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The character analysis of Meursault in outsider
Analysis Camus's The Stranger
The stranger albert camus essay outline
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In The Stranger, Raymond appears several times but never grows throughout the text, making him a flat character. Raymond is know to be a “pimp,” and repeatedly assaults his mistress, which eventually leads him to have problems with her brother, an “Arab.” Raymond also uses Meursault throughout the story and persuades him to help punish his girl friend, which leads to a scuffle with the police. Raymond pulls Meursault into his conflict, which eventually causes Meursault death’s sentence, leading to his fall. He hands Meursault the gun that Meursault uses to shoot the Arab. This entire scandal further emphasizes the theme of the purposeless of human life.
C) FOIL
In The Stranger, there are a few characters whose contrast highlights the distinctive
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The novel begins with “Maman died today. Or yesterday maybe, I don’t know” (1). The “I” in the opening lines introduces the first person perspective, which is carried out throughout the novel. Meursault strictly limits his point of view to his own thoughts and not those of others. Therefore, he writes about the isolation and absurdity he feels in his own life. After the judge questions Meursault is court, he asks if Meursault believes in a divine power. Meursault responds honestly to the judge that its very hard for him to believe in God “because I was hot and there were big flies in his office that kept landing on my face, and also because he was scaring me a little” (68). According to Meursault such trivial objects seem to be more important topics of debate than God, showing that Meursault had no interest in God. He doesn’t even consider the magistrates theology, only his …show more content…
After his meeting with the chaplain, Meursault emphasizes and adopts the existential belief that the world is irrational and that life lacks order and meaning. In the closing lines of the novel, Meursault declares that “For the first time, in that night alive with signs and stars, I opened myself to the gentle indifference of the world. Finding it so much like myself - so like a brother, really - I felt that I had been happy and that I was happy again” (122-123). After Meursault opens himself and listens to the words of others, he is finally satisfied with his place in society. He now understands that just as he is indifferent to everyone else, everyone else is also indifferent to
He, however, seemed question his presence because the death of his mom or even from the absence of his father—the fairly dynamic that every child should have (both parents present). In chapter two Meursault found himself alone in his apartment as Marie had left for work earlier that morning. In this section he explains that, “After lunch I was a little bored and I wandered around the apartment” (21). In this quote, Meursault demonstrates just how meaningless is life is. To have nothing more to do with his time than walk around his apartment shows that Meursault is questioning his place in this world. He is a man with virtually only two friends—Raymond and Marie—and a neighbor that he associates with on occasion about his dog. As he wanders the apartment he explains that he lives, “in just one room now” (21), one that he literally put his dining table in so that he could eat in his room. This quote symbolizes his loneliness as a person. Not only is the apartment too big for him, the world is too, and his is basically alone in both. For some reason—maybe a tragedy or trauma that he faced in earlier years—Meursault has closed himself off from the world and does not express love for anyone or anything. In fact, Meursault made a statement about the death of his mother saying that, “at one time or another, all normal people have wished their loved ones were dead" (65). At this point in the story, I think that Meursault may not have had the best family dynamic. He does not speak of anyone else but Maman, and mentions a father that he does not know. So, he may not feel like he belongs or does not know how to. He also explains that, “it was one of Maman’s ideas, and she often repeated it, that after a while you could get used to anything” (77). This quote could explain the fact that Meursault is closed off—he has gotten so used to not having anyone around that truly cares for him (his
Part I of The Stranger begins with Meursault's attendance at his mother's funeral. It ends with Meursault on the beach at Algiers killing a man. Part II is concerned with Meursault's trial for that same murder, his ultimate sentencing to death and the mental anguish that he experiences as a result of this sentence. Several curious parallels emerge here, especially with regard to Meursault's perception of the world.
As part of his revenge Raymond beats up his girlfriend, only to be followed by her Arab brother. At this time Raymond thinks Meursault to be his good friend and takes him to his friend Masson's beach house, where the two major violent acts that lead to Meursault's ultimate metamorphosis takes place.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
At first glance, Meursault could be seen as an evil man. He shows no grief at his mother’s funeral, worrying more about the heat. His first reaction to his mother’s death is not sadness, it is a matter-of-fact, unemotional acceptance of the situation. “Maman died today. Or yesterday maybe, I don’t know.” Later on in the story, Meursault kills an Arab on the beach, and his only concern is that he has ruined the calm, pleasant day he was having. When he is in jail, the magistrate comes in an attempt to save Meursault’s soul, but instead of cooperating, Meursault simply confounds the magistrate by refusing to believe in God. Even at his trial, Meursault doesn’t show any remorse for having killed the Arab. Based on this evidence alone, how can we not see Meursault as evil?
Chapter 6 of part I of The Stranger concluded with Meursault’s conscious decision to shoot an Arab because of the physical discomfort the Arab’s knife caused him. The significance of the ending of part I is that it was the first demonstration of Meursault’s awareness of the possible consequences of the act that he committed. This awareness continues into the second part of the novel as he is arrested and trialed. The reason for Meursault’s trial is the murder of the Arab. His insensitivity towards Maman’s death and lack of a social conscientious are factors that contributed to support further investigations, but are not reasons to trial him because they have not ‘harmed’ society on a way that he could be arrested for. For example, if Meursault
This passage is set before Meursault’s execution with the chaplain entering the scene, and telling Meursault that his “heart is blind”, leading to Meursault to yell and delve into his rant, and moment of consciousness. The passage has a calm in the beginning as if Meursault catches his breath from yelling previously, and he starts to reassure himself that he is not wrong for expressing his views as it went against the public’s religious beliefs, and states that this moment was so important to him that it was if his life was merely leading up to it. Why this particular scene is important to Meursault is that this is an instance where he successfully detaches himself from the world, and begins to deconstruct the world’s ideals as his rant shifts on to focusing on how nothing in life mattered. Meursault describes his gripes with the chaplain’s words as he explains his reasoning as to why the concept of a god is flawed as Meursault saw that everyone was inherently the same, with equal privileges just how often people could express them separated them. The passage continues with Meursault arguing that everyone would be faced with judgment or punishment one day, and explains why his own situation was not significant as it was no different. After that explanation the passage ends with Meursault posing the concept of everything in the world being equal both in wrongdoing and life in general, evident in his example of saying “Sala¬mano's dog was worth just as much as his wife.” Although the passage shows Meursault challenging the ethics and morals that the world around him follows, it does have instances like the end in which we see that the rant is still expression of Meursault's complex emotions, as it is unclear whether it is fear or a...
In Camus’ The Stranger, the use of the minor character Raymond helps illustrate the absurd nature of Meursault. Through imagery, dialogue, and irony, the novel investigates the moral decisions Meursault makes under Raymond’s influence. The constant tactical bribery and other forms of manipulation steer Meursault’s writing of the letter that leads to him killing the Arab and ultimately receiving the death penalty. Camus uses Raymond to highlight the cultural and societal values. In addition, through Raymond’s help, Meursault ends up in jail where he finally realizes the theme that life is
While coming to terms with the absurd was a gradual process for Meursault, his final days and his heated conversation with the chaplain, and his desire for a hateful crowd of spectators show that he was able to accept the absurdity, and revel in it, finding satisfaction in spite of those around him and justifying his murder. His ego had reached an all-time high as he neared his execution, and his satisfaction left him prepared for the nothingness awaiting him. This process was a natural psychological response to his mortality, for his peace of mind. Therefore, Meursault is not the Stranger, an alien to society, but a troubled man seeking meaning and satisfaction in a life and a world that was overwhelming unsatisfactory and absurd.
Because of its omnipresent and inevitable nature, the sun is cleverly chosen to symbolize societal pressure and to metaphorically represent life. Through the use of this symbolism, the novel leads the reader to understanding and appreciating the implications of existentialism. In the final stage of Meursault’s life, he is content in realising that the universe is irrational, and that it is absurd that humans seek a rational order in life. It is interesting to note the contradicting ideas here. While Meursault realises that the universe is chaotic and irrational, he is content. Though he acknowledges the fact that the universe has no sun and is therefore irrational, he is able to find comfort as he is illuminated by the power of existentialism.
In The Stranger, the main character is Mersault. His mother dies and he travels to her home for the burial. The day after the funeral, Mersault gets together with a woman, Marie. He becomes friends with Raymond, a neighbor. Raymond is having an argument with some Arabs. Mersault is then pulled into the dispute between Raymond and the Arabs. Finally, on a sunny afternoon at the beach, Mersault kills one of the Arabs, even though he really has nothing against him. Mersault is put on trial and sentenced to death.
“What difference could they make to me, the deaths of others, or a mother’s love, or his God; or the way a man decides to live, the fate he thinks he chooses, since one and the same fate was bound to “choose” not only me but thousands of millions of privileged people who, like him, called themselves my brothers” (Camus 74). Meursault states again that he does not believe in God. The chaplain insisted that all the condemned men he has known have eventually turned to God for comfort. Meursault becomes increasingly irritated by the chaplain's insistence that he spend the rest of his short life on God. Meursault shouts that nothing matters. Since God is the main hierarchy of the chain, Meursault doesn’t see God as him being the top. Instead, he sees nothing as being importance other than Marie and his friends but not God. Meursault letting out his catharsis shows that God has no importance towards him. He doesn’t believe in the idea of God or praying. People believe that God has a plan for them and according to Meursault he is just living his life with no importance. Nothing in the chaplain's beliefs is as certain as he thinks. Meursault himself is only certain of his life and his
Meursault (the narrator) in The Stranger only sees and only wants to see the absolute truth in society. The readers first encounter with him...
All in all, the many points that were made, displays more than enough evidence of why the novel is called "The Stranger" and who "The Stranger" was exactly. Again, the book is titled "The Stranger" because through out the story, it is based around a man who seems very different from other people. Especially since he believes the idea of the meaninglessness of human existence. His motives, his ideology, and his way of life are different from others, and because of this, it makes him a Stranger. This character, Meursault, is alienated and divided from the rest of society. He is detached from the world which makes him emotionless throughout the story, like during his mother's death to Marie asking him if he loves her. In the end, Meursault always will seem like "The Stranger" to both the readers and society.
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.