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Essay on shakespeare's tempest
Literary analysis of the tempest
Analysis of William Shakespeare's Tempest
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"Nearly all men can stand adversity, but if you want to test a man's character, give him power." -- Abraham Lincoln
Shakespeare's "The Tempest" forms a world within itself. Within this world, many topics regarding government, power and colonization are addressed. Shakespeare tackles the discovery of new places and races, the relationship between the colonized and the colonist, old world ideologies on new soil, as well as theories on civilization and government. These aspects at the core reveal a very clear struggle for political power. Prospero's first major monologue creates the foundation of such a theme. In 1.2 lines 30-175 Prospero tell his story recounting the usurpation of the power he had as Duke of Milan, then quickly renews his power on the island. Prospero beings his story with an authoritative tone stating: "Obey and be attentive" (1.2 48). Desiring political power and authority becomes the core from which other themes derive.
Power as the Central Theme:
Prospero, the rightful Duke of Milan, so enthralled “In dignity, and for the liberal arts” (1.2 73), twelve years prior lost his dukedom to his brother Antonio. Antonio, in turn, betrayed Prospero’s trust by forming an alliance with the enemy, the King of Naples Alonso. This treaty gave Alonso “annual tribute, [to] do him homage, Subject his coronet to his crown, and bend The dukedom, yet unbowed—alas, poor Milan—To most ignoble stooping” (1.2 113-116). Ultimately, Milan gave up its freedom and became subject to Naples. Prospero, whose “library/ Was dukedom large enough” (1.2 109-110), lost his position as the Duke of Milan and he and his three year old daughter Miranda were sent “abroad a barque bore…to sea” (1.2 144-145). Eventual...
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Analyzing the narrative of Harriet Jacobs in the context of the writings of W.E.B. Du bois serves to demonstrate how slavery prompted the weary and self-denigrating attitudes of Negro Americans during the subsequent Reconstruction period. However, it is important to note that Harriet Jacobs does not embody the concept of double-consciousness because slavery effectively stripped away her sexuality and femininity, therefore reducing her to one identity--that of a
Though considerable effort has been made to classify Harriet Ann Jacobs'Incidents in the Life of a Slave Girl: Written by Herself as another example of the typical slave narrative, these efforts have in large part failed. Narrow adherence to this belief limits real appreciation of the text's depth and enables only partial understanding of the author herself Jacobs's story is her own, political yes, but personal as well. Although she does draw from the genre of her people, the slave narrative, to give life and limb to her appeal for the eradication of slavery in America, she simultaneously threads a captivity narrative, a romance, and a seduction novel through the text as well.
numerous types of themes. Much of the work concentrates on the underlining ideas beneath the stories. In the narratives, fugitives and ex-slaves appealed to the humanity they shared with their readers during these times, men being lynched and marked all over and women being the subject of grueling rapes. "The slave narrative of Frederick Douglas" and "Harriet Jacobs: Incidents in the Life of a Slave Girl" themes come from the existence of the slaves morality that they are forced compromise to live. Both narrators show slave narratives in the point of view of both "men and women slaves that had to deal with physical, mental, and moral abuse during the times of slavery." (Lee 44)
Shakespeare, William; Much Ado About Nothing; Washington Square Press; New York, NY; New Folger Edition May 1995
Harriet Jacobs’ Incidents in the Life of a Slave Girl is one of the few narratives depicting the degradation’s endured by female slaves at the hand of brutal masters. Jacobs’ narrative is sending a message to women to come together and end the unfair treatment all women are subjected to. By bringing images of slavery and the message of unity of women to the forefront, Jacobs is attempting to end the tyranny over women perpetrated by men and the tyranny over blacks perpetrated by whites. Integrity and agency are ideals that Americans have fought for over the years. Jacobs reshapes these ideas and makes decisions and takes full reposibilities for her actions to become the ideal and representative image of womanhood.
Harriet Jacobs’ feminist approach to her autobiographical narrative Incidents in the Life of a Slave Girl brought to life the bondage placed on women, in particular enslaved black women, during the nineteenth-century America. In an effort to raise awareness about the conditions of enslaved women and to promote the cause of abolition, Jacobs decided to have her personal story of sexual exploitation and escape published. The author’s slave narrative focuses on the experiences of women, the treatment of sexual exploitation, its importance on family life and maternal principles, and its appeal to white, female readers. Likewise, through the use of the Feminist/Gender Theory, issues relating to gender and sexuality can be applied to the author’s slave narrative. Incidents in the Life of a Slave Girl and its lack of reception during its own time disclose the strict boundaries and unique challenges Harriet Jacobs encountered and overcame as a woman in antebellum America.
The debate over firearms has been polarized for too long. Gun law is a never-ending issue because there hardly is any true debate. Americans (and even gun owners) do support the governments efforts to make sure guns are less dangerous in violent hands, but that is the main problem-the guns getting in the wrong human hands. Millions of law-abiding Americans do own and do enjoy their guns. But criminals and sometimes-disconcerted kids often use firearms to kill. The use of firearms has increased tremendously. An average day in Los Angeles is four people dying in a gun related crime and the United States faces approximately 87 deaths a day. There are more than 200 million guns in circulation in the United States and if you don’t own a firearm, chances are that your neighbor or friend does (Fineman 27). Sure, the Founding Fathers incorporated the Second Amendment as “the right to keep and bear arms,” but it did not give the distinction of using guns to kill more children and people than anywhere in the world.
Shakespeare, William; Much Ado About Nothing; Washington Square Press; New York, NY; New Folger Edition May 1995
Prospero’s Abuse of Power in The Tempest. In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island. On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda. On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires.
Clark, W.G., and W. Aldis Wirhgt, eds. The Complete Works of William Shakespeare. Vol 2. USA: Nd. 2 vols.
Shakespeare, William, Stephen Greenblatt, Walter Cohen, Jean E. Howard, Katharine Eisaman Maus, and Andrew Gurr. The Norton Shakespeare. Second ed. New York: W.W. Norton, 1997. Print.
Through The Tempest play, William Shakespeare weaves together a tale that is characterized by anti-colonialist sentiments. Prospero - the deposed Milan Duke - adopts a colonialist mentality by treating his colleagues as slaves who have no rights. Characters who suffer mistreatment under Prospero include: Ariel - the spirit creature; Ferdinand - the Naples Prince; and Caliban - Sycorax’s son. Prospero possesses much magical power which he uses to oppress his compatriots. Consequently, Prospero is portrayed as a colonial tyrant who abuses his immense power. Anti-colonialism feelings are especially evident through the actions, utterances and disposition and of Caliban, Miranda, Ferdinand and Ariel. To illustrate, Caliban berates Prospero for the former’s forced labor. Likewise, Ariel protests Prospero’s reluctance to release the former as earlier agreed. Miranda also expresses her dissatisfaction with Prospero’s unfair imprisonment of Ferdinand. Similarly, Ferdinand appears to challenge Prospero’s authority by briefly stopping dragging timber so as to flirt and chat with Miranda. The foregoing four characters exhibit conduct that highlights their displeasure with Prospero’s colonial-style authority over them. From the preceding expose, it can thus be concluded that Shakespeare’s The Tempest play is about anti-colonialism based on its depiction of Caliban, Miranda, Ferdinand and Ariel’s opposition to Prospero’s oppressive authority.
Nature is defined as, “our genes” (Definition); it is what we are born knowing. On the other hand, nurture is defined as our “environment and experiences” (Definition). Clearly things like eye color, height, and other physical traits are solely connected with your genes.
The illusions of justice and freedom, and what they truly are, has been a reoccurring theme throughout the works. The definitions of justice and freedom have become so construed throughout the times. In William Shakespeare’s The Tempest, Prospero tries to enthrall his audience in his narrative of social justice. The idea of justice the play portrays represents one individual who controls the fate of all others. Their freedom is controlled by the interference of those around them. Although he spends most of the play righting the wrongs done to him, he is misdirecting so to hide his true motive. Prospero misconstrues the definitions of justice and freedom by enslaving Ariel and Caliban, using magic for his own good, and creating a false happy
The Tempest was written in 1611 as Shakespeare’s last romantic comedy. This play is focused mainly on the theme of power. Shakespeare portrays an aging magician who has been living in exile with his young daughter on a remote island for the past 12 years. Shakespeare presents forms of power in different ways, but mainly through the characters of Prospero. In The Tempest Shakespeare shows 3 different types of power, which are through love, power over his slave Caliban, and power of magic.