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As of the 12th November 2017, the Fox Network will have been running The Simpsons for a total of 28 years and will have aired 628 episodes, dropping another major milestone for primetime animation and sitcom television. From its early beginnings, the show has faced criticism and controversy, for its parodical social commentary of the world, and its views on politics and the news, in particular. This is an element of the show’s success that has never changed, during its 29 seasons. This essay will look at how and why The Simspons has gone on to become not only the world’s longest-running sitcom but also one of the most important television programmes.
Before Fox Network launched, and introduced The Simpsons to prime-time television, another
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Through the years of 1987-1989, Matt Groening created The Simpsons to be screened as shorts before and after ad breaks. They were an immediate cult favourite, and producer of the show, James L. Brook, along with Matt Groening decided to transform them into a half-hour sitcom. They pitched it to FOX Network, where Groening landed a deal where he would make a lot of the income from merchandising. Matt Groening said that one of the reasons The Simpsons managed to get on the air was that “there were finally some executives who remembered watching The Flintstones, The Jetsons and Jonny Quest at night as children.” (Matt Groening, cited in Tahmankera 2014: 112) Wendy Hilton-Morrow and David McMahan emphasize that, as well as “improved animation quality” and “the production of non-Saturday morning animation”, the most important factor to The Simpsons being brought on the air was the “introduction of a new network”; …show more content…
Originally, The Simpsons was aired on Sunday nights at 8:00 pm, at the same time on Thursday nights where The Cosby Show would usually be. Some of The Simpsons’ producers weren’t happy with the idea, as they had managed to be in the top 10 highest rated shows on Sundays, and thought changing schedules would ruin that. When The Simpsons made its debut, prime-time television had not seen an animated sitcom since 1960’s The Flintstones. What followed from the very successful Christmas first episode, “Simpsons Roasting on an Open Fire”, is one that television history will see as one of television’s greatest successes. At the time of the show’s release, the show had a comedic advantage over other sitcoms, because it was animated. If the writers of the show could draw a joke or a gag, the joke would be made on the show, which leads to some of The Simpson’s most hilarious gags. But, the writers decided not go down the route of any other cartoon show, where the impossible could
Good evening and welcome to The History of Television. On tonight’s show we will focus on how and
Imagine, if you will, a time that seemed innocent... almost too innocent. Imagine a nation under whose seemingly conformist and conservative surface dramatic social changes were brewing, changes as obvious as integration and as subtle as fast food. And imagine, if you will, a radical television show that scrutinized, criticized, and most importantly, publicized these changes, making the social turmoil of a nation apparent to its post-world war, self-contented middle-class citizens. But what if this television show was not as it appeared? What if it masqueraded as simple science fiction, and did not reveal its true agenda until viewers took a closer look? Let us examine how such a television program can become a defining force in the culture of a nation, a force that remains just as powerful almost forty-five years after it first appeared. Let us investigate the secrets of... The Twilight Zone.
Some television critics have abused “Mister Rogers’ Neighborhood.” Several statements declare he is a wimp because of his general caring approach on the show. Not only have television critics made negative remarks, but the children’s show has also been made fun of on late night television shows such as “The Tonight Show” with Johnny Carson as well as Eddie Murphy on Saturday Night Live (Bianculli 43). On a different level of criticism, the older siblings of those who watch the show develop negative opinions of “Mister ...
Move over Jetson there is a new beloved animated family in town, the Simpsons. The Simpson’s originally aired on December 17th, 1989 and has yet to make us stop laughing. The Simpson’s follow a not so typical American family from the fictional town of Springfield. The episode follow the satirical lives of Homer (Dad), Marge (mom), Bart (brother), Lisa (sister), and Maggie (little sister). Though this is a satirical TV show many episodes provide excellent points and example of material covered in a sociology class. The episode “Marge not be Proud” gives multiple examples of deviant behavior and this essay will discuss two of them.
