Melissa Ames and Chris Hedges address the similar theme of political apathy in America, but deviate starkly in their respective audiences, tones, subjects, and methods of delivery. Because the authors possess differing viewpoints about the future of the country, are shaped by distinctive backgrounds and experiences, and have explored various unique concepts, one can detect a great degree of dissimilarity between the works in question. Even so, a thoughtful reader can also grasp quite a few similarities between their articles, “American Psychosis” and “Engaging ‘Apolitical’ Adolescents.”
The articles bear similarity in that they both discuss matters relating to America’s political system. Both works address the apparent disinclination of Americans
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The authors both making sweeping statements about the political nature of the United States, but Ames addresses a more concentrated demographic of American society than Hedges. The latter points the finger at the venal egotism of celebrity culture for entrancing the public into complacency, and at America’s political leaders for orchestrating the fact, but he also places substantial blame on the people at-large for allowing themselves to be captivated by the entertainment industry. Ames discusses an issue in which the Millennial generation stands as the focal point, but she speaks directly to the teachers of these adolescents due to their position of influence. Although today’s youth are proven to possess a spark of political energy through their own volition—displayed through their generation-wide interest in dystopian literature—an environment of learning and in-depth analysis provides the best opportunity for the novels’ underlying calls-to-action to strike a chord with their young …show more content…
Hedges appears outraged at and disappointed in the American people for allowing themselves to be deceived, while Ames believes the evidence confirming Millennials’ political aptitude provides a bright outlook for the future. Ames’ objective is to abdicate the younger generation of the deleterious sentiment projected at them, so she contracts a didactic tone that allows the reader to focus on the content of her words and contemplate the provided information. Hedges furnishes his descant of American society with rich imagery, using dramatically expressive syntax to appear as a prophetic storyteller of the country’s demise. With imperious condemnation he reels rapidly from accusation to accusation, using his assured eloquence to establish a sense of influence over the readers and invoke from them a sense of urgency and panic. He appears to have used this passionate tenacity for lack of any other substance to the article, relying primarily on the authority of pathos to validate his assertions.
Both works provide valuable insight into the political atmosphere of American society, but vary greatly in their intended message, usage of persuasive method, projected audience, and choice of tone. One can see resemblance, however, in the fact that the authors of both articles strive to spark a reaction in their readers and encourage change. In that regard, while Hedges’
In chapter one, Fiorina begins with a powerful quote from Pat Buchanan’s 1992 speech at the Republican National Convention, “There is a religious war…a cultural war as critical to the…nation…as the cold war…for this war is for the soul of America” (Fiorina et al. 1). Using several other quotes, he illustrates the belief that the nation is torn between personal morals and extreme conservative notions. He then states his belief that these sentiments are complete nonsense, and exaggerations. There is no culture war according to Fiorina, no war for the soul of America. Describing the culture war as a myth caused by lack of information, misrepresentation of facts by activists, and selective media coverage. He suggests that Americans are essentially bystanders avoiding the cross fire between the left and right wing activists. Furthermore, he contrasts that it is the American choices that are polarized due to politicians, thus creating the appearance of a politically polarized society. Finally, he concludes the first chapter by outlining his argument in the following chapters. Fiorina does an exceptional job hooking the reader with his first chapter, the quotes and various examples of how America is portrayed as polarized are effective in swaying the audience to agree and then he shocks the reader by debunking all previous statements with his personal beliefs and outline for how he plans to prove his argument.
Dye, Thomas R. , L. Tucker Gibson Jr., and Clay Robinson. Politics In America. Brief Texas Edition ed. New Jersey: Pearson, 2005.
Kernell, Samuel, Jacobson, Gary C., Kousser, Thad, & Vavreck, Lynn. 2014. The Logic of American Politics 6th ed. Los Angeles: CQ Press
Americans have embraced debate since before we were a country. The idea that we would provide reasoned support for any position that we took is what made us different from the English king. Our love of debate came from the old country, and embedded itself in our culture as a defining value. Thus, it should not come as a surprise that the affinity for debate is still strong, and finds itself as a regular feature of the mainstream media. However, if Deborah Tannen of the New York Times is correct, our understanding of what it means to argue may be very different from what it once was; a “culture of critique” has developed within our media, and it relies on the exclusive opposition of two conflicting positions (Tannen). In her 1994 editorial, titled “The Triumph of the Yell”, Tannen claims that journalists, politicians and academics treat public discourse as an argument. Furthermore, she attempts to persuade her readers that this posturing of argument as a conflict leads to a battle, not a debate, and that we would be able to communicate the truth if this culture were not interfering. This paper will discuss the rhetorical strategies that Tannen utilizes, outline the support given in her editorial, and why her argument is less convincing than it should be.
