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Elizabethan era clothing and fashion
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4.0 Different Aesthetic Concept 4.1 British Simile Culture: Personality and Comfortable of Clothing Unlike the Chinese clothing design worn during the Warring State Period, the Elizabethan period clothing was worn more for fashion than for comfort. This is an interesting observation given that even the under garments worn next to the skin were modified to help improve the appearance of the wearers. Members of the society endowed with great wealth (mostly members of the royal family and upper class) wore shirts as their inner garments, the women version of the shirt referred to as “smock” (La Mar, 1958). For instance, following the French revolution the French culture gained a lot of popularity across Europe. As a result clothing designs in British underwent a significant change. For example, the jean De Bry Coat was introduced for the first time in England from France in the year 1799. This new Dress Coat was characterized by a stand-up velvet collar and has a short-waist that was fastened by only three buttons. On the front side, the coat was cut so that it took the shape of a curve at the front and a tail at the back. It also had narrow pockets flaps attached near the back tails. In addition, the sleeves were padded at the shoulders but close fitting on the rest of the other parts (Norris & Curtis, 1988). The living standards in England during eighteenth and nineteenth are portrayed to depend on the propensity of the income that is associated to a certain social class. The ruling class has an executive living standard followed by the mixed colored race and the slaves have poor living standards all social amenities taken into account. Differences in clothing and dressing are clear indication of how types of societies and ... ... middle of paper ... ...Victorian Women's Fiction: Literacy, Textiles, and Activism. Burlington: Ashgate Publishing, Ltd. La Mar, V.A. (1958). English Dress in the Age of Shakespeare. Washington: Folger Shakespeare Library. Lewis, G. (2004). Main Currents in Caribbean Thought: the Historic Evolution of Caribbean Society in its Ideological Aspects 1942-1900. Baltimore: Johns Hopkins University Press ,. Munns, J. and Richards, P. (1999). The Clothes that Wear us: Essays on Dressing and Transgressing in Eighteenth Century Culture. London: Associated University Press, Norris, H. & Curtis, O. (1988). Nineteenth-century costume and fashion. Dower Publishing Inc. Parkins, W. (2002). Fashioning the Body Politic: Dress, Gender and Citizenship. New York: OUP. Yang, S. (2004). Traditional Chinese Clothing: Costumes, Adornments & Culture. Shanghai People’s Fine Arts Publishing House.7
Knight, Franklin W., The Caribbean, The Genesis of a Fragmented Nationalism. 1990 Oxford University Press, N.Y., N.Y.
concern to men of the seventeenth century. Out of the oppressive setting of the seventeenth century
Fashion reflects the attitudes of a society more than any other art form. Like art, fashion is a material record of the ideals that swayed the nations at the time of their creation. Through examining the styles, and tastes of a particular era, we can realize where the interests and priorities of a time lie. As Frank Parsons wrote in his 1920 study, The Psychology of Dress, "There is surly no better field in which to trace the devious paths of human thought than in that of clothes, where man has ever given free play to self expression, in a way which, thought not always a credit to his intelligence, is yet quite true to his innermost self, whether he will acknowledge it or not." Through, tracing and analyzing, side by side, art and fashion, and the effects that one had on the other and society, we can understand the ideals, and interests of European culture, here, through the Renaissance.
"Do not make yourself uneasy, my dear cousin, about / your apparel. Lady Catherine is far form requiring that elegance of dress in us which becomes herself and / daughter. I would advise you merely to put on whatever / of your clothes is superior to the rest / ...she likes to have the distinction of rank preserved" (137 Austen).
Howard, Jean. "Cross-dressing, The Theatre, and Gender Struggle in Early Modern Eng- land." Shakespeare Quarterly 39 (1988): 418-40.
societies to reexamine their view of the Caribbean. In this paper the following topics in The
Lawson, David "History Of Renaissance Clothing - How Today's Fashion Is Affected." 6 Jul. 2011 EzineArticles.com. 16 Nov. 2011
In the early 1800s, France was the sole fashion capital of the world; everyone who was anyone looked towards Paris for inspiration (DeJean, 35). French fashion authority was not disputed until the late twentieth century when Italy emerged as a major fashion hub (DeJean, 80). During the nineteenth century, mass produced clothing was beginning to be marketed and the appearance of department stores was on the rise (Stearns, 211). High fashion looks were being adapted and sold into “midlevel stores” so that the greater public could have what was once only available to the social elite (DeJean, 38). People were obsessed with expensive fashions; wealthy parents were advised not the let their children run around in expensive clothing. People would wait for children dressed in expensive clothing to walk by and then they would kidnap them and steal their clothes to sell for money (DeJean, 39). Accessories were another obsession of France‘s fashion; they felt no outfit was complete without something like jewelry or a shrug to finish off the look and make it all around polished (DeJean, 61). As designers put lines together, marketing began to become important to fashion in the nineteenth century; fashion plates came into use as a way to show off fashion l...
