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Characteristics and characteristics analysis of the Canterbury by Chaucer
Characteristics and characteristics analysis of the Canterbury by Chaucer
Introduction to canterbury tales
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The General Prologue of Chaucer’s The Canterbury Tales (1387-1400) introduces characters from many facets of Medieval English society. Among these characters, Chaucer presents a range of morality. The Summoner, the Friar, and the Parson are all clergymen, but they are not all as upright as they should be. Furthermore, while the Parson fits into this description of a good clergyman, the Friar and the Summoner fall short. Through the use of irony and the occasional direct judgment, Chaucer makes it known that to care too much about money and not enough about the spiritual well-being parishioners is the downfall of a clergyman, and that an ethical clergyman is one who does not stray from the rules of his religion. One of the more negative pictures …show more content…
The description of the Summoner – in contrast to that of the Friar – opens with a physical description. This description is not at all flattering, either: “That hadde a fir-reed cherubinnes face, / For saucefleem he was, with yen narwe. / As hoot he was and lecherous as a sparwe. / With scalled browes blake and piled berd. / Of his visage children were aferd.” (Chaucer 626-635). The initial description of The Summoner having a cherub-like face may seem positive, but as the description goes on, it becomes less and less complimentary. The mentioning of cherubs is highly ironic, as Chaucer goes on to note that the Summoner is covered and boils and pimples with scarred eyebrows; in fact, he is so horrific that children are terrified of him. This description leaves no room for being angelic or innocent, and this becomes even more apparent as Chaucer moves on to the deeds of the Summoner. As a server of summons to the ecclesiastical court so people can answer for their spiritual and moral crimes, he would need to be morally upright himself. Even still, Chaucer has no reservations about showing how corrupt he is. For example, the Summoner lets someone keep their lover in exchange for wine, “A bettre felawe sholde men noght finde: / He wolde suffre for a quart of win, / A good felawe to have his concubin” (Chaucer 650-653). Like with the Friar, Chaucer uses irony to point out …show more content…
He uses the Parson to show what a clergyman should be like, in contrast to figures like the Friar and the Summoner. The contrast is especially effective considering that the Parson’s description occurs soon before the Summoner’s; while the Summoner is one of the most abhorrent figures described, the Parson is one of the most admirable. The first lines of the Parson’s description are entirely unironic: “A good man was ther of religioun / And was a poore Person of a town, / But riche he was of holy thought and werk” (Chaucer 479-481). The first thing said about the Parson is that he is “a good man”; the second thing said is that he is poor, but rich in the knowledge of God. This is especially relevant when considering the problems with the Friar and the Summoner; while the Friar is unwilling to associate with poor people and the Summoner values the idea of wealth more than his duty as well, the Parson is poor himself. In fact, it may be because of his poorness that he is rich in the knowledge of God; it can be inferred that it is because of the corrupting power of money that the Summoner and the Friar do not fulfill their religious duties. Moreover, Chaucer notes that the Parson cares a lot about the poor: “Ful loth were him to cursen for his tithes” (Chaucer 488). The Parson his so unlike the Friar and the Summoner that he loathes to threaten excommunication to collect money;
When Chaucer described the Summoner he started with he had a face on fire like a cherubim, which, in medieval art means a little angel with a rosy face (Chaucer). He had carbuncles on his face which are pus-filled skin inflammations that look like boils, and pimples and pus-filled sores all over his face that no ointment or cream could fix (Chaucer). He had black and scabby brows and a thin beard; he was hot and lecherous as a sparrow which means he was after more than one woman at all times (Chaucer). The Summoner was also a drunk who loved garlic, onions, and leeks (Chaucer). When children saw the Summoner they were generally afraid (Chaucer).
