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Analytical essay on the book the stranger
Example of symbolism essay
The philosophy behind the stranger
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In Albert Camus’s novel, The Stranger, the author employs symbolism and foreshadowing through the weather- especially the sun- in order to represent Mersault’s compulsive and detached attitude. Camus’ novel tells a story of a man named Mersault who believes that the world is absurd and who searches some meaning in life.
Like the sun, society is generally thought to be a positive thing. People usually regard a good strong society that instills its members with a strong, unified code of morals as something to be desired. In the same way, people tend to think of a bright, warm, sunny day as something good and positive.
Uniquely, Camus' usage of the sun opposes its warmth and beauty in The Stranger. The sun is a symbol for feelings and emotions, which Monsieur Meursault cannot deal with. There is a sun motif present throughout the novel, which perniciously characterizes the usual fondness towards the sun. The sun is a distraction from Meursault's everyday life and he cannot handle it.
Weather, in this story, plays an apt form of representing Mersault’s mood and what he feels in the present moment. As a constant indication of Mersault’s focus on worldly matters, the innate description of the climate is arguably one of the most prominent types of symbolism utilized in this novel. Even in the very beginning of the book, the weather expresses what kind of personality Mersault has and how he feels about present matters. However, Camus interestingly focuses on the aspects of the sun and its nature on Mersault
Camus’ usage of the sun is a stark contrast to the usual connotative nature the sun beholds. Though the sun usually indicates a certain form of happiness, warmth, and content, Camus indicates the sun as a symbol for Mersault’s e...
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..."gentle indifference to the world," that the sun motif is consummated.
There are descriptions of the physical world in the book, but not so many of the emotional. It is only the physical world to which Meursault is connected, or any human being for that matter. There's no higher order or supernatural in life. All that is is physical. When Meursault blames the sun, he is blaming the only thing that had any great effect on him at the time, but also is alluding to the lack of reason and deeper meaning in the world.
In conclusion, the weather- particularly the sun- in The Stranger is key for symbolizing Mersault’s emotions and his attachment to the physical world. Though innate descriptions of the weather are utilized, not all are used to express this type of purpose that Camus intended for it to be. In the first part of Camus’ book, the hot weather and the sun is
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
The inclusions of gothic conventions of the same variety create a gothic genre for the novel. The use of the weather in the form of pathetic fallacies is particularly important in the way this forms the novel to be gothic. As the description of the weather evokes an atmosphere of suspense and the many connotations associated to the weather in particular the stereotype...
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as immoral if he were judged on the basis of his actions alone. However, through Camus’s use of a first person narrative, we begin to understand Meursault as not an immoral man, but simply an indifferent one. Meursault is a symbol of the universe, and so in understanding him we understand that the universe is also not evil, but instead a place of gentle indifference.
The Motif of the Sun in The Stranger In Camus' novel The Stranger, the predominate motif of the sun has been variously interpreted by many critics as a symbol of Meursault's repressed emotions. This is an interpretation I simply cannot accept, for I have always regarded the sun as symbolic of the superego - the force of society within Meursault. Like the sun, society is generally thought to be a positive thing. People usually regard a good, strong society that instills its members with a strong, unified code of morals as something to be desired. In the same way, people tend to think of a bright, warm, sunny day as something good and positive.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
In Part One of The Stranger, Albert Camus avoids religious confrontations with Meursault in order to subconsciously place blame on Christ for his criminal actions. Camus restricts Meursault’s relationships to further distance him from his mother. Meursault then alienates himself from the typical spiritual ceremonies and actions to demonstrate his distrust of religion. Simultaneously, Camus uses diction of clear and bright elements to characterize people in the novel, excluding Meursault. Camus associates dark colors with Meursault to depict a sadistic persona. To conclude, Camus places Meursault in recurring situations which result in him being distracted by “the light”. Camus uses these literary techniques in The Stranger to demonstrate man’s condemnation of God.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
French author and playwright Albert Camus once said, “He who despairs over an event is a coward, but he who holds hope for the human condition is a fool.” In the The Stranger and The Guest this philosophy is expanded on by demonstrating how those who do not conform to society are isolated, and portrayed as a threat to society because of their unique beliefs.
I, Albert Camus, am a famous French author who wrote The Stranger in 1942. I was born in Algeria, and my experiences there have deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy of the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper.
Camus’s motif of the sun illustrates Meursault’s emotions as he approaches the Arab, the sun’s rays separating Meursault from reality. “I knew that it was stupid, that I wouldn’t get the sun off me by stepping forward” (59). Yet after he utters this statement he takes another few steps forward. This sets the stage for the climax of Meursault’s murder of the Arab. More than anything the sun is depicted as a distraction to Meursault. It causes him to do things he would not normally do and clouds his judgment, causing him to commit a serious crime which will cause his own death. The sun is in a way a representation of the constraints society places upon Meursault. The effect the sun has on Meursault that results in death is a parallel to the effect of society on Meursault, which also results in death.
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
Within the Stranger, Albert Camus brought up many questions and a few answers. He created an outsider to society and showed us how he lived, Meursault.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.