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The stranger by Albert Camus analytical essay
The stranger by Albert Camus analytical essay
A critique on the stranger by albert camus
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How could a person not care about a single event in his or her life? How could a person fail to respond to different situations? How could one man be so apathetic towards all aspects of his life? How could a man not care about the death of his mother? Would anyone believe the story of the man who simply did not care about life? Albert Camus’s existentialist character, Mersault, demonstrates complete apathy towards almost every aspect of life. On page 115 of Albert Camus’s The Stranger, there is a passage in which the theme of the theme of the novel could clearly be observed. The theme of the novel is that existence is the only meaning of life. This theme is supported by the use of diction in the passage, which includes irony, structure, and tone.
The passage on page 115, describes the series of events that have taken place as a result of Mersault’s imprisonment. In this passage, Mersault has denies his court appeal, and is probably aware of the fact that he will soon be executed. Memories of Marie slip into Mersault’s mind as he reflects on their relationship. He recalls the physical connection between them yet does not consider Marie’s existence as significant. Since there is no longer a physical connection between them, Mersault automatically assumes that she is dead or sick, because “the days had been long since she’s stopped to write” (Camus 115). “It occurred to me that maybe she was sick, or dead. These things happen” (115). Mersault is clearly indifferent regarding such a serious subject matter as death. The ironic part about this passage is that Mersaut states that “[he] wasn’t interested in her dead” (115). This is ironic, as Mersault did not seem very interested in Marie even when there was a physical connection bet...
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...that his life has been meaningless. He feels like when he dies no one will remember him. Once again existentialism can be observed; Mersault considers his life as simply existing for the sake of existing. In reality, there are those who are remembered even after their death. Those who have influence others will be remembered and those who have not will not. Mersault falls in the second category, because he has not contributed to society. He has not influenced anyone, but rather lived his life, for the most part, as a neutral being among society.
Camus has done a tremendous job inferring the theme through this passage. The irony, structure and tone of this passage fall under the category of diction. All of these factors help support the overall theme. Mersault’s ironic statements, cold tone, as well as the passage’s structure all reinforce apathy towards life.
In “The Stranger”, the protagonist, Monsieur Meursault, is characterized as cold, uncaring, and emotionally detached. Throughout the novel, Meursault expresses no emotions toward the death of his very own mother, the proposed marriage between the woman, Marie Cardona, who became his lover, and to the actual murder of a man he didn’t know. While the jury at his trial sees him guilty because his uncommon and disassociated demeanor shows that he willfully intended to murder the Arab on the beach, a variety of psychologists would instead diagnose Meursault with Major Depressive Disorder, Antisocial Personality Disorder, and Asperger’s Syndrome in order to characterize his indifferent thought patterns. If Meursault is suffering from Major Depressive Disorder, he is unable to function as a normal person would which ultimately leads the jury to believe that he is actually a cold blooded killer. Antisocial Personality disorder, like Major Depressive Disorder, causes Meursault to communicate a disregard for the lives of others and lacks remorse when he harms and even kills the Arab.
...inal moments. Secondly, by embracing his fate, he gains a sense of compassion from the reader, who, by default, will begin to feel pity for this tortured soul. Morally, it would be impossible to judge this sort of act "evil," but also equally difficult to label it "good." Again, this is Camus' personal philosophy emerging through his literature, almost seeming to beg the audience not to pronounce judgment.
Finding Enlightenment in the Dark: An analysis of light in Camus’s The Stranger. In The Stranger, the protagonist Mersault becomes ostracized from his society due to his emotional separation and unwillingness to play by societal rules. His continual apathy and expression that everything “didn’t matter” eventually led to his death sentence (8). Mersault focuses on his physical surroundings, commenting on the light and the heat around him. He perceives the world through his senses, not through his emotions.
Mersault’s attitude towards his mother’s death exemplifies and introduces the reader to his lack of remorse. The opening sentence of the novel shows how indifferent he is as he has no guilt for not being there for his mother nor grief for her passing when receiving the telegram notifying him of her sudden death, “Maman died today. Or yesterday maybe, I don’t know” (Camus 3). He is very direct and his diction offers short, little details, evoking the attitude of disregard in Mersault. When approaching his boss for two days off, he does not show any sign of emotion, but tries to justify the reason for his leaving as his mother’s fault. The funeral director takes him to his mother’s coffin, to find that it has already been sealed. To the caretaker’s and director’s surprise, Mersault does not want it to be opened. He does not mind that they have skipped past formalities of allowing close family members to view their deceased relatives by sealing
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
Life has been defined as the property or quality that distinguishes living organisms from dead organisms and inanimate matter, manifested in functions such as metabolism, growth, reproduction, and response to stimuli or adaptation to the environment originating from within the organism. Further, that very definition from the Webster's dictionary says nothing when it comes to the everyday experiences one faces throughout a lifetime. The experiences one faces makes, breaks, and shapes us into how we act and live. T.S. Eliot's poem "The Hollow Men" portrays a world in which humans lack connections to each other and to G-d. Similarly, the main character, Meursault, from the short novel The Stranger, by Albert Camus, represents a man who does not feel any condition to anyone or anything. Meursault seems not to have a sense of emotion for the occurring actions in his life, and as a result, Camus pictures him as a senseless man. Many people in society go through life-breaking crisis that takes them several weeks even months to get over, meanwhile Meursault goes through some of the most immense problems during his life, yet he shows little emotion to ward his reality.
