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“A person is never done being mad. Anger is a memory never forgotten. You can only tame it.” Unfortunately for Cole Matthews, he has yet to learn how to tame and control his anger. Cole’s anger is deep seeded which stems from his father. In order for Cole to fully heal, he needs to get to the root of all his anger. In order for this task to be accomplished, Cole will have to return to the island.
Throughout the book, Cole’s attitude changed tremendously. He started to care about the little things about life that he did not care about before. For example, when he was near death, starving, he was irritated by the baby birds. The baby birds had been cared for by their mother, which Cole had not. According to the text, “ The sight of
the baby birds irritated Cole.” When Cole had realized he was not the person with power on the island, he started to see the point of life. Two baby birds had died and that had affected Cole. The text states, “Mustering all his strength, he raised his head, and with a weak and pinched voice he called into the darkened branches, “Are you okay?” This shows that Cole started to care about the environment he lived in.
Bryan-Michael Cox is a man born of music. It is in his DNA, infused in his born and sinew. He has a level of understanding about music theory and logic that is far beyond the comprehension of the modern day "music scholar" and surpasses the knowledge of any experienced teacher of the musical arts. Bryan-Michael Cox is in his own right, a living legend and one who inspires me the most.
Clearly you saw the reason for Cole’s actions, being beat by his father and being ignored by both his parents. I still think Cole is responsible for his own actions because he could chose to be good and get attention, but he chose bad to get attention. But his parents definitely had at least a small part in the way Cole acts now, if they were more loving to him and actually knew how to discipline him the right way, like you're grounded for three weeks with no television or something instead of being him, maybe that would teach him a lesson. I mean I get that people are busy and they have work and everything, but you should always make time for your kids and your family. “‘Yes, Mr. Matthews, this is about responsibility. By the way, when is your son’s birthday?’ Cole’s father gulped a quick breath, and his face grew flushed. ‘Uh, well… birthdays have never been a very big thing around our house,’ he stammered. “I think it’s the beginning of July sometime.’” (pg. 52, Touching Spirit Bear) This just proves how badly Cole is treated at home. Obviously his dad drinks so much that he can’t remember the small, but important things. I’m pretty sure that every parent should at least know their kids birthday, even if they don’t love them 100%, which I find absolutely heart shattering. I also feel like destiny or fate had
The diction surrounding this alteration enhances the change in attitude from self-loath to outer-disgust, such as in lines 8 through 13, which read, “The sky/ was dramatic with great straggling V’s/ of geese streaming south, mare’s tails above them./ Their trumpeting made us look up and around./ The course sloped into salt marshes,/ and this seemed to cause the abundance of birds.” No longer does he use nature as symbolism of himself; instead he spills blame upon it and deters it from himself. The diction in the lines detailing the new birds he witnesses places nature once more outside of his correlation, as lines 14 through 18 read, “As if out of the Bible/ or science fiction,/ a cloud appeared, a cloud of dots/ like iron filings, which a magnet/ underneath the paper
The second song, Change, also shows the problem with systematic oppression. J. Cole recounts the time that he saw his friend get shot. This is the main point of the whole album and the song revolves around the tale of this friend who is killed. The last song, 4 Your Eyez Only, brings everything back together and tells the full narrative of his friend’s unfortunate fate. While attacking the life that many people glorify and empathizing with those who are stuck in this life, J Cole closes out his fourth album on a hopeful note. Using the perspective of his deceased friend, he writes a song (the actual album), for his daughter, condemning all that is bad and hoping for her to grow into a somebody. In a heart touching verse the father states “Maybe you hate me, maybe you miss me, maybe you spite
... and the sense of joy he now feels for living. These feelings are inspired by the kid sister and the innocence and hopefulnes that she represents.
... the novel. Ranging from clothes, to birds, to the “pigeon house”, each symbol and setting provides the reader with insight into Edna’s personality, thoughts, and awakening.
He expresses the distress he feels from this when he says, “One strange night, I lay awake, listening to the recurrent thud of the ocean and planning our flight. The ocean seemed to rise and grope in the darkness and then heavily fall on its face”(606). By means of the waves, he expresses the pain he for all intents and purposes feels about his plan. Without any attempts or proof, He believes that his fantasies are bound to meet failure. The ocean reaches a point of success, then falls to an unfortunate place. He describes the unfortunate place as isolated, distressing, and arduous, which is the same place that he finds himself in. It impacts him so particularly much that actually has no way to save Colette from her pain in a subtle
Moore begins the last stanza with an ambiguous “So”. Although one has a heightened awareness of mortality, one “behaves,” one keeps the ego disciplined. This is the same concept as that of the caged bird who, though held captive in a cruelly small space, continues to sing with all his heart. Despite the bird's lack of “satisfaction” because of his loss of flight and freedom, he knows “joy”.
