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Gender roles perception
Critical analysis on two kinds by amy tan
Gender roles perception
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Amy Tan’s short story Two Kinds revolves around Jing-mei, a young girl whose life consists of trying to please her mother and then resenting her. At a young age, Jing-mei aspires to greatness along with her mother. As time went on, Jing-mei began to rebel against her and the times when she attempted to see some kind of special talent in her. She continually never tries her best and dismisses her mother’s efforts. Through thoughts, conflict, and actions, the author reveals Jing Mei as a determined and independent girl who is unappreciative of others. The author’s use of thoughts help to characterize Jing-mei as determined. She is determined to be herself despite what her mother wants for her. Jing-mei states, “I had new thoughts, willful …show more content…
thoughts - or rather, thoughts filled with lots of won'ts. I won't let her change me, I promised myself. I won't be what I'm not” (2). Jing-mei comes to realize that she is not a prodigy and will not let her mother attempt to change that. She is insistent on trying to show her mother that she is not special or a prodigy, saying that she was “determined to put a stop to her foolish pride” (4). Jing-mei continues to try to show her mother that she is not what she wanted her to be. She is committed to claiming and demonstrating that she is not a prodigy and that she will be what she wants, saying “In the years that followed, I failed her many times, each time asserting my will, my right to fall short of expectations” (7). She is dedicated to doing less than what she is expected by her mother to do. Tan’s use of conflict in the story characterizes Jing-mei as independent.
She works against her mother on many issues, doing what she wants to do and often times disobeying her. Her disobedience is shown in the rebellion against the nightly talent tests. She states, “So now when my mother presented her tests, I performed listlessly, my head propped on one arm. I pretended to be bored” (2). The fighting between Jing- mei and her mother also shows Jing-mei to be independent. She acts differently than her mother wants her to but Jing-mei refuses to change. She follows her own thinking and subsequently disobeyes her mother, saying, “‘I'm not going to play anymore,’ I said nonchalantly. ‘Why should I? I'm not a genius.’... ‘No!’ I said, and I now felt stronger, as if my true self had finally emerged. So this was what had been inside me all along. ‘No! I won't!’ I screamed” (6). Jing-mei thinks independently and refuses to do what others ask of her. Jing-mei does not waver in her disregard for her mother’s wishes for her and does not compromise or try to work out any issues. She says things without any remorse, only caring about herself, saying she “wished she were dead! Like them [sisters]”(7) and "then I wish I weren't your daughter, I wish you weren't my
mother”(7). Through actions, Tan characterizes Jing-mei as someone who is unappreciative. Her mother did extra work to pay for Jing-mei’s piano lessons, but she was “so determined not to try, not to be anybody different” (4). Her mother does the best that she can to give her daughter a good life. “She had come to San Francisco in 1949 after losing everything in China: her mother and father, her home, her first husband, and two daughters, twin baby girls. But she never looked back with regret. Things could get better in so many ways” (1). She never realized that her mother had given her all of the tests with the intent of giving her a better future. Jing-mei does not understand this and takes all that her mother did for her for granted. Her mother and father worked tirelessly and saved enough to buy a piano, but Jing-mei would still never try her best at it although everyone had worked very hard to give it to her. Tan’s use of characterization creates a character with a complex personality that helps the story be understood better. Her thoughts show the way she really feels about things, helping to make sense of the way she acts. The conflicts she creates and faces help to develop her personality and also to show another real and true side of her. The author’s use of actions is also used to characterize Jing-mei. Tan effectively uses thoughts, conflicts, and actions to demonstrate that Jing-mei is determined, independent, and unappreciative of others.
Jing-mei Woo has to become a member of the Joy Luck Club in place of her mother, Suyuan Woo, who passed away. Before Suyuan's passing Jing-mei does not know much about her mother, as the story continues to develop Jing-mei realizes how much she did not know about her mother and learns more and more new things about her on her journey of finding her sisters. “Your father is not my first husband. You are not those babies” (26), this quote is from Suyuan Woo and shows Jing- mei that her mother has a lot of secrets that she does not know about. “Over the years, she told me the same story, except for the ending, which grew darker, casting long shadows into her life, and eventually into mine” (21). This quote shows how Jing-mei did not know much
As she gets off the train, Jing-mei starts to describe her surroundings once again. For example, she describes Guangzhou as “The landscape has become gray, filled with low flat cement buildings, old factories, and then tracks and more tracks filled with trains like ours passing by in the opposite direction. I see platforms crowded with people wearing drab Western clothes, with spots of bright colors: little children wearing pink and yellow, red and peach” (266). The colors mentioned go along with how Jing-mei described her mother wearing clothes that do not go well together. The colors are bright, much brighter than the colors she saw on the train. It could mean that she is getting closer to her mother by seeing her in other people in China. However, Jing-mei has not fully embraced her roots, which is understandable since that side of her has only just awoken. Again, Jing-mei is questioning herself when she and her father are going through customs. For example, she describes the long lines as “getting on a number 30 Stockton bus in San Francisco” (266). Immediately after making that connection, Jing-mei reminds herself “I am in China. I remind myself. And somehow the crowds don’t bother me. It feels right” (266). Jing-mei is allowing herself to drift away to what is comfortable. Reminding herself that she is in China, she begins to feel at peace and that it feels
When her mother dies, Jing-Mei really shows how much of a dynamic character she is. She realizes that, just like the songs in the piano book, her mother and she "were they were two halves of the same song" (Tan 357).