Popular culture is the artistic and creative expression in entertainment and style that appeals to society as whole. It includes music, film, sports, painting, sculpture, and even photography. It can be diffused in many ways, but one of the most powerful and effective ways to address society is through film and television. Broadcasting, radio and television are the primary means by which information and entertainment are delivered to the public in virtually every nation around the world, and they have become a crucial instrument of modern social and political organization. Most of today’s television programming genres are derived from earlier media such as stage, cinema and radio. In the area of comedy, sitcoms have proven the most durable and popular of American broadcasting genres. The sitcom’s success depends on the audience’s familiarity with the habitual characters and the situations
Family comedies have evolved throughout the past century. What was once revered as classic has completely changed forms and turned into the comedic experience we witness today. Family sitcoms in particular have been converted to show a broader picture of how family’s interact in today’s world. This greatly appeals to today’s audiences and is what people want to see. Modern family specifically has tapped into what nontraditional families are all about and even with being so alternative has resonated with every type of family, making it one of the most popular shows on TV at the present moment. The pilot episode of Modern Family uses hyper-irony, allusions and uses references to technology to enforce comedic impact.
Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
Craig talks about how in John Fiske’s book, Television culture (1987, Chs. 10,11), Fiske discusses “gend...
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Socialization plays in important part in the passing on of culture from generation to generation. It is defined as the lifelong process of social interaction through which we acquire a self-identity and the skills needed for survival. The agents of socialization provide the necessary social interactions to teach culture to individuals in a society. The four primary agents of socialization include parents, education, peers, and media. The most pervasive one, media, has a major role in teaching messages about the norms in culture. The purpose of this project was to observe the subtle messages that a TV series, like The Simpsons, send about gender, class, disability/ability, and age.
Since television came into existence, it has evolved into a useful tool to spread ideas, both social and political, and has had a great effect on the generations growing up with these heavily influential shows. To these younger generations, television has taken the role of a teacher, with the task of creating a social construction by which many of us base our personal beliefs and judgments on. This power allows television shows take the opportunity to address problems in a manner that many audiences can take to heart. Many television shows present controversial topics in a comical matter, in some ways to soften the blow of hard-hitting reality at the same time bringing attention to the issue being addressed. In the television show, Everybody Hates Chris, season one, episode four entitled “Everybody Hates Sausage”, the stereotypes that continue to fuel racism are examined in a satirical motif, and class is presented in a comical way, but carries serious undertones which present a somewhat realistic view of the different social strata within the United States.
As this suburban sprawl of the fifties took America by storm, Spiegel discusses how television provided a necessary means of escapism for frustrated families. The first television show, broadcast in 1949, was a very simple program in which a man and woman sit watching and discussing the TV. Although by today's standards this would be seen as unsurpassingly boring to audiences, this simple show provided a stress relief and easy entertainment; it seemed as though audiences enjoyed watching programs which, similar to their own situation, seemed more rewarding.
Today I received a referral from a family who is seeking help regarding their dysfunctional family structure. The Simpson’s are a nuclear family that is having difficulties living as a family. I have already spoken to Marge Simpson and agreed to find a way to get her husband and children to therapy. She has very high aspirations of attending therapy with her family because she has longed for a “normal” functioning family in which her husband and children interact in a much healthier manner than they do now. She described her husband of being careless, her son uncontrollable ate times, and her daughters disconnected from the family. We have set up the meeting for next week, Wednesday at six, when she believed her family would be more willing to attend and actually participate in the therapy session.
Homer Jay Simpson, the patriarch of the Simpson household on the Fox series “The Simpsons” is a childish, lazy man, whose hobbies include eating donuts, drinking Duff Beer, watching television, and sleeping. A victim of the “Simpsons gene” which allows for only Simpson women to possess the trait of intelligence, Homer is unfortunately as “dumb as a chimp” according to his father, Abe Simpson. However, it is mainly through the analysis of his simplistic thoughts and nature, that one can gain a real perspective on Homer’s complex personality.
The Daily Show first aired on July 22, 1996 with host Craig Kilborn. Madeleine Smithberg and Lizz Winsteadby created the show. Winsteadby originally wanted to create a news focused show, but Comedy Central executives believed it would not attract viewers, so the show heavily focused on human interest pieces and popular culture. Kilborn left The Daily Show in 1998 due to conflict with the creators and was replaced a month later by Jon Stewart (McConville, 1999). When Stewart took over as host, he revamped the format to have the focus to be more issue and politically driven topics that had a satirical edge as originally desired by the creators (Faina, 2013). Stewart structured it as a nightly news show, with him as a traditional news anchor talking about relevant news stories with the help of his corespondents, affectionately named, “The Best F#@king News Team Ever” (Feldsman, 2007).