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as courtesy through satire. In the fourteenth century, courtesy embodied sophistication and an education in English international culture. The legends of chivalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, as is revealed in his cultural status, but he also retained an anecdotal humor about courtesy. One must only peruse his Tales to discern these sentiments, for Chaucer’s view of courtesy can seem shocking and, all together, obscene at times, it’s the similarity of the differences that make Chaucer’s tales superior. An example of this can be seen through Nicholas’ attempt at “courting” Alison versus Arcita and Palamon’s endeavors at courting Emily. Nicholas' anxious and lewd behavior, in conjunction with his explicit sexual connotation, demonstrates Chaucer’s more farcical side; where as, the manner in which Arcita and Palamon court Emily can seem more satirical. In the Miller's Tale, Chaucer juxtaposes courtly love with animalistic lust, while in the Knight’s tale, the subject of chivalry is held with much higher regard, and used as a florid, glorious attribute. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
The dominance of men in the Middle Ages is unethical, irrational, and dangerous; women are given few rights and the opportunity to earn rights is non-existent. The dictates to the dominance is formed by the internal combination of man’s personal desire and religious interference. In Geoffrey Chaucer’s, The Canterbury Tales, the combined perspectives’ on a haughty Pardoner and non-subservient wife is the stronghold of separation in moral roles. The moral roles between men and women are exemplified in the rankings of religious hierarchy for men are at the top and women towards the bottom. Even prestigious women, ones with noble connections, are subservient to men, but contradictorily have religious affiliations. The “Wife of Bath’s Tale” is a perfect example of defying man’s dominance and the “Pardoner’s Tale”, a problematic reasoning of why selfishness connects moreover to the manipulation. The frailties of religious reasoning however, will cause The Pardoner and the Wife of Bath to be separated from society’s morals.
The Virtue of Men and Women in The Canterbury Tales People never change. In every town you will always be able to find the "rich guy," the "smart guy," the "thief," and the "chief." It has been that way since the first man was swindled out of his lunch. Throughout his life, Geoffrey Chaucer encountered every kind of person and brought them to life for us in "The Canterbury Tales," a collection of short stories written in the 1300's. There are tales of saints, tales of promiscuity, tales of fraud, and tales of love.
Chaucer first begins his sly jab at the Church’s motives through the description of the Pardoner’s physical appearance and attitude in his “Canterbury Tales.” Chaucer uses the Pardoner as a representation of the Church as a whole, and by describing the Pardoner and his defects, is able to show what he thinks of the Roman Catholic Church. All people present in the “Canterbury Tales” must tell a tale as a part of story-telling contest, and the pilgrim Chaucer, the character in the story Chaucer uses to portray himself, writes down the tales as they are told, as well as the story teller. The description of the Pardoner hints at the relationship and similarity between the Pardoner and the Church as a whole, as well as marks the beginning of the irony to be observed throughout the “Pardoner’s Prologue and Tale.” The narrator describes the Pardoner as an extremely over confident, arrogant, and unattractive man, noting that his hair is “as yellow as wex,” lying thin and fl...
The influence of religion is so powerful that it had spread like wildfire across many parts of the region. This changed people way of thinking, giving them a second thought to judge their lifestyle they’re living. The renaissance contributed to this new ideology, how there’s more to life than just death. How there’s good in the earth just as there’s evil and the explanation of natural disasters. Some people figured out there’s a force field of good hovering the earth. Leading people to encourage everyone to accept the most good and powerful God; in order to be saved from their evil self. This made sense to everyone. That realization urges people to follow the pathway to heaven .Chaucer wrote “The Canterbury Tales” to describe the system the
The monk receives some scathing sarcasm in Chaucer’s judgment of his new world ways and the garments he wears “With fur of grey, the finest in the land; Also, to fasten hood beneath his chin, He had of good wrought gold a curious pin: A love-knot in the larger end there was.” (194-197, Chaucer). The Friar is described as being full of gossip and willing to accept money to absolve sins, quite the opposite of what a servant of God should be like. Chaucer further describes the friar as being a frequenter of bars and intimate in his knowledge of bar maids and nobles alike. The friar seems to be the character that Chaucer dislikes the most, he describes him as everything he should not be based on his profession. The Pardoner as well seems to draw special attention from Chaucer who describes him as a man selling falsities in the hopes of turning a profit “But with these relics, when he came upon Some simple parson, then this paragon In that one day more money stood to gain Than the poor dupe in two months could attain.” (703-706, Chaucer). Chaucer’s description of the pardoner paints the image of a somewhat “sleazy” individual “This pardoner had hair as yellow as wax, But lank it hung as does a strike of flax; In wisps hung down such locks as he 'd on head, And with them he his shoulders overspread; But thin they dropped, and stringy, one by one.” (677-681,
