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Analysis Camus's The Stranger
Literary devices in the stranger by albert camus
Essay on the novel Stranger by Albert Camus
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Recommended: Analysis Camus's The Stranger
Rumaanah Sharif
English 10, Block 4
The Stranger by Albert Camus Book Cards
Authorial/Contextual notes
Albert Camus was born in 1913, in French Colonial Algeria. He was born in the midst of World War I. When his father died in 1914, Camus’ family was left in extreme poverty. Despite the poverty he lived in, Camus was able to attend the University of Algiers, where The Stranger is based, by working odd jobs here and there. However, Camus contracted a severe attack of tuberculosis, he was then forced to drop out of school due to his illness. The poverty and illnesses Camus had experienced when he was younger influenced his writing significantly. After dropping out of college, Camus started working for an anti-colonialist newspaper where he
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primarily wrote about the poverty in Algeria. Camus was well known for his theory of “the absurd” where he theorised that life had no rational meaning or value. Many people believed this because of Hitler’s Nazi regime and the devastation of the war. Many of them thought human existence had no purpose or meaning. Camus’s philosophy of the absurd implies that morality has no rational need or benefit, this greatly influenced the creation of the main character of The Stranger. Major Characters The main protagonist and narrator in this book is Meursault, he refuses to adhere to the accepted moral order of society and is emotionally indifferent to those closest to him. He is detached in a way from the rest of the world and his surroundings. He is shown as simply not caring about his mother's death and his girlfriend’s love towards him. This is because he does not make the distinction between good and bad in his mind before doing things such as: killing a man with no clear motive and writing letters to Raymond's mistress because he “didn't have a reason not to”. He does not put a value on the judgments and ideas that he carries out. He is unemotional at his mother's funeral and doesn't explicitly think much of it later on, when he first finds out he goes on to state: “Maman died today. Or yesterday maybe, I don’t know. I got a telegram from the home: ‘Mother deceased. Funeral tomorrow. Faithfully yours.’ That doesn’t mean anything. Maybe it was yesterday.” (1 camus) Not only does Meursault not know the actual date of his mother's death, he’s too passive and nonchalant to try to find out. Another major character is Raymond, Raymond acts as a spark in the book’s plot. He, in a sense, ultimately caused Meursault’s downfall. Raymond is quite different from Meursault in the sense that he knows what he is doing is wrong, Raymond knows that it is wrong to abuse his mistress and to kill her brother, but on the other hand, Meursault has doesn't know the difference between good and bad in his own mind. When Raymond first came to Meursault asking him to write the letters to his mistress, Meursault didn't question it at all, this is what was going through his mind while Raymond was asking him: "He asked if I thought she was cheating on him, and it seemed to me she was; if I thought she should be punished and what I would do in his place, and I said you can't ever be sure, but I understood his wanting to punish her.” (17 Camus) It never occurred to Meursault that this was an uneasy situation and that he was possibly being used because of his passiveness. Ultimately Meursault agreed to Raymond's request but he showed his very first sign that he had some concept of morals: "I got up. Raymond gave me a very firm handshake and said that men always understand each other. I left his room, closing the door behind me, and paused for a minute in the dark, on the landing. The house was quiet, and a breath of dark, dank air wafted up from deep in the stairwell. All I could hear was the blood pounding in my ears. I stood there, motionless." (18 Camus) This slight pause from Meursault adds to the fact that he is not immoral but instead he doesn't have a full grasp of the concept in general. Plot Paragraph Meursault is a young man living in Algeria, he gets news that his mother had died and he is emotionless when he finds out and when he is at the funeral.
Meursault then runs into a neighbour named Raymond who convinces Meursault to write letters to his ex-mistress to lure her back to him. Meursault ends up killing Raymond’s mistress’s brother, The Arab, Meursault is then thrown in jail. The lawyer seems disgusted at the fact the Meursault shows no remorse toward his victim and sentences him to death by beheading. Then one day the Chaplain comes to visit Meursault to try to change his atheist views, Meursault becomes enraged and finally accepts that human existence holds no greater …show more content…
meaning. Thematic Statement The novel, The Stranger, explores the theme of mortality and the verdict of death through the conflicting idea of the desire to live and the fear of dying. The books starts off with an announcement of death, Meursault shoots a man , and then Meursault is sentenced to death. Since death is common in this novel the reader is forced to confront the different views on this universal theme of death. Meursault overlooks his made up difference between execution and natural death, he must deal with the concept of hope. Hope only tortures him, because it creates the false illusion that he can change the fact of his death. When Meursault is in prison the chaplain comes to visit him in hopes of Meursault finding god within himself, instead of finding god he realises the revelation the book has been building his character up to: “Then, I don’t know why, but something inside me snapped.
