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Recommended: Tragedy in othello
The Talent of Iago in Othello William Shakespeare's Othello is a tragic drama that shows the overwhelming power of deception and the damage it can lead to. Othello's right-hand man is Iago; on the surface a die-hard friend and confidant, in reality comparable to the devil himself. Iago uses other characters as though they were his puppets, planting lies and watching the sorrowful fruit born. Iago deceives virtuous, yet weaker men (such as Cassio and Roderigo) with ease, but feels greatly threatened by the most powerful, virtuous general in the land - Othello. Othello's only flaw is jealousy, and Iago exploits this to no end, using him to get what he wants. Iago's talent to manipulate the truth and control other people with his lies is what gives this play momentum. More than any other characteristic, Iago preys on those who are emotionally unsure of their desires. Iago manages to find ways of altering these characters' perceptions of reality, forcing them to believe in the dark world that Iago has created for them. The main emotions that Iago bends and twists are those of love... ... middle of paper ... ... Castlerock Entertainment, 1995. Shakespeare, William. The Tradegy of Othello, The Moor of Venice. Literature: An Introduction to Fiction, Poetry, and Drama, sixth edition. Ed. X.J. Kennedy and Dana Gioia. New York: Harper Collins, 1995. Wright, Louis B. and Virginia A. LaMar. "The Engaging Qualities of Othello." Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Introduction to The Tragedy of Othello, the Moor of Venice by William Shakespeare. N. p.: Simon and Schuster, Inc., 1957
Beowulf exhibits many obvious heroic qualities, such as his strength and confidence in battle. These along with more subtle diplomatic actions serve to define him as both a great warrior and leader.
Sophocles’ Oedipus Rex introduced the one of the most important tragic heroes of Greek literature. First performed in the fifth century B.C.E., the play is centered around Oedipus, the king of the Greek city-state Thebes, and his struggle to conquer his emotions as he seeks out the true story of his life. This work, inspired by a well-known Greek myth, scrutinizes both the tragic flaws of Oedipus and his heroism. Examples of Oedipus’ tragic flaws abound in the play. In his condemnation of Tiresias and Creon, Oedipus is controlled by his emotions. However, the heroism of Oedipus is also an essential theme of the drama, though it is often downplayed. Despite this, careful analysis can uncover many instances in which Oedipus exhibits his heroism by attempting to control his emotions and discover the truth of his origins. In his finest moments, Oedipus is in complete command of his emotions as he searches for the truth, while at his nadir, Oedipus is completely controlled by his emotions and is absolutely unpredictable. This contrast is, in large part, what makes Oedipus a tragic hero. Oedipus, King of Thebes, is among the greatest Hellenistic tragic heroes because of his fight to overcome his greatest flaw, his uncontrollable anger, as he heroically searches for the truth.
Both Iago and Othello are emotional characters with a lot to offer. Othello is a gullible character who places too much trust in the wrong people. He trusts Iago over his own wife, Desdemona, allowing Iago to manipulate his mind. Iago instills doubt in Othello about anyone he has ever trusted, making them all seem untrustworthy. More than anything, Iago uses pathos to appeal to emotion.
Shakespeare, William. The Tragedy of Othello: The Moor of Venice. Ed. Barbara A. Mowat and Paul Werstine. New York; Washington Square Press, 1993.
Shakespeare, William, and Kim F. Hall. Othello, the Moor of Venice: Texts and Contexts. Boston: Bedford/St. Martin's, 2007. Print.
The themes of prejudice and tolerance are conveyed strongly through the characters and their dilemmas. Jem and Scout learn of the prejudice of the town Maycomb to Atticus defending a black man, Tom Robinson. However, Miss Maudie, Calpurnia and several others show that not everyone in Maycomb are so judgemental. Jem and Scout also learn how to deal with situations sensibly from their father, they learn how to be tolerant. Thus, the novel?s characters demonstrate both prejudice and tolerance.
A similar example of a tragic hero is found in the Character of Okonkwo, main character of Things Fall Apart by China Achebe. Okonkwo never realized that the change in society is inevitable and the only true heroes are those willing to sacrifice all for the good of the community. In Okonkwo's self-driven quest to take charge and shape his village as he saw fit, often put the entire village in dire danger. His uncontrolled rage, which without a doubt he considers manly and therefore a positive, put the community at risk of offending their gods when he beat his second wife during a sacred time, then again by defying the power of the oracle to save his daughter shows his lack of heroism.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Barthelemy, Anthony G. "Introduction" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 1-19)
As Iago's role in the play begins to define itself, the plays main theme, which is jealousy, also begins to develop. Iago's role is unclear to the reader in the first scene. He appears to be an honest, trustworthy soldier who was angry because he was overlooked for a promotion. However, the reader later finds out that he is a "malignant and destructive plotter" and would do anything to destroy Othello and anyone close to him (Epstein 381). The fact that he is an evil character remains undetected by the rest of the characters in the play. "The other characters actually call Iago honest fifteen times throughout the entire play" (Campbell 156). Iago is jealous and resentful of Othello in everyway and uses this festering hatred to infect and destroy Othello. He filled Othello's mind with thoughts of deceit and betrayal until his unwarranted jealousy towards his beautiful, trusting, and innocent wife blinded Othello himself.
Without a doubt, one of the main themes that runs throughout William Shakespeare’s tragic play, Othello, is that of honesty. In the play, the most interesting character is Iago, who is commonly called and known as "Honest Iago." However, this could not be farther from the truth. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits and moves him closer to his own goals. He is smart and an expert at judging the characters of others. Because of this, Iago pushes everyone to their tragic end.
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
"Okonkwo was well known throughout the nine villages and even beyond. His fame rested on solid personal achievements. As a young man of eighteen he had brought honor to his village by throwing Amalinze the Cat. He was called the Cat because his back would never touch the earth. It was this man that Okonkwo threw in a fight which the old men agreed was one of the fiercest since the founder of their town engaged a spirit of the wild for seven days and seven nights … That was many years ago, twenty years or more, and during this time Okonkwo's fame had grown like a bush-fire in the harmattan" ( Things Fall Apart, Chinua Achebe, page 3)
Oedipus’ pride, strung from his own heroic qualities, is one factor that ruined him. A hero prizes above all else his honor and the excellence of his life. When his honor is at stake, all other considerations become irrelevant. The hero "valued strength and skill, courage and determination, for these attributes enabled the person who possessed them to achieve glory and honor, both in his lifetime and after he died" (Rosenburg 38). Oedipus was certainly a hero who was exceptionally intelligent though one can argue that killing four men at Phokis single-handedly more than qualified him as a physical force of reckoning. He obviously knew his heroic status when he greeted the supplicating citizens of Thebes before the palace doors saying, "I would not have you speak through messengers, and therefore I have come myself to hear you - I, Oedipus, who bear the famous name"(Sophocles 1088). Oedipus is "guilty of Hubris- that is, that he is too sure of himself, too confident in his own powers [and] a little undermindful of the gods" (Brooks 573).
Throughout the tragic tale, the troubled young Oedipus is faced with many opportunities to give in to fate and throw his life away- all of which he accepted and executed proudly. After having been informed of his undesirable fate, the young man finds himself at a crossroads, pestered by another traveler. In a blinding flash of rage, Oedipus murdered the very man he was trying to avoid, as he later recounts to his wife and mother, “My stick had struck him backwards from the car and he rolled out of it. And then I killed them all”. While fully aware of the possibility that he may know not the true identity of his parents, he was not at all concerned that he may fulfill his prophecy in any violent act he commits. Oedipus took the prophecy seriously enough to uproot his life and leave his home in Corinth, but not seriously enough to even attempt to take up a life of pacifism. His misplaced efforts placed before him a choice between a bruised sense of self worth and uncalled for brutality, his inability to discern the difference between a necessary evil and an absurd liability lead him to begin fulfilling his prophecy. Since first discovering the foul outcome the divine had planned for him, Oedipus was disgusted with the thought of marrying and taking to bed his mother, but in a moment of excitement and thoughtlessness he mar...