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Grunge culture
The explosion of grunge culture
Grunge introduction
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Through the 1990s, America continued to deal with the prevalence of drugs and the AIDS crisis. Significant advances in technology led to replicating digital media through “CD Burners”. MTV had launched the first reality show filming young women and men of different backgrounds living in a house together coined “The Real World”. Conversely, many things were brewing beyond the countries’ borders. The Gulf War had started along with conflicts in Bosnia. Many eyes were on South Africa as the fight against apartheid raged on. These new generations of young people called “Generation X” were far different from preceding generations. They took a more hands-off approach and tended to be more politically apathetic to issues in the world. …show more content…
In Ted Halstead’s article for the Atlantic “A Politics for Generation X” says “Xers are less politically or civically engaged, exhibit less social trust of confidence in the government” (Halstead, 2).
A subculture of the 90s was “Grunge” this culture “become synonymous with a musical genre” (Marin, 1) and entwined itself in fashion. The Grunge cultures was “about not making a statement, which is why it 's crazy for it to become a fashion statement" (Marin, 1). However, out of this culture many alternative music artists emerged. Some of those more notable were bands like “Nirvana” and “Sound garden”. Grunge, spoke to the angry, restless and confused youth of the 90s. Canadian native Alanis Morissette, also found a place in the alternative music scene. Her song entitled “Hand in My Pocket” expressed the attitudes of the generation illuminating their duality and frustrations. She says (Morissette) “I feel drunk but I’m sober/ I’m young and I’m
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Jack Johnson’s Cookie Jar spoke directly to Columbine and how we got to this point. He says(Johnson) “And it was magic at first when they spoke without sound/But now this world is gonna hurt you better turn that thing down”. He was talking about the initial appeal technology has and how little we think about the negative impacts it can possibly have. Additionally he addresses the media’s perspective (Johnson) “ Well “You can’t blame me”, says the media man/Well “I wasn’t the one who came up with the plan/I just point my camera at what the people want to see/ Man it’s a two-way mirror and you can’t blame me.” He also goes on to speak to our inability to realize that technology is a tool and like a tool it can be wielded for good or bad. Each user is responsible for how they use that tool. However, largely we as a society have responsibility for the tools we create, and should be more carefully weighing the benefits and drawbacks. He states this clearly in verse six (Johnson) “It was you it was me it was everyman/ We’ve all got the blood on our hands/ We only receive what we demand/And if we want hell then hells what we have.” This song socially advocated that we really take time and consider how we are letting technology influence us. New media has opened new means of entertainment with realistic visual effects that blur the line between
The authors both making sweeping statements about the political nature of the United States, but Ames addresses a more concentrated demographic of American society than Hedges. The latter points the finger at the venal egotism of celebrity culture for entrancing the public into complacency, and at America’s political leaders for orchestrating the fact, but he also places substantial blame on the people at-large for allowing themselves to be captivated by the entertainment industry. Ames discusses an issue in which the Millennial generation stands as the focal point, but she speaks directly to the teachers of these adolescents due to their position of influence. Although today’s youth are proven to possess a spark of political energy through their own volition—displayed through their generation-wide interest in dystopian literature—an environment of learning and in-depth analysis provides the best opportunity for the novels’ underlying calls-to-action to strike a chord with their young
(Goldberg, 2004) The 1950’s was a decade of fear, but it was fear that came with hope that peace and prosperity should never be taken from the people again. A shift from families crowding around their radio trying to hear the news, they began sitting down in front of their television watching their favorite shows that only aired once a week on either CBS, ABC, or NBC. Richard Powers said, "There have always been inter-family conflicts between parents and their adolescent children, but this cultural division was larger.” (Powers) he went on to say “A significant proportion of the adult generation disapproved of the values and lifestyle of the teens, and was doing something about it, including setting new rules, restrictions and prohibitions.” (Powers). This quote ties directly into the movie. This decade had many ups and many downs. It launched the
Premise The writer and filmmaker, a moderately aggressive champion for liberal causes is as always-challenging America's gun culture with his latest endeavor, the documentary "Bowling for Columbine." "Bowling for Columbine," was awarded the Special Prize of the 55th Cannes Film Festival. It had already made history by being the first documentary chosen to be part of the official festival competition in almost 50 years. There is no getting around the fact that "Bowling for Columbine" is a provocative, controversial film that is going to make a lot of people angry. But the work claimed by the author is an honest expression of what he and the general public sees and believes. I am not inclined to soften what I do to appease those whom I must beg for money in order to do my work. "Bowling for Columbine" is my personal view of America at the turn of this new century. It is not specifically about Columbine and, no, it is not about bowling. My favorite quote I read during the festival was, "This film will single-handedly guarantee that George W. Bush will never see a second term." Well, one can only dream. After all, it is just a movie. Micheal Moore When "Bowling for Columbine" was announced as the Oscar winner for Best Documentary at the Academy Awards, the audience rose to its feet. It was a great moment, one that I will always cherish. They were standing and cheering for a film that says we Americans are a uniquely violent people, using our massive stash of guns to kill each other and to use them against many countries around the world. They were applauding a film that shows George W. Bush using fictitious fears to frighten the public into giving him whatever he wants. And they were honoring a film that states the following: The f...