I started yelling at the top of my lungs, and I insulted him and told him not to waste his prayers on me. I grabbed him by the collar of his cassock. I was pouring out on him everything that was in my heart... He seemed so certain about everything, didn’t he? And yet none of his certainties was worth one hair of a woman’s head. He wasn’t even sure he was alive, because he was living like a dead man... But I was sure about me, about everything, surer than he could ever be, sure of my life and sure of the death I had waiting for me. Yes, that was all I had. But at least I had as much of a hold on it as it had on
me.” After this revelation that you aren't really living until you accept the fact of your own death, Meursault is free. Meursault has escaped the binding of the society he was expected to conform to. This is when Camus theory of absurdity brings together the plot of the book and when it completes the character Meursault. Scholarly Criticism In Lewis Warsh’s The Stranger analysis (Warsh, Lewis. The Stranger. Barron's, 2004. eLibrary. Web. 13 Nov. 2016.) the theme of death and the theme of permanence are discussed as having the same connotation. Warsh also discusses that our lives are compared to the permanence of the universe and as soon as Meursault had accepted this, he had the burden of unknown morality and morality lifted from his shoulders. In the article it states: “The natural forces do not have empathy for us or care. They are neither good nor evil; they are simply there, and they go on being there long after we are gone. To accept this philosophy is to live in a world without God. Meursault can accept this and lives with the sensations, both pleasurable and painful, of sun and wind, of caresses, of smells and sights. Yet his incapacity to look beyond the sensation of the moment leads him into a pattern of action that changes his relationship to all these sensations, and in prison he is deprived of all that has made his life enjoyable.” (Warsh) This is explaining the outlook that Meursault may have had on life previously but he just had not explored what he thought he believed. I agree with the combined ideas of mortality and permanence that were throughout this novel, these ideas helped with the revelation that Meursault had at the end and why it took him so long to realise how he truly felt.
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
Every character that revolves around Meursault seems to be in direct contrast to him. Meursault is an amoral person who does not seem to care passionately about anything. He acts in accordance with physical desires. In other words, Meursault is a sensualist person. At this particular time in his life, his path crosses with his neighbor, Raymond, who feels as though his girlfriend is cheating on him. He decides to take revenge with minor aid form Meursault. Meursault helps him only because he thinks he has nothing to lose if he does. As things lead into one another, the first major violent act of the book is committed.
In the novel, we are given a more complete view of Meursault. The story is told from his point-of-view, which allows us to understand the situation as Meursault perceives it. Looking at the situation in this light, we can see Meursault as not evil, but simply indifferent and detached from life. He doesn’t attempt to get wrapped up in emotion or relationships, he just takes things as they come, doing whatever is easiest for him. He becomes friends with Raymond and agrees to marry Marie simply because he doesn’t have a very good reason not to. Seeing the story from Meursault’s viewpoint, we understand that even killing the Arab wasn’t an act of malice or evil intent. As Meursault puts it, “My nature is such that my physical needs often get in the way of my feelings.” With this in context, things begin to make more sense. Meursault’s seemingly cryptic statement that he murdered the Arab “because of the sun” can be taken as truth. Meursault does things that society judges as wrong not because he is evil or wants to appear immoral, but because the sun and heat, symbols for Meursault’s emotional state, cause him to become uncomfortable and act “inappropriately.
Many artists, authors, and composers have put the beauty and warmth of the sun in their work. The Dutch painter Vincent van Gogh created landscapes that expressed his joy with bright sunshine. The American poet Emily Dickinson wrote a poem called "The Sun," in which she described the rising and setting of the sun. The Russian composer Nicholas Rimsky-Korsakov included a beautiful song, "Hymn to the Sun," in his opera The Golden Cockerel.
The Motif of the Sun in The Stranger In Camus' novel The Stranger, the predominate motif of the sun has been variously interpreted by many critics as a symbol of Meursault's repressed emotions. This is an interpretation I simply cannot accept, for I have always regarded the sun as symbolic of the superego - the force of society within Meursault. Like the sun, society is generally thought to be a positive thing. People usually regard a good, strong society that instills its members with a strong, unified code of morals as something to be desired. In the same way, people tend to think of a bright, warm, sunny day as something good and positive.