...r," Cullen describes the relationship a boy had with his parents and how they degraded him, not realizing their own faults. In another poem, "Saturday's Child," the tone is sad but serious as well. It's about a child who is born into poverty and how he contrasts his life with a person who has grown up with nice things. The poem "Loss of Love," has a serious tone because it conveys the feelings that you get when you've lost a loved one. It goes into elaboration of how different his life is without his true love. The solemn and serious tones in Cullen's literature help the reader feel the emotion of the situation being presented.
Another characteristic is after the accident Cadence becomes mentally ill and has symptoms of headaches vomiting and at times migraines, also the existence of her friends whom she has lost. Throughout the book her personality changes in the way that she is imaging her relationships and interactions with her friends and gat. Also she has grown into a teen as the book progresses so her attitude towards different situations has changes
I, Chandler Smith, have had a very steady life. Growing up I never had to fight to eat or worry about where I was going to sleep. I had a very blessed upbringing. I never had a spontaneous moment to where I suddenly knew who, or what my life really meant. I had a good highschool football career, being a jock and playing with my friends, not a care in the world. Until one day at practice I went in for a tackle, and dislocated my shoulder. I tore the labium and needed surgery, ending my senior season and my football career.
...ous allegory represents Christian ideals such as sin, forgiveness, and prayer. In addition, Coleridge’s use of language and form contribute to the message conveyed in the text. The form fluctuates throughout the text by use of different rhyme schemes, loose meter, and stanzas in length varying four to nine lines. The variety of form could be representative the array of interpretations of this text. Coleridge conveys profound religious meaning by using symbolic language with interpretive representations. Although his use of elevated language possibly narrowed the audience, that could have been his intentions due to the complexities of this philosophical poem. In the end, Coleridge’s depiction of the Mariner’s journey ultimately conveys the Christian ideal, which is to love and appreciate all creatures created by God, whether Albatross or snake.
...ke it is often believed that at the end of life, the all-powerful, altitudinous overseer reveals itself. Perhaps, Coleridge’s dream has served to reveal the actuality of his spiritual inferiority; to emphasize that there is only being who can fathom the mysterious, sacred flow of life; to prove that there is one being who can truly reside in the higher realms of Paradise.
Early in the novel, Mr. Phillotson, Jude’s teacher and role model, leaves 11 year old Jude to pursue a university education in the town of Christminster. In leaving, Phillotson leaves Jude with a seemingly generic goodbye, saying to “Be a good boy, remember; and be kind to animals and birds, and read all you can. And if ever you come to Christminster remember you hunt me out for old acquaintance’ sake” (Hardy 11). Jude, interpreting everything that Phillotson says as law, proceeds to disregard his job of shooing birds away from a field in order to allow them to feast on the crops (Hardy 14). Jude’s sympathies with the birds are partially driven by Phillotsons’ final wisdom. Jude is able to empathize with the birds, underst...
Written to follow the natural progression of the mind, the narrator moves from watching the frost form on his bedroom window to thinking about his childhood and how the frost was his only connection to the world outside his school walls. This thought leads him to ponder the great opportunity that his son will have to grow up in nature and, eventually, his mind returns to the frost, once again referring to its “secret ministry” (72). Through this, Coleridge depicts nature as a catalyst for the transcendence of time. The narrator describes the fire as making him a “toy of thought” (23) and allows the frost on the window to connect him to his past memories of “[gazing] upon the bars to watch that fluttering stranger” (25). The narrator, however, is also prompted by the frost to explore his imagination, as he pictures his son enjoying a much different childhood than he in a world where the “seasons shall be sweet to thee” (64). In each of these cases, nature was the cause of intellectual stimulation, and thus, the common link to the past, present and future. Through the continuous connections of the narrator’s thoughts, Coleridge also indicates ones ability to transcend time within the mind. While sitting beside his “cradled infant [slumbering] peacefully” (7), the narrator demonstrates his ability to remove himself from the present and insert himself into the past