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Franz Schubert contributions
Franz Schubert contributions
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Biography of Franz Schubert *No Works Cited Many prominent musicians produced major works during the romantic period. Among these are Beethoven, Strause, and Bach. But the musician that I think had the most impact, was Franz Schubert. Franz Peter, born on 31 January 1797 was one of fourteen children born of Franz Theodore Schubert and Elisabeth Vietz, four of which survived. He grew up in an apartment that daily converted to a classroom in which his father taught several elementary school classes. He received a thorough basic education; his father being a good teacher, and son being a bright student. From his father Franz also learned to play the violin, and from his brother he learned the piano. The family, indeed, was a very musical one; family "String Quartet Parties" were well known in the part of Vienna in which they lived. But soon young Franz learned all that his family had to teach him. Later, any neighbors who could play any instruments were drawn in and the quartet became a little orchestra. At nine years old, this inquisitive little boy auditioned and was accepted for a position as a chorister in the Royal Court Chapel Choir (which would later become the 'Vienna Boys' Choir). The young chorister gained the attention of Antonio Saliere, who saw to the nurture the young boy's education. After leaving the choir, he continued as a student at the school for one unhappy year. Schubert returned to live at home where it was decided that he would help his father teach. This did not last long. A disastrous episode with an unruly pupil was the last straw and Schubert at age nineteen left teaching and his home to pursue what he loved, composing. He moved in to the... ... middle of paper ... ...gue lists over two hundred works for 1815 alone, and the following year over one hundred and sixty. Schubert's instrumental works show development over a long period of time, but some of his greatest songs were composed before he was 20 years old. In Schubert's songs the literary and musical elements are perfectly balanced, composed on the same intellectual and emotional level. Although Schubert composed strophic songs throughout his career, he did not follow set patterns but exploited bold and free forms when the text demanded it. Except for his early training as a child, Schubert the composer, was largely untrained and self-taught. His gift of being able to create melodies that contained both easy naturalness and sophisticated twists at the same time was unprecedented for his time. On this quality rests the reputation that music history finally gave Schubert.
It was not only until the spring of that year that he for first time left Hamburg professionally. He undertook a tour with the Hungarian violinist Eduard Remenyi for the purpose of introducing himself and his works. At Gottingen they gave a concert in which the young pianist made a deep impression upon the musicians present. He and Remenyi were to play Beethoven?s Kreutzer sonata, but at the last moment it was discovered that the piano was half a tone too low.
Ostwald, Peter. Robert Schumann - The inner voice of a musical genius. Boston: Northeastern University Press, 1985. 139. Book.
For almost half a century, the musical world was defined by order and esteemed the form of music more highly than the emotion that lay behind it. However, at the turn of the 19th century, romantic music began to rise in popularity. Lasting nearly a century, romantic music rejected the ideas of the classical era and instead encouraged composers to embrace the idea of emotionally driven music. Music was centered around extreme emotions and fantastical stories that rejected the idea of reason. This was the world that Clara Wieck (who would later marry the famous composer, Robert Schumann) was born into. Most well known for being a famous concert pianist, and secondly for being a romantic composer, Clara intimately knew the workings of romantic music which would not only influence Clara but would later become influenced by her progressive compositions and performances, as asserted by Bertita Harding, author of Concerto: The Glowing Story of Clara Schumann (Harding, 14). Clara’s musical career is an excellent example of how romantic music changed from virtuosic pieces composed to inspire awe at a performer’s talent, to more serious and nuanced pieces of music that valued the emotion of the listener above all else.
Joseph Haydn and Ludwig van Beethoven. Two composers who marked the beginning and the end of the Classical Period respectively. By analysing the last piano sonata of Haydn (Piano Sonata No. 62 in E-flat major (Hob. XVI:52)) and the first and last piano sonatas of Beethoven (Piano Sonata No. 1 in F minor Op. 2, No.1, Piano Sonata No. 32 in C minor Op. 111), this essay will study the development of Beethoven’s composition style and how this conformed or didn’t conform to the Classical style. The concepts of pitch and expressive techniques will be focused on, with a broader breakdown on how these two concepts affect many of the other concepts of music. To make things simpler, this essay will analyse only the first movements of each of the sonatas mentioned.
Franz began to compose at the age of eight. When only nine he made his first public appearance as a concert pianist. His playing so impressed the local Hungarian magnates that they put up the money to pay for his musical education for the next six years. Liszt’s father obtained leave of absence from his post and took Franz to Vienna. He gave several concerts in Vienna, with great success.
At the age of twenty-two Beethoven moved to Vienna; it was there where he would stay the rest of his life. In Vienna Beethoven played for Mozart, and it is believed that Mozart even gave him ...
