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History of Punk Rock essay
History of Punk Rock essay
The rise of punk in the 70's
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The Punk Rock movement of the 1980’s was an explosion of hybrid and eccentric beats and lyrics that caught everyone’s attention, especially the young adolescents of the time period. The movement of Punk Rock took a major role in shaping the culture in the 80’s. The template for the 1980’s Punk Rock emerged from its preceptor of the 70’s Punk Rock which emerged from London. It’s loud and reckless tunes, to some sounded like noise, but to others it imposed many political standings and raised discussions of controversial topics in its lyrics. From this movements figurative and literal expressions through its bold fashion and uncensored lyrics, it definitely made a stance in the history of music and the 20th century. The movement of Punk Rock was more than just the music, bands such as MDC also known as Millions of Dead Cops, used their platform to bluntly raise awareness to pressing issues such as homosexuality as well as their stance against Reagan. Topics such as nonconformity, and equality were a platform in their lyrics which influenced their audiences of teenagers to …show more content…
vote and raise awareness to controversial issues. Green day, another band in the late 80’s made its stance politically as well. From the late 80’s to its run through the early 2000’s, Green day took a stance on bringing awareness to the environment with NRDC. Both groups used their platforms to raise discussions on factoring social topics. In regards to this movement’s social influence, it did more that make statements but gained followers of its new unique sound and look. As a more aggressive style of music, the fashion statement that Punk Rock portrayed a new style in the history of both music and fashion. Paralleling with the 1970’s movement, in which the movement first began as an anarchic movement. It all began with a good sum amount of young adults who defined themselves as an anti-fashion street culture. Taking the world by storm in its early beginnings of the mid 70’s, torn jeans, leather vests, deconstructed garments, body mutilation and piercings were all emulated by its followers of young teenagers. Not caring how they looked in their fashion and lyrics presented the movement’s stance on nonconformity. The bizarre and odd fashion statement that the Punk Rock movement created seems almost normal now in our 21st century. Publicly the movement of Punk Rock had a great amount of effect on society, especially in the 80’s.
The conveying message of DIY (do-it-yourself) set a platform for people to think and make stance for themselves. The rejection of norms was one of their base reasoning. Through vulgar lyrics and shocking outward appearances, socially the movement may have been the one of the first cultures that thought rebellion. Bluntly raising questions against authority through lyrics influenced teenagers the idealism of freeing oneself again the government. Using such a platforms set the stage for a new age of thinking. Punk "deliberately cultivated an image of violence, deviance, and repugnance at the very inception of the subculture” (Leblanc 39). Despite the image that Punk Rock portrayed, its messages on self-expression and independence have inspired many generations to come both musically and
individually. The use of provocative names stirred up much controversy in this movement as well. For example the group Bad Religion, who had a cross buster logo. In terms of religion, the group did not stand for anti-religion, but used the name for a deeper more refined meaning. The group based such a title to state the title of Bad Religion as a metaphor more so to speak on anti-conformity and not on anti-religion. "So, faith plays an important role, but faith in people you don't know, faith in religious or political leaders or even people on stages, people who are popular in the public eye, you shouldn't have faith in those people” spoken by Greg Graffin in a NY Rock interview. Greg Graffin spoke on the need to not conform to things that you do not know.
Within this essay I will discuss Widdicombe and Wooffitt’s suggestions made within their book ‘The Language of Youth Subcultures’ regarding resistance and will use the subculture example of punks to portray a clear conclusion. This book is about how different identities, both social and personal are established, maintained and managed within their everyday language. Widdicombe and Wooffitt seem to narrow in specifically on youth subcultures, particularly interviews with punks. We will look carefully at the language used by them to construct their identities and why they ‘resist’ being seen of members when approached in interview situations.
Rock ‘n’ roll and 20th Century Culture According to Philip Ennis, rock ‘n’ roll emerged from the convergence of social transformations which resulted from World War II (Ryan 927). Despite its pop culture origins, rock music is arguably one of the strongest cultural factors to develop in this century. Artists such as Lennon, McCartney and Dylan defined the emotions of a generation and, in the last decade, it as even been acknowledged by members of the establishment which it hoped to change as a major influence in the country. In order to understand how rock went from a sign of rebellion to a cultural icon, it is necessary to understand where it came from.
The term Punk was coined by music reviewer Dave Marsh in 1971 to define a new and emerging style in music and culture. Anti-establishment in nature, Punk took its influence from the culture clashes of the 1960’s, creating a new style and sound that had a tremendous effect on fashion, art and youth culture in America and around the world. The effects of Punk are still felt on the cultural world today and the lifestyle is now being carried on by a new generation of young people.
Throughout history, music has been the artistic stage of philosphoical output of both ideas, emotions and stories, enducing emotional and cogitational responses from the audience, through it’s representation of ideas and through ‘words in music’. Victor Hugo says- “Music expresses…. that which cannot remain silent” (26 February 1802 – 22 May 1885), and is a predominant feature in the early 1990s ‘Riot Grrrl’ movement, in which female-empowerment bands would address modern issues of sexual abuse, racism, and the patriarchy through their underground, punk rock music.