Throughout history an even today, Caribbean scholars contend that Caribbean relations are characterized by an interplay of race, class and gender. Clarke agree with this statement and said that, “The social structure of the Caribbean region is based on differences associated with class, race or colour, ethnicity and culture (Clarke, 2013). These three (3) components of race, class and gender affect each other in one way or the other. In other word, one’s class position may be dependent on his or her race or gender or one’s gender may determine his or her class position in society. It is important to note that the interplay of race, class and gender in the Caribbean differs from island to island. This essay will discuss the extent to which
6. Hammond, Colleen. "Dressing with Dignity - History of Women's Fashion Industry - How to Fight Sexual Revolution and Immodesty in Dress!" N.p., n.d. Web. 18 Dec. 2013.
middle of paper ... ... It also analyzed the influences of modern dresses. As Palmer and Clark (2005) mentioned earlier, both decades are the classic era in fashion history.
From a historic point of view, Western travelers had remarked on the slow pace of lifestyle and fashion change in Turkey and Persia. On the other hand, many people were of the opinion that the western culture is getting out of hand in terms of dressing fashion (Cumming 234). In most cases, change of fashion and dressing style took place hand in hand with economic and social changes. In the developing world, changes in fashion began with the coming of the whites in Middle East. Changes began in the 11th century when the Turks came to central Asia and Far East. In Europe, continuous change in clothing fashion is believed to have started in middle 14th century. It started by a sudden introduction of shortening and tightening of male garments, it further brought the introduction of trousers and leggings that were worn by men (Cumming 235). After the advent of change in men fashion, it was followed by changes in female c...
Though many associate fine cotton with Egypt, According to an Article Titled Ancient Egyptian Clothes on egyking.info “the ancient Egyptians did not cultivate that crop (although they did trade it with the Romans)”(Rashad, A.). Instead, most ancient Egyptian garments were constructed of the oldest fibers found in the world, Linen. Linen is a cellulosic fiber derived form the stem of a flax plant (Gladis, P.J.). The warm climate of Egypt allowed this plant to flourish and grow in abundance across the Nile. Many years ago, ancient Egyptians would harvest the flax plants. Once the fibers were removed from the plant or animal, they were spun and then woven into a linen textile. As stated on womenintheancientworld.com, “Different grades were produced depending on the desired end product. To produce long, useful threads, flax fibers were spun, or twisted together. This produced a long, cohesive thread that was slightly elastic. The finest thread was produced from the youngest plant” (womenintheancientworld.com). Egyptians are often portrayed wearing linen. A popular garments constructed from linen was the loincloth. It would be worn as unisex an undergarment. Sometimes leather loincloths were worn over linen versions. This was seen as a symbol of status amongst the Egyptian community. As mentioned onegyking.info, Leather was often also used for footwear and belts. Both of which we often painted or stained as (Rashad, A.). High societal people typically wore these Leather sandals while commoner wore sandals comprised of wood, palm fiber and goatskin.
Clothing has been around for thousands of years; almost as long as the modern human has. At first, it served the practical purpose of protection from the elements; but, as life for early humans stopped being a constant struggle to survive, they started noticing how they looked and the concept of fashion began to take shape. These first few garments were typically dyed draped cloth that was pinned at the shoulder and/or waist. This was seen in many ancient civilizations around the world, Greek and Roman the most notable. Over time, clothing began to get more and more complex and formed to the body’s shape, eventually leading up to the tailored style we now have today. However, the sophisticated world of Haute Couture; or high fashion, can distinctly trace its roots to Paris during the mid-19th century. Clothing from there was thought to be superior to those from anywhere else, and women began to come from all over Europe just to buy dresses. This was probably due in part to one notable dressm...
Sindney W. Mintz, “The Caribbean as a Socio-Cultural Area,” in M. Horowitz, Peoples & Cultures of the Caribbean (Garden City, N.J., 1971).