But, to tell the truth, I want to give only main important information related to the prominent composer, Ludwig van Beethoven. Ludwig van Beethoven was really a famous and influential German composer and was born in 1770 in Bonn, Germany. Actually, first of all, he was able to learn and display his musical talents from his father whose name was Johann van Beethoven and from his most significant teacher and composer whose name was Christian Gottlob Neefe at the young ages. After that, when Ludwig van Beethoven was at the young ages, he moved and began to study the music and composition with Wolfgang Amadeus Mozart and Joseph Haydn, then was able to establish his essential and indispensable career in Vienna, Austria and finally was able to acquire and achieve a reputation as magnanimous pianist and famous teacher. Then, he began to live in Vienna, Austria until the end of his
Ludwig Van Beethoven was a famous composer and pianist between the Classical and Romantic eras of history. Beethoven started performing at the age of seven years old and he composed his first piece at the age of twelve and was considered to be a child prodigy by many; however, much of his life was accomplished through struggles that eventually become part of his legacy. Throughout his life he had many problems that he would have to overcome but this did not stop his love for music and all the accomplishments that he would have.
It is clear that Beethoven’s stands as being significant in development of the string quartet to a massive extent in creativity and innovation. His early quartets show great influence of those from the Classical period and with his own, has influenced his contemporaries and later composers. The quartets published later in his life show even greater imagination and use of expression. It is also through similar uses of texture, harmony, rhythm and counterpoint that composers of the Romantic period and the 20th century wrote their own string quartets. Beethoven’s however prove a huge advancement in how string quartets are written and the intensity of emotions that they portray.
Born to poor parents in Hamburg, Germany, Brahms’s first music lessons come from his father who played the double bass. Known as a prodigy of the piano at nine, he quickly started to study seriously and began to compose. Incredibly, at fifteen he gave a public concert and by the time he turned twenty, he had composed piano pieces that are still played today. Moreover, after he taught at Dusseldorf for some time, he became attached to the court of Lippe-Detmold in which he settled until 1860. Constantly composing, he again resided in Hamburg after 1860. For the first time, he visited Vienna in 1862 and remained there. He spent increasingly more of his time in composition during the last twenty years of his life. Furthermore, he went on tours to play and conduct his own compositions, and received increasing honors and popularity. Brahms never married and also never left the continent of Europe, refusing to even visit England when Cambridge University desired to grant him an honorary degree. He was a humorous, gruff and a rather disorderly man, and by the 1890’s, he had become one of the most distinguished citizens of Vienna. (Weinstock 457).
His astonishing understanding of musical rudiments was further cemented at age seven by his first teacher Otto Friedrich Willibald Cossel, with piano literature ranging from Bach to Schubert to Clementi (Musgrave 10). The young gifted talent quickly matured, with his compositions being sedulously characterized in craft similar to the seasoned taste of aged liquor. Following in the wake of Beethoven, his style of romanticism seemed restrained, and viewed as being confined to classical forms. With his preference towards absolute music, his works demonstrated “as [Ian] McEwan/ [Clive] Linley would have it, at the intersection of emotion and reason” and of “powerful intellect and of passionate expressivity” (Platt and Smith 4). However, being the headstrong romantic that he is, he manipulated the limiting factor into an area of expanse, in which he developed his music into seriously emotional, imaginative works of art.... ...
At the time the Austrian capital of Vienna was the musical center for composers, which soon became reason for many of the changes that were made to musical style. Composers came from all over Europe to train in Vienna in the classical time period. One of the great composer that came to Vienna is Franz Schubert he soon started a style of music called Viennese School that made many changes to the style of music as well as changes to instrumentation. The arrangements became one form to another while keeping certain similar characteristics, music became lighter and more complex, and melodies and harmonies became more complicated with more separate parts happening all at once. The instrumentation that was popular also changed. Solos, trios, quartets, and quintets became popular, beside large orchestras.
Ludwig van Beethoven, a German composer, generally considered one of the greatest composers in the Western tradition. Born in Bonn, Beethoven was reared in to the capricious discipline of his father, a singer in the court chapel. In1789, because of his father's alcoholism, the young Beethoven became a court musician in order to support his family. His early compositions under the tutelage of German composer Christian Gottlob Neefe, particularly the funeral on the death of Holy Roman Emperor Joseph || in1790, signaled an important talent, and it was planned that Beethoven study in Vienna, Australia, with Wolfgang Amadeus Mozart. Although Mozart's death in 1791 prevented this, Beethoven went to Vienna in 1792, and he became a pupil of an Australian composer named Joseph Haydn.
One crucial composer of the Classical Period lived from 1756-1791. Mozart started out as a child prodigy who made his father/teacher, Leopold, very proud. He began composing at the age of four and by age eleven he was writing operas (Pogue and Speck, 30). Leopold took his young son all across Europe and had him perform before many illustrious people. When he was older Mozart got a job working for the Archbishop of Salzburg. He had this job for about twelve years and then was fired. The next several years of his life were spent in Vienna often in search of work. Here Mozart met a lifelong friend, Papa Haydn.
The lives of composers have interested people for as long as music has been introduced to the human civilization. Antonio Vivaldi was one of the most influential composers of his time. Vivaldi’s early life, musical career, later life and death all lead to him being recognized as one of Europe’s most renowned figures in classical music during the 17th and 18th century.