Although the style of ‘Rock music’ is easily adaptable to many different sounds, it is still thoroughly identified by its definingly amplified rhythm. The sudden worldwide popularity of rock and roll resulted in an unparalleled social impact. Rock ‘n’ Roll influenced lifestyles, fashion, attitudes, and language in a way few other social developments have equaled. The social impact is so large that rock stars are worshipped worldwide. In its early years, many adults condemned the style of music, placing a stigma on its name, and forbid their children from listening and following its ways.
Emerging from England’s punk rock scene in 1977, The Clash morphed from traditional punk beginnings into the new wave movement. Described as “a more genuine, radical, proletarian,” sector of the punk genre, it was evident the band was destined to transcend musical boundaries.1 The Clash’s trademark idiosyncrasy is their layering of cultural remarks with historical relevancy througho...
The American rock band Nirvana impacted American culture and society by paving the way for the punk rock subculture into mainstream corporate America. Punk rock music stems from the rock genre but has its own agenda. The crux of punk rock is that it is a movement of the counterculture against the norms of society. Punk rock in itself is made up of a subculture of people who rejected the tameness of rock and roll music during the 1970s. (Masar, 2006, p. 8). The music stresses anti-establishment and anti-authoritarian ideas in its lyrics as well as scorns political idealism in American society. Before Nirvana unintentionally made punk rock a multi-million dollar commercialized genre of music, underground rock paved the way for the punk rock genre by creating core values that punk rockers drew upon.
middle of paper ... ... Advertising catered directly towards the hostile youths and hippies in order to appeal to the people. The counterculture deeply influenced society today by erasing the blatant disregard of the views of youth in earlier times. The counterculture became a presence in society that could not be ignored.
The late 1970s gave birth to a punk culture that further distended into an evolution of the genre during the mid-1980s, particularly in Seattle, USA. A punk inspired movement called grunge became internationally recognized after Nirvana’s debut release album ‘Nevermind’, in 1995. Grunge gained a mass recognition for its punk ideology, attire and music, which stemmed further away, and was in itself a rejection to the mainstream metal and pop boom in the music industry of that time. Grunge incorporated a fusion of cultural and social threads that linked themes like feminism, liberalism, anti-authoritarianism, wry post-modernism, and not least a love of dirty, abrasive music; grunge reconciled all these into a seminal whole. (Standard grunge definition, Internet source)
Most things have their beginnings in something small: a word, a breath, or idea; but not music. Music begins with a single vibration. It explodes and carries on, morphing worlds of unrelated personas. It lives rampantly in the mouths of millions of unruly and free-spirited teenagers, like a fever. The rock 'n roll trend that defiantly rose against the conformist ideology of the mid-twentieth century left remnants that commenced the start of a progressing society: a culture that redefined the rules of society and pushed social and moral limits while addressing social concerns.
Disco railed against what was considered to be “listening music,” such as Sgt. Pepper 's Lonely Hearts Club Band; and culturally, disco fans became known for dancing their lives away, conspicuous promiscuity, and acceptance of androgyny/homosexuality (Covach 262, 363). Again, this was a rebellion against the music of the day and older generations ' mainstream conservative culture. Punk took a different approach to opposing “listening music.” The punk style had a distinct “DIY aesthetic,” was relatively simple in form, and was a direct response to big-business rock and roll (Covach 385).
Seventies punk culture spawned the visually distinctive goth and emo subcultures. Inheriting the folk tradition of the protest song, rock music associated with political activism as well as changes in social attitudes to race, sex and drug use. This was often seen as an expression of youth revolt against adult consumerism an...
Between the years of 1955 and 1970 there were many different movements that changed the beliefs of all types of citizens. The early sixties brought upon racial segregation and discrimination of women. In addition, war was breaking out in Vietnam for the American people. The Counterculture era brought out a new way of life for many young adults. People began rejecting the normal means of society and breaking away from the standard way of life. There were many important events and interesting tactics brought out in the Counterculture Movement that allowed America to see a new side of its people.
In modern society, it is relatively clear that people consume hours of television, reading magazines, browse the Internet or look at other forms of communication. It is typically unavoidable and therefore we are prone to view a lot of uncensored media. Popular music is the forefront of media and is a very powerful tool to communicate messages to society. We see that there is a constant debate between theory and the realities of men and women’s daily lives thus creating question as to how this affects us. There are many different sources discussing gender in relation to popular music. The ones I will be focusing on in this essay are Tara Brabazon, Simon Frith, Kate McCarthy, Julia Downes and Jamie Glantz. McCarthy and Frith discuss the objectification and segregation of women, while Downes, specific to the Punk genre, explores barriers created for women and having them to compromise. Brabazon takes a different perspective as to how popular music affects men while Glantz looks at societal boundaries. These sources explore various dimensions of music, with the one common factor of being in relation to gender.
Think about the most laid back, independent, self-sufficient, and wild or extreme music movement. What is it? The answer to that is DIY punk. DIY punk began in the mid 70’s and had a huge impact on that time period. These punk bands were ones that did not follow societal norms and did not necessarily care about making a profit from their music. In the article “Do It Yourself… and the Movement Beyond Capitalism,” Ben Holztman et al states that DIY members were collective individuals going against capitalism (45). They did not want to be involved in that sort of atmosphere. Instead, DIY music addressed value and social relationships (Holtzman et al 45). It was very important for these bands to form new friendships with others that had the same