opinion on existential nihilism. Existential nihilism is the philosophy that life has no intrinsic meaning, and rejects all religious and moral conformity. The main character meursault, displays all of these traits throughout the book. Camus gives the reader an alternative outlook on the life and how there is no right or wrong way of living because in the end, whether that be sooner or later everyone is going to have the same end fate. Camus demonstrated his belief of existential nihilism through the external and internal
In Camus’ The Stranger, the use of the minor character Raymond helps illustrate the absurd nature of Meursault. Through imagery, dialogue, and irony, the novel investigates the moral decisions Meursault makes under Raymond’s influence. The constant tactical bribery and other forms of manipulation steer Meursault’s writing of the letter that leads to him killing the Arab and ultimately receiving the death penalty. Camus uses Raymond to highlight the cultural and societal values. In addition, through Raymond’s help, Meursault ends up in jail where he finally realizes the theme that life is
All in all, the influence of Raymond is negative towards Meursault and leads to Meursault’s death sentence. The peer pressure put on Meursault to testify against Raymond’s mistress sets Meursault up and was the first of many instances where Meursault was manipulated into doing something. The aggression of Meursault to use violence against the Arab is a forced demand that Meursault is to fight for Raymond in times of hardships, as if Raymond owns Meursault. Finally, the declaration of Meursault as “a pal” influences the jury heavily because Raymond runs a whorehouse and the people one hangs out with have strong affects. Together, these three things lead to Meursault’s downfall, the death sentence, and Raymond is the one to blame.
Meursault’s actions throughout the novel lead to his regretless murder. Meursault surrounds himself around people of no spiritual faith to withdrawal himself from his mother and God. Reserved Meursault interacts with his neighbor Salamano on various occasions and observes him walking his dog everyday, repeatedly swearing at it. Meursault observes as Salamano yanks the dog while screaming, “’Filthy, stinking bastard!’” (Camus 27). This interaction illustrates the revolting and monstrous characteristics of Salamano through the eyes of society. Instead of cringing in repulsion as expected of most ordinary people, when Raymond “’asked me (Meursault) didn’t I think it was disgusting’” (Camus 28), Meursault replied no. Meursault’s response implies his lack of sentiment and places him in the same category as Salamano.
The conflict is established at the end of Part I, when Meursault kills an Arab; an action not uncommon in Algiers during this period of social unrest (the 1930’s). He does not do it intentionally, but rather because of the intensity of the moment and the blinding sunlight reflecting off of the Arab’s blade. The fact that Meursault kills an Arab is of little importance in this novel. The jury and the general population despise him because he is different, not because of the murder. Even Meursault’s lawyer predicts that the punishment will be minimal. Throughout the entire trial, the prosecution stresses Meursault’s lifestyle and his indifference to everything. They bring up his mother’s funeral and say that he showed no signs of emotion. To make things worse, he went to a Fernandel comedy and had sex with Marie on the very next day. The prosecutor once states, “...all I see is a monster.”
Albert Camus was born in Mondovi, Algeria. He was the second son to Lucien and Catherine Camus. Camus suffered from Tuberculosis and he was sent to live with his aunt and uncle. There his uncle, Gustave, was able to educate him and add drive of curiosity to his nephew. As his writing career be gain to grow Camus moved to France in 1938. Where he in 1942 at the age of 29 Camus he wrote his famous book, The Stranger. Connections between the protagonist, Meursault, and Camus can be seen because of small similar details between both of the main characters and authors lives.
Use of Stylistic Devices in The Stranger & nbsp; In his novel The Stranger, Albert Camus uses the stylistic devices of imagery and diction to develop the intensity of the physical action and to illustrate the lack of emotion in the last paragraph of Part I. Imagery of all kinds is abundant in this passage as Meursault, the main character, pays great attention to and describes in detail the beach environment that surrounds him. Visual imagery is present as he conveys the intense heat by telling how it seemed as though the sky had cracked open and was raining flame, and by personifying the ocean, recounting how it breathed blistering hot air onto the beach. Auditory imagery is employed when Meursault speaks of the cymbals of the sun clashing and describes the four shots fired as “four quick knocks on the door of unhappiness.” Imagery of a tactile nature is used in Meursault’s depicting the effects of the light reflecting off of the Arab’s knife on him, its “searing” his eyelashes and “gouging” his eyeballs.
I, Albert Camus, am a famous French author who wrote The Stranger in 1942. I was born in Algeria, and my experiences there have deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy of the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper.
.... He wanted to file a legal appeal but he knew they would all get rejected. Meursault was not sentenced to death because he killed the Arab but because of his absence of emotion to his mother’s death. The people wanted him dead because he posed a threat to the morals of the society. But when he accepts the fact that he is going to die he feels a sense of freedom and he looks forward to his execution. By rejecting to believe in God, it shows that he does value any hope of life after death. Then when he accepts his death sentence, he also takes the punishment away from it either. He is neither depressed nor hopeful when it comes to his death, which overall proves how he lacks morality in the story.
Sometimes reading fiction not only makes us pleasure but also brings many knowledge about history and philosophy of life. ‘The Guest’ by the French writer Albert Camus is a short story and reflects the political situation in French North Africa in 1950s. According to this story, we know the issues between the France and the Arab in Algeria, and the protagonist, Daru, refuses to take sides in the colonial conflict in Algeria. This is not a boring story, because Camus uses a suspenseful way to show the character, conflicts and symbol and irony.