During Chaucer’s time, there was only one church, the Roman Catholic Church. There is only one church because the Protestant movement hasn’t started yet, it started in the 16th century. Anyone who was a member of the Roman Catholic Church, for example a Pardoner, a Summoner, or a Friar, are not to have sex, or party around, as well as not having money. Chaucer notices that some of these people in the Church break these rules repeatedly. Chaucer uses satire to brilliantly describe the hypocrisy in the church. Although Chaucer may come off as anti-religious, he is religious, he is against anti-hypocrisy. The first character Chaucer uses satire on is the Friar. Chaucer tells his audience that the Friar liked to sleep around a lot with women. The Friar also got lots of girls pregnant and then married them off to men in the church. The Friar was also very wealthy, and liked to party. Which are clear violations of the church’s code. To make things worse, Chaucer said that this particular Friar was better than others. The next characters that Chaucer introduced were the Pardoner and the Summoner. The Summoner’s job in a church is to find people who have committed sin and bring them to the church so that their sins can be forgiven by the Pardoner. However, the Summoner abused his power by blackmailing people to go see the Pardoner or else they
The Canterbury Tales by Geoffrey Chaucer, (written c. 1387), is a richly varied compilation of fictional stories as told by a group of twenty-nine persons involved in a religious pilgrimage to Canterbury, England during the fourteenth century. This journey is to take those travelers who desire religious catharsis to the shrine of the holy martyr St. Thomas a Becket of Canterbury. The device of a springtime pilgrimage provided Chaucer with a diverse range of characters and experiences, with him being both a narrator and an observer. Written in Middle English, each tale depicts parables from each traveler.
The Prologue to The Canterbury Tales is a masterpiece of satire due to the frequent use of verbal irony and insults towards the characters and their roles in society. A major source of Irony is Chaucer’s representation of the Church. He uses the Prioress, the Monk and the Friar, who are all supposed to be holy virtuous people to represent the Church. In his writing he suggests that they are actually corrupt, break their vows and in no way model the “holiness” of Christianity.
The characters are on a pilgrimage which is a clear indicator that the text is of religious genre. The Catholic Church, at the time, was losing many followers due to the Black Death and their lack of faith in the importance of the church. The Summoner and the Pardoner, who both represent the Catholic Church, are both described as greedy, corrupt, and abusive. This is a direct correlation to how Chaucer and many others felt about the Catholic Church during this period. The Monk and the Prioress are not described as being corrupt like the Summoner and the Pardoner; however they are described as falling short of what is considered ideal for people of their position. They both are described as being in a depressed state. Also bot...
The Canterbury Tales is an in-depth narrative analysis of twenty-nine unique characters and their Host on a collective pilgrimage to Thomas Becket’s shrine in Canterbury. Chaucer paints vivid pictures of each pilgrim through his description of their physical appearance, inner nature, and outward behavior towards others. The individuals are not given names but the reader can identify them by their titles. One of the clearest cut characters in this work is the Parson. Chaucer presents the Parson in The Canterbury Tales to create a stark contrast for the other religious figures by his description of the Parson’s inner constitution, outward actions, and shepherd like qualities.
The stories in The Canterbury Tales by Geoffrey Chaucer often undermine societal hierarchies at the time. The tales Chaucer tells highlight aspects of authority that would otherwise never be questioned. In “The Miller’s Tale”, the notion of a clear, useful economic hierarchy is challenged. Chaucer critiques chivalry in “The Knight’s Tale,” testing the value of the authority it provides. In “The Friar’s Tale”, Chaucer questions the benevolence of the church and its position hierarchy.
In the general prologue, Chaucer introduces the reader to the Parson. He is a "holy-minded man of good renown" (475). The reader soon gets to know him as a devout, educated, altruistic, caring, gentle, humble, giving, and brotherly man through the general descriptions of who the Parson is and what he does. The parson is "benign" and "diligent" (481) as well as being "holy and virtuous" (511). Chaucer portrays this pious Christian through his reverent and venerable t...
In the Friar's portrait, he is delineated and depicted by riddles of contradictory qualities. Chaucer expertly uses ironic naiveté to highlight the Friar's lack of moral guilt. When the reader is told that the Friar, "knew the taverns wel in every toun" (l. 240), we can take it to mean that he spends very much time drinking, flirting and socialising in pubs. The Friar is superseded to be a holy man, but we see that he knew the landlords and barmaids much better than the people he has meant to be consoling, praying for and helping out of the vicious circle of poverty.