Jing-mei 's mother wants Jing-mei to be a prodigy and get popular. Thus, the mother rents a piano for Jing-mei to help her achieve this. Many years later, Jing-mei finds the piano in a broken state, so she decides to have it repaired. She starts playing the song she used to play, “Pleading Child.” But to the right of “Pleading Child,” she finds a second song named “Perfectly Contented.” She starts to play both songs, “And after I [Jing-mei] had played them both a few times, I realized they were two halves of the same song.” (6) Jing-mei’s mother tells Jing-mei that there are two kinds of people: the respectful kind and the disrespectful kind. At that time, Jing-mei also finds out that there are two kinds of people inside her. She could choose to be the kind where the person is a prodigy and respectful, or be the kind that is ugly in the eyes of people. When she plays “Pleading Child” and “Perfectly Contented,” Jing-mei realizes that her identity had changed completely because of her laziness and beliefs. Jing-mei learns that there are two kinds of people in the world, and she should choose the right
In the story "A Pair of Tickets," by Amy Tan, a woman by the name of Jing-mei struggles with her identity as a Chinese female. Throughout her childhood, she "vigorously denied" (857) that she had any Chinese under her skin. Then her mother dies when Jing-Mei is in her 30's, and only three months after her father receives a letter from her twin daughters, Jing-Mei's half sisters. It is when Jing-mei hears her sisters are alive, that she and her dad take a trip overseas to meet her relatives and finally unites with her sisters. This story focuses on a woman's philosophical struggle to accept her true identity.
Empress Wu’s rise to power was due to her unwavering determination and ruthless spirit. She first entered the palace as a thirteen year old concubine and from an early age she realized the importance of raising her status. Wu was ‘not just another imperial consort… she was very much a political fig...
Jing-mei realizes her mother was trying to help her out, but since their personalities clash, Jing-mei first believed her mother was forcing her to play piano. She thought her mother was setting up unrealistic expectations for her, when only she just wanted to see her daughter live the American Dream. She didn’t understand the Chinese way of thinking so she thought her mother was just being strict. Her mother wants her to be a strong, independent American woman. She just wanted her daughter to have all the opportunities she wasn’t able to have in China.
An-Mei Hsu was born and raised in China, but not by her mother. Her mother became the concubine of another man when An-Mei’s father had died. So An-Mei and her little brother went to live with there grandmother who they called Popo. At the house in which they lived they were not aloud to talk about, or even speak of there mother and soon enough, An-Mei and her little brother had forgotten her altogether. But Popo becomes very sick, and An-Mei’s mother returns to the home. When she was there she cuts a piece of her arm off and puts it in to soup for Popo. This was to show great respect, and was also a way of trying to cure the sick. "Here is how I came to love me mother. How I saw my own true nature. What was beneath my skin. Inside my bones." (pg40) This is the point where An-Mei is thought about respect and honor. She saw what her mother had done for Popo, and found it in her heart to forgive her and love her again. From then on she wanted to make sure that her daughters would have honor, and respect for the family ways. "The pain you must forget, because sometimes that is the only way to remember what is in your bones." (pg41) She saw what her mother take a piece of her own flesh and give it to Popo in order to earn her respect and honor back.
Jing-Mei was forced to take piano lessons; this only further upset her as she felt that she was a constant disappointment. Her mother was mad at her on a regular basis because Jing-Mei stood up for herself and explained to her that she didn’t want to be a child prodigy.
... her own person and wanting only to be accepted for who she is and not who she could be. Even though the argument was never discussed it still haunted Jing-mei. That is why Jing-mei was surprised when her mother offered her the piano for her thirtieth birthday, she took it as a sign of forgiveness.
“Only two kinds of daughters,” “Those who are obedient and those who follow their own mind!”(476). When a mother pushes her daughter to hard, the daughter rebels, but realizes in the end that their mothers only wanted the best for them and had their best interest at heart. In the beginning, Jing-mei, is “just as excited as my mother,”(469). Jing-mei eagerly hoped to make her mother proud. However, her mother’s obsession with becoming a prodigy discouraged Jing-mei.
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
For many of us growing up, our mothers have been a part of who we are. They have been there when our world was falling apart, when we fell ill to the flu, and most importantly, the one to love us when we needed it the most. In “Two Kinds” by Amy Tan, it begins with a brief introduction to one mother’s interpretation of the American Dream. Losing her family in China, she now hopes to recapture part of her loss through her daughter. However, the young girl, Ni Kan, mimics her mother’s dreams and ultimately rebels against them.
In Amy Tan 's Two Kinds, Jing-mei and her mother show how through generations a relationship of understanding can be lost when traditions, dreams, and pride do not take into account individuality. By applying the concepts of Virginia Woolf, Elaine Showalter, and the three stages of feminism, one can analyze the discourse Tan uses in the story and its connection to basic feminist principles.