselves.
Prospero, the "rightful" duke of Milan, primarily seeks revenge against two people, Antonio and Caliban. But, Prospero allows his anger toward them to trickle to the other castaways on the island. He encourages Ariel to separate Sebastian, Duke Alonso's brother, from his son Ferdinand during the raging sea storm, causing Sebastian to assume his son has drowned. (1.2.213-224) The other "drunkards" on the island also feel the brunt of Prospero's revenge against Caliban when Ariel tempts them with a banquet stocked with alcohol and then disillusions them into thinking the banquet was a figment of their imagination. (2.1)
In Act ll, scene i, while Alonso is asleep, Sebastian and Antonio conceive a plan to kill Alonso because they see an opportunity to gain authority of the rest of the crew. In Act lll, scene ii, Caliban encounters Trinculo and Stephano and convinces Stephano ...
Although we hear the story of Prospero's eviction from Milan from him, the manner in which he tells his history inspires distrust -- Prospero is pompous, self-pitying and apparently unforgiving. The nature of Prospero's rule as revealed by Act I is not pleasant. When duke of Milan, he trusted his brother Antonio too much, and consequently nearly lost his life, as well as his dukedom. On the island, he befriended Caliban, brought him into his house and treated him as a member of the family -- and repeated the pattern of trust, which was again betrayed, when Caliban attempted to rape Miranda. Although Prospero learns from this second betrayal, he goes to the other extreme. Prospero's apparently tyrannical stance is revealed in his exile and verbal abuse of Caliban, as well as his tirade and threat to imprison Ariel again "till / Thou hast howl'd away twelve winters".
Sometimes it takes any advantage to attain power. Prospero secures power on the island through his use of magic and manipulation. He is in control of all of the events in the play since he essentially has all of the power. It is also revealed how he maintains his power by exploring the use of his manipulative magic and the hold he has over those around him. By using his magical influence over the natives he has enslaves, Prospero invokes fear in Ariel by stating, “If you complain any more, I’ll split an oak tree and lock you up in it till you’ve howled for twelve years” (Shakespeare 37). He uses his power as a fear tactic to make the native people do his bidding for him. He also uses his magic against those he has shipwrecked on the island. He puts them in a trance to keep him busy until he needs them again, “My magic powers are in full swing, and my enemies are confused and running around in circles. They’re under my control, and I’m keeping them in their crazy fits” (Shakespeare 143). By entrancing the men from the boat, Prospero can keep them under his bid until he sets himself on a course of action. As he states, “.., my enemies have happened to wreck their ship on this island. As I see it, my fate hangs on this lucky event”, he must be precise in how he handles cultivates these people or he will risk the possibility of his plan unraveling before him (Shakespeare 27). The idea behind him having magic is to set him apart