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Protest music during the 1960s in US
Protest music in the 60s
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To some, December 6, 1969 may not hold any particular significance. To Rolling Stones front man Mick Jagger, however, it’s remembered as the day the sixties suffered a tragic death. Irrational bikers and terrified fans were not a part of Jagger’s vision when him and his bandmates organized a free concert at California’s Altamont Speedway. Despite incessant warnings that a concert of such a large magnitude was not the best idea, the Stones went ahead with it in light of criticism they’d received regarding their ticket prices being too high. They’d performed for overflow audiences without incident in major cities before, but this crowd of 300,000 was different. A total of four births and four deaths were the result of that evening, one of which was a homicide. The stabbing of Meredith Hunter by Hell’s Angel Alan Passaro happened to be captured on film, and is now the climax of the legendary rock n’ roll documentary Gