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Colonialism an essay
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Colonialism an essay
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Shakespeare wrote The Tempest to criticize colonialism, not just to entertain people. During the time that Shakespeare The Tempest many people were expressing through the arts ideas they did not support. While Shakespeare didn’t come right out and say “colonialism sucks”, he did give clues in The Tempest to show what he felt was wrong. The abuse, both mentally and physically, alongside the trickery and power struggles that show up in The Tempest coincide with the most controversial parts of the colonialism era. Shakespeare wrote The Tempest to get people to start thinking and questioning what happened during colonialism. Some people might say that Shakespeare wrote The Tempest simply to entertain people because he was a writer and that is what …show more content…
In The Tempest both Caliban and Prospero talk about how the two were friends in the beginning. Prospero taught Caliban his language and customs. In return Caliban showed Prospero all the good resources of the island. After gaining Caliban’s love and trust Prospero tricks Caliban by enslaving him. In Act I Scene II Caliban reminds Prospero what Caliban did for him saying “show’d thee all the qualities o’ the isle, the fresh springs, brine-pits, barren place and fertile: cursed be I that did so”. Prospero tricked Caliban into thinking they were friends to use him for his knowledge of the land. The colonizers of the Colonialism era played the same trick onto the unsuspecting natives around the world. For example the first colonizers of The Americas tricked the Native Americans into teaching them how to grow new foods, like corn and then murdered or enslaved most of the natives. What happened in The Tempest is almost exactly the same as what happened during …show more content…
In The Tempest everyone is struggling for their own power. Prospero, the colonizer of Caliban’s and Ariel’s island held the most power just like the colonizers of the Americas and Africa. Like the real life colonizers, Prospero thought he was better than the natives because he had a language and custom the natives did not. So through abuse and trickery Prospero became basically the king of the island. Miranda, Prospero’s daughter struggled to have freedom from her father just like everyone else. Miranda’s struggles represent the struggles of the colonizers who did not believe violence or trickery was needed in a new land. Ariel wanted freedom from his supposive one year enslavement and to no longer have to be under Prospero’s power. Ariel represents the natives who were tricked into slavery through lies. Caliban wants to be free from Prospero’s power because he is being abused and mistreated. Caliban represents the natives who were not tricked but forced to work through physical abuse from the colonizers. Caliban curses at Prospero’s power the same way the Aztecs did. In Act I Scene II Caliban tells Prospero “you taught me language; and my profit on’t is, I know how to curse”. The Aztecs also spoke out against Hernan Cortez, a Spanish colonizer, by starting a rebellion and driving him out of their
In the play, The Tempest by William Shakespeare, Prospero took control of Caliban and made him his servant. Prospero was able to do this because he viewed Caliban as an uncivilized being; Caliban was portrayed as a beast. Thus, Prospero was able to assume power over Caliban. It can be seen from Prospero’s speech that he thinks that Caliban is inferior to him when Prosper says, “I have used thee, Filth as thou art, with human care […]” (1.2.348-349). Prospero tries to justify enslaving Caliban, but all he really does is place Caliban into a category of bestial and uncivilized and as a result enslaves him.
The Tempest reflects Shakespeare's society through the relationship between characters, especially between Prospero and Caliban. Caliban, who was the previous king of the island, is taught how to be "civilized" by Prospero and his daughter Miranda. Then he is forced to be their servant. Caliban explains "Thou strok'st me and make much of me; wo...
Through The Tempest play, William Shakespeare weaves together a tale that is characterized by anti-colonialist sentiments. Prospero - the deposed Milan Duke - adopts a colonialist mentality by treating his colleagues as slaves who have no rights. Characters who suffer mistreatment under Prospero include: Ariel - the spirit creature; Ferdinand - the Naples Prince; and Caliban - Sycorax’s son. Prospero possesses much magical power which he uses to oppress his compatriots. Consequently, Prospero is portrayed as a colonial tyrant who abuses his immense power. Anti-colonialism feelings are especially evident through the actions, utterances and disposition and of Caliban, Miranda, Ferdinand and Ariel. To illustrate, Caliban berates Prospero for the former’s forced labor. Likewise, Ariel protests Prospero’s reluctance to release the former as earlier agreed. Miranda also expresses her dissatisfaction with Prospero’s unfair imprisonment of Ferdinand. Similarly, Ferdinand appears to challenge Prospero’s authority by briefly stopping dragging timber so as to flirt and chat with Miranda. The foregoing four characters exhibit conduct that highlights their displeasure with Prospero’s colonial-style authority over them. From the preceding expose, it can thus be concluded that Shakespeare’s The Tempest play is about anti-colonialism based on its depiction of Caliban, Miranda, Ferdinand and Ariel’s opposition to Prospero’s oppressive authority.
During this time Caliban loved Prospero and showed him the features of the island, "The fresh springs, brine-pits, barren place and fertile…" Caliban regrets helping Prospero as he says towards the end of his speech, "Cursed be I that did so!" Caliban feels this way due to his imprisonment.
Prospero and Miranda were exiled from their homeland and forced to flee. Caliban is the only being on the island they find themselves in. Similar to how the Native Americans treated the colonists when they first arrived to the Americans, Caliban is kind and respectful to Prospero. He teaches Prospero about the island and Prospero
Caliban is treated in a highly demeaning manner since Prospero is a man of magic and has infinite power to control Caliban in every aspect. It is seen early on in the play the amount of control that has been placed over Caliban, to the extent that memories make him cringe and satisfy all of Prospero’s needs. Prospero is obviously the Duke of that island similar to how he was Duke of Milan before being usurped and banished to the island, which is Caliban’s home. In general, the relationship of Prospero and Caliban is a model of early colonization into the New World considering Caliban is it’s only inhabitant. In reality, colonization is the chief reason slavery was implemented which was to maintain laborers in order to prosper in the New World.
Having been usurped and wrecked on an Island Prospero and his young daughter Miranda have to settle. It is here in Prospero's past that it first clear to see where any confusion about his character may appear. As a learned and powerful man Prospero is able to take direct control of the island, he frees a trapped and tortured spirit (Ariel) and befriends the inhabitants (Caliban). Prospero 'helps' Caliban, he tries to educate him and teaches him to communicate, in exchange Caliban helps Prospero to survive on the Island. But in taking power of the Island Prospero is committing the same act that happened to him as Duke of Milan, now Prospero himself has become the usurper. In this act of goodness Prospero has unknowingly shown his evil side.
Shakespeare’s play, The Tempest is set on a mysterious island surrounded by the ocean. Here the magician Prospero is ruler of the isle with his two servants Caliban and Ariel. Caliban is the abrasive, foul-mouthed son of the evil witch Sycorax. When Prospero was shipwrecked on the island Prospero treated him kindly but their relationship changed when Caliban tried to rape Prospero's daughter, Miranda. Caliban then became Prospero's unwilling servant. Caliban serves his master out of fear Prospero's wrath. Prospero's other servant Ariel is a graceful spirit who has courtesy and charm. Ariel has put her services at Prospero's disposal out of gratitude for his kind actions towards her. Prospero saved Ariel from the confinement of Sycorax who held her prisoner.
The tempest is about colonialism because Prospero is the one who took over Caliban’s land by force which is Sycorax and tries to enslave its people and he also tries to apply his own culture on Sycorax’s people land. Prospero does not only take over Caliban’s land but he also tries to enslave him. He considers Caliban as half man. He treats Caliban as a slave; he calls him a thing of darkness. Prospero describes Caliban as violet, savage, and have an evil smile, and drunkard.
In the beginning of the play, Caliban and Prospero had a relationship similar to that of a father and son. Prospero took care of Caliban, and taught him how to speak. Caliban too, taught Prospero how to live on the island by showing him the places to get food. I feel that in the beginning, Caliban was naïve and innocent, with no ill intent. He truly felt that Prospero was his father, or a king, and in fact was a king that he loved. For instance, Caliban in Act 1, Scene 2 states “And then I loved thee.” Their relationship was one of love, and the want to help each other.
... take revenge on Caliban. We learn that not only was his “nobler reason” not actually a moral reason and instead a somewhat political reason, we also learn that “fury,” which can be seen as illogical revenge, is only a reference to Caliban’s form of revenge. In other words, he did not prevent himself from performing vengeful acts because of the logical problem with it; Instead, he did it because it would be alike to the way that Caliban would handle the problem who is the opposite of a noble. Now that we have taken into more careful consideration the reasons that Prospero uses not to take revenge on Caliban, we know that “nobler reason” is not a reference to moral logic and his stance against “fury” is only a refusal to act in the lowly way that Caliban acts. Instead of treating his comments as logical and wise, we are driven to treat them as self-centered comments.
The Tempest, like any text, is a product of its context. It is constructed in relation to moral or ethical concerns of 17th century European Jacobean society. The resolution of conflict appears 'natural' or an inevitable consequence if regarded in relation to the concerns of its context. The resolution of conflict in this play incorporates Prospero being returned to his 'rightful' or natural position as Duke of Milan, his daughter Miranda getting married to Ferdinand, and the party returning to Milan leaving the island to the 'monster', Caliban. The resolution is a consequence of the concerns of the time, including the idea of the divine right of kings, courtly love, and colonisation.
This fuels Caliban hatred for Prospero, showing that he wasn’t raised right by Prospero. The way that Miranda treated him would be better, as she taught him how to speak and understand the human language, in a nice polite manner. Prospero on the other hand, has demonstrated his forceful bargainings on Caliban, with much disrespect and disregard for how Caliban feels. Caliban didn’t mean to become this way, if he was treated better, in the beginning, hatred wouldn't be such a prominent emotion.
In Shakespeare’s play The Tempest, there are two characters who appear to be polar opposites. The characters of Caliban and Ariel both play very important roles in the play. The term caliban is defined as “a brutish or brutalized man,” and the term ariel is defined as “a spirit of the air” (Dictionary). The definitions of these two characters names even show the huge difference in the two characters before readers or viewers even get to know the characters. There are also differences in how the two characters feel about the self-proclaimed king of the island, Prospero. However, regardless of their many differences the one thing that they do have in common is the fact that they are both oppressed by Prospero who has deemed himself king of the island and seek freedom.
The Tempest Genrefication For years, it’s been up for debate exactly which category The Tempest fits best. The Tempest was Shakespeare’s last play before his death and has caused confusion behind the inspiration for the characters and most important, the genre. The reason no one knows what category to put The Tempest in because of the many different components in the play. The Tempest has marriage like a comedy, a character of nobility who has a downfall like a tragedy, and has a muted tone of happiness as in romance. The Tempest should be labeled as a romance because of its acknowledgement of evil fits perfectly in the category of romance.