It is our civic right and duty to actively participate in governmental affairs. This recent election really highlighted the divide in opinion regarding the importance of governmental participation. “To many, our democratic system seems so broken that they have simply lost faith that their participation could really matter,” West writes in his essay entitled The Deep Democratic Tradition in America. Young people feel unimportant and irrelevant, which explains the lack in turnout from young voters ages 18-29. However, it wasn’t just young voters that didn’t turnout. Millions of eligible voters didn’t show up for the 2016 elections. A democracy without active participants is a democracy bound for
The American rock band Nirvana impacted American culture and society by paving the way for the punk rock subculture into mainstream corporate America. Punk rock music stems from the rock genre but has its own agenda. The crux of punk rock is that it is a movement of the counterculture against the norms of society. Punk rock in itself is made up of a subculture of people who rejected the tameness of rock and roll music during the 1970s. (Masar, 2006, p. 8). The music stresses anti-establishment and anti-authoritarian ideas in its lyrics as well as scorns political idealism in American society. Before Nirvana unintentionally made punk rock a multi-million dollar commercialized genre of music, underground rock paved the way for the punk rock genre by creating core values that punk rockers drew upon.
The Punk Rock movement of the 1980’s was an explosion of hybrid and eccentric beats and lyrics that caught everyone’s attention, especially the young adolescents of the time period. The movement of Punk Rock took a major role in shaping the culture in the 80’s. The template for the 1980’s Punk Rock emerged from its preceptor of the 70’s Punk Rock which emerged from London. It’s loud and reckless tunes, to some sounded like noise, but to others it imposed many political standings and raised discussions of controversial topics in its lyrics. From this movements figurative and literal expressions through its bold fashion and uncensored lyrics, it definitely made a stance in the history of music and the 20th century.
The counterculture of the late 60’s on up to 1980 is prevalent to the history of media. New social forms arose, including the pop music of the British band the Beatles and the simultaneous rise of hippie culture. As the era continued, a vibrant youth subculture which emphasized creativity, experimentation and new manifestations of nonconformist/mellow lifestyles emerged. This emerging era influenced the media industry heavily. This short time frame in history was a definite media revolution. This era commercialized rock music, along with disco funk among other genres, the game show and variety show era, as well as popularizing mass media through magazines.
In the isolated city of Seattle during the mid 1980's a new sound and attitude was developing. Although it didn't yet have a coined term it would later become know as Grunge, "originally a tounge-in cheek term for the pungent guitar noise propagated by the cultish independent label Sub Pop" ("Grunge"). This mix of 70's metal and early 80's punk blasted into mainstream America and brought the hard rock sound of the 70's back to life, but the sudden, unexpected and to some unwanted, fame and popularity would prove to much for it and like so many pop culture movements before, it would fade away under the pressure("History").