Dye, Thomas R., L. Tucker Gibson, Jr., and Clay Robison. Politics in America. Ninth ed. Vol. 2. New York, NY: Longman, 2011. 337. Print.
What do Marlon Brando, James Dean and Henry Winkler all have in common? Well, besides the fact that they are all from the 50’s, they have all portrayed characters that epitomized the American teenager’s rebellion. At one point in time, teens in the United States drew inspiration from these actors to figuratively say “Screw You Mom and Dad.” These men undoubtedly changed the youth culture in America. Further along in time, we watched “hippie” teen’s rebel against their conformists’ parents in the 60’s and “Grunge head”, Nirvana-listeners sneak out of the house to go do illicit narcotics in the 90’s. One must admit that there is something quite perplexing about this sweet American air, that makes teens disobey their parents. While the American teenage rebellion is a natural part of maturity and is an accepted cultural “norm”, there is a lesser acknowledged insurgence.
American Politics in Transition For the United States, as for most states in the world, the 1980’s and 1990’s were a time of change and challenge. During this period the effects of change both within the US and internationally acted as push factors in many areas of life, including economics and politics. This sudden change was primarily due to global shocks and recessions, increased foreign economic competition, the end of the Cold War and the demise of the Soviet Union, the development of revolutionary new technologies, the achievement of post-industrial society within the US, slower rates of domestic economic growth, and the demographic changes within American society. By the Mid 1980’s important developments had occurred within interest groups, political parties. By 1990’s national debates were being held in regard to America’s future in the post-Cold War world, America’s economic competitiveness, culture, morality and the states relationship with society. Five major things must be taken under account when discussing American politics in transition. 1) the basic nature of the American political system, 2) the sources of political change since the late 1960’s, 3) the conservative renewal and the new conservative agenda, 4) the Reagan-Bush legacy in politics and public policy 5) the new political and economic constraints in the era of divided government, and 6) the public policy environment of the 1990s. At the core of American political culture I support for the values of liberty, egalitarianism, individualism, populism and laissez-faire. The nature of this society with also has glorification of the individual, and the rejection of conservative theories of organic society, hierarchy, and natural aristocracy. Being an American means accepting this liberal Democratic creed (laissez faire), while those who reject it are considered to be un-American. America’s political evolution has also been shaped by the continental scale of the American State. The influx of immigration has caused there to be an extraordinary mixture of ethnic, racial, and religious groups spread across a continent-wide expanse that contributed historically to strong religious, racial and regional cleavages. Even its econony was spread throughout the American state. The largest sector of the economy were commercial agriculture, mercantile capitalism, mining, and heavy (capital goods) industry, but these, however, were also diversified into product specific areas. Collectively, the cultural, geographic, and socioeconomic factors had a profound effect on America’s political development because they reinforced the trend towards decentralization and localism that had already been established in the political and legal domains by the American constitution.
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Within the article Caring Democracy: Markets, Equality, and Justice, the author Joan Tronto highlights and critically examines the United States and its democratic lifestyle after the attacks on 9/11 on the World Trade Center and Pentagon and the events after the 2008 financial crisis. Since these events the United States the average citizen is now facing to many demands for them too adequately for their children and themselves. During a set of recent elections examined by Joan Tronto she found that public involvement was at an all-time low by the citizens of the United States. Although political involvement should support us to care more about our surrounds and society but it does not. However, the American democratic process has become more
There’s a threatening issue in today’s United States, in which many are either concerned or have, even worse, given up hope and all care on the matter. It is evident in classrooms, on sidewalks, and especially in government buildings, and it is simply a stalemate within politics. We seemed to have veered off the path of addressing problems and providing improvements in our government and daily lives, and instead began to focus on making the opposing views seem evil and unamerican. For example, the healthcare bill, which was supposed to be figured out, or at least at some level of agreement, has been stalled, and instead of coming to any compromise, politicians have been bashing the ideas of the opposing parties. The country is getting tired
America is the odd one out when one looks at its political activity. An article ...
Pop culture is a reflection of social change, not a cause of social change” (John Podhoretz). It encompasses the advertisements we see on T.V, the clothes we wear, the music we listen too, and it’s the reason Leonardo DiCaprio has not won an Oscar yet. It defines and dictates the desires and fears of the mainstream members of society; and it is so ingrained into our lives that it has become as natural as breathing. Moreover, adults never even bat an eyelash at all the pop culture and advertising that surrounds them since it has become just another part of everyday life. Pop culture is still somewhat seen as entertainment enjoyed by the lower class members of society; but pop culture standards change over time. A notable example of this is the sixteenth century author, William Shakespeare, since his works were considered pop culture, entertainment that could be enjoyed by everyone, but now they are considered literary classics. While pop culture encompasses most aspects of our lives, its influence is most obvious through each generations reaction to media,