However, upon deciding to kill a man, he quickly learns that his previous unconcern will not diminish the consequences for his deed. Put to death, Meursault remains stagnant on his opinion of justice, refusing to ever consider that justice possesses any worth. Upon receiving a visit from a chaplain hours before his execution, he merely uttered “I had been right, I was still right, I was always right” (Camus 121) Meursault did not understand why the chaplain wanted to force him to turn to God and gain a moral sense about life. Thus he simply reiterated the motto that he lived by: an apathetic, self-absorbed idea that nothing in life means anything. Meursault’s continual refusal to accept the moral standards of the world prohibited him from every truly finding a true sense of
... evening, on leaving the office, they forgather, at an hour that never varies, in the cafes, stroll the same boulevard, or take the air on their balconies. The passions of the young are violent and short-lived; the vices of older men seldom range beyond an addiction to bowling, to banquets and "socials," or clubs where large sums change hands on the fall of a card (Camus,The Plague)." Here it shows an example of existentialism as it did in The Stranger. In both novels the main characters of interest are consumed by repetitive redundant lives; which reflects the philosophy. But this novel, The Plague, also shows possibly a reason why Camus denies existentialism. In The Plague it is expressed that man is good of at least has potential to be good.
We meet strangers everywhere we go. They come from all walks of life. We can choose to ignore them or to talk to them. I have judged people based on the way they walk, talk, dress or the way they approached me. These judgments tend to stick with me even if I find out who they really are. I don 't think it is right to get judgmental when I first approach a person. I feel so bad when I find out who they really are isn 't who I thought they were. It just seems to happen so naturally. I guess it is just human nature. I can relate this to my senior high school days. Most of the judgments I made about people never helped me because it got me into bad company. In a short story ‘Strangers’, a stranger hurt and lied to Toni Morrison about who she was. She was really hurt by the stranger because she had misjudged her about who she was. She did not expect a woman, who looked so humble, would do such a thing. I can relate to her story because I also misjudged someone and ended up getting hurt.
On the surface, one might not find much overtly attractive about Camus’s cold philosophy expressed by Meursault in the cell he spiritually shares with all people awaiting inevitable deaths as the universe watches on with indifference, but there is a freedom that comes with letting go of hope that tries to cover up fear. If society tries to prosecute each person with the moral guilt of those that have been buried, it is liberating to reject those presumptions of guilt. There is a happiness that can be found in that freedom and an appealing strength in being able to face the howls of execration from the spectators of every individual’s march toward death in a benign, indifferent universe.
Meursault lives an average life, but one important factor in the story is that he does not seem to express his emotions. Some of his character traits could label Meursault as an existentialist because he does not care about anything except physical things. When his mother died, many other people were crying, but all Meursault worried about was the heat. He is very honest as well, and he does not try to cover up the fact that he did not cry during his mother’s funeral.... ...
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
While reading The Stranger I noticed that traits that Albert Camus character depicts in the book are closely related to the theories of Sigmund Freud on moral human behavior. Albert Camus portrays his character of Meursault as a numb, emotionless person that seems to mindlessly play out his role in society, acting in a manner that he sees as the way he’s supposed to act, always living in the moment with his instincts driving him, and if the right circumstance presents itself the primal deep seeded animal will come out. I believe that most of the character’s traits fall under Freud’s notion of the Id and Ego mental apparatus, and don’t believe that his idea of the super-ego is represented in this book.
The death of Maman in The Stranger conveys an example of existentialism. The phlegmatic and unattached response to the death of his mother shows an excellent example of Mersault’s existentialism; he accepts life or death without looking for a deeper significance. Mersault receives a telegram from the home notifying him of his mother’s death, “Maman died today. Or yesterday maybe, I don't know. I got a telegram from the home: ‘Mother Deceased. Funeral Tomorrow. Faithfully yours.’”(Camus 3). When he gets to the home he does not even want to see the body, instead of mourning he sits back and relaxes drinking coffee and smoking. Mersault seems more concerned about taking time off of work to go to his mother’s funeral that he has nothing to do with, than the actual death of his mother. The first thought of his day is about work, “As I was waking up, it came to me why my boss had seemed annoyed when I asked him for two days off…”(Camus 19). Mersault does not show any emotion at all while at the nursing home that Maman lived. He is just there because he feels as if he has to be. Everything about the weekend seems to annoy him events like the vigil, the funeral, and some Maman’s friends, in particular to the sobbing woman at the vigil.
It was 1590 in Austria, still in its Age of Belief, and also still in the Middle Ages.