During the sixties Americans saw the rise of the counterculture. The counterculture, which was a group of movements focused on achieving personal and cultural liberation, was embraced by the decade’s young Americans. Because many Americans were members of the different movements in the counterculture, the counterculture influenced American society. As a result of the achievements the counterculture movements made, the United States in the 1960s became a more open, more tolerant, and freer country.
The Hippie Movement changed the politics and the culture in America in the 1960s. When the nineteen fifties turned into the nineteen sixties, not much had changed, people were still extremely patriotic, the society of America seemed to work together, and the youth of America did not have much to worry about, except for how fast their car went or what kind of outfit they should wear to the Prom. After 1963, things started to slowly change in how America viewed its politics, culture, and social beliefs, and the group that was in charge of this change seemed to be the youth of America. The Civil Rights Movement, President Kennedy’s death, new music, the birth control pill, the growing illegal drug market, and the Vietnam War seemed to blend together to form a new counterculture in America, the hippie.
Tisch, Jonathan . "Why Young People Don’t Vote." THE CENTER FOR INFORMATION & RESEARCH ON CIVIC LEARNING AND ENGAGEMENT. Tufts University, 13/05/11. Web. 03 Oct 2013. .
In Subculture Theory many theorists were interested in explaining delinquent gangs, which were believed to be the most common form of delinquency. The Subculture Theory was made up of several different theories that were all related to each other. Subculture theories provided explanations of how groups of individuals develop similar values and rationales for behavior (Williams & McKay, 2014). One theory within Subculture Theory was called the delinquent subculture theory by Albert Cohen. Another theory in the Subculture Theory was the differential opportunity formed by Richard Cloward and Lloyd Ohlin. The third theory by Walter Miller used direct observation of social groups in their natural setting. All four theories were interest in of the Subculture Theory could develop (Williams & Mckay, 2014). The last major theory was very different theories and was created by Wolfgang and Ferracuti. All these theories in the Subculture Theory were very different but were all related in some way.
The late seventies and early eighties saw the beginning emergence of the Goth subculture: a group of social misfits that appear to always find themselves on the outskirts of mainstream pop culture. It is a complex subculture with great depth and beauty where many of its citizens share a profound connection with the darker aesthetic, are predisposed to depression, and are often willing to explore interpersonal and sexual relationships with little inhibition or regard for societal norms.
Skaters. They are the typical representation of the grunge culture of the ‘90s. Extremely wide pants, pockets that go to the back of their knees, extravagant piercings, intricate tattoos, and twenty-fourth century hair dos are just part of the looks that these so called “grungy people” are made of. Or at least they were when the grunge phenomenon started. With the death of Kurt Cobain, lead singer of Nirvana, the grunge movement seems to have slowed down and even—as some say—disappeared from the main stream pop culture. As we all know, those commercial creations often come and go without us even noticing them. But grunge, I think, has moved to a different direction, one that can trick us into thinking it is gone. Grunge is still among our youngsters, and that is for sure; it is just not as noticeable as is used to be. But, what is exactly grunge and what direction is it taking?
The sixties was a decade of liberation and revolution, a time of great change and exciting exploration for the generations to come. It was a time of anti-war protests, free love, sit-ins, naked hippie chicks and mind-altering drugs. In big cities such as San Francisco, Los Angeles, New York and Paris, there was a passionate exchange of ideas, fiery protests against the Vietnam War, and a time for love, peace and equality. The coming together of like-minded people from around the world was spontaneous and unstoppable. This group of people, which included writers, musicians, thinkers and tokers, came to be known as the popular counterculture, better known as hippies. The dawning of the Age of Aquarius in the late sixties was more than just a musical orgy. It was a time of spiritual missions to fight for change and everything they believed in. Freedom, love, justice, equality and peace were at the very forefront of this movement (West, 2008). Some wore beads. Some had long hair. Some wore tie-dye and others wore turtle-neck sweaters. The Hippie generation was a wild bunch, to say the least, that opened the cookie jar of possibilities politically, sexually, spiritually and socially to forever be known as one of the most memorable social movements of all time (Hippie Generation, 2003).