The Symphonies Of Anton Bruckner

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Introduction The symphonies of Anton Bruckner have been known to be majestically spiritual having ‘cathedrals in sound’. Giving a brief background of the musician and composer, Anton Bruckner was born in Ansfelden. Anton’s father was a school master who did not want that his son be a musician. However, against his father’s will, Anton studied music at St. Florian monastery and became an organ player in the year 1851. Anton was much impressed by the music of Richard Wagner and extensively studied his music and after completing his studies he wrote "Mass in D Minor". At Vienna Conservatory, he was appointed as a music teacher in 1868 and from then on he was all the more the symphonies’ musician. Nevertheless, the symphonies he created did not receive a positive response and were thought about at being "wild" and "nonsensical" (Adante). His music was dominated by Eduard Hanslick. While Anton’s symphonies were most popular, he also wrote Masses, Motets and Chorals, while his symphonies were the most romantic his chorals were both conventional and contrapuntal in technique. About His Symphonies Symphony No. 1: Anton’s first symphony was composed and completed in 1866. In 1868, Anton performed this symphony in Linz, and afterwards left from Vienna where he spent his remaining life. Critics were not favorable towards his first symphony as the audience considered it as rough and too unconventional. Accepting this criticism, Anton revised his first symphony a year after its creation and called the new version of his first symphony as the Linz Version. Ever since, the Linz Version is the most famous and the most performed symphony of Anton. And it is the version mostly performed now. Dr. Carragan prepared a reconstructed version of the...

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...means of the contact with the construction and substance of the structure. This is also true for Bruckner cathedrals of sound. Where in the church the reverential are waned in the direction of a thing that is further than the construction and splendor of the structure, and is similar in effects with Bruckner’s symphonies. Thus, Bruckner’s symphonic compositions charismatically conclude in no more than one way and that is upwards. References Chew, Teng-Leong (2000) Anton Bruckner: Symphony No. 6, Hugo Wolf: Goethe-Lieder, http://www.mahlerarchives.net/Reviews/RCO_B6.html McCullough, James (2003) Spirituality in the Concert Hall: Reflections on the Music of Anton Bruckner, http://www.bruckner.org/articles/JM20030516-1.htm The Vienna Philharmonic: 1954-1978: Anton Bruckner, Adante, http://www.andante.com/Boutique/Shop/index.cfm?action=displayProduct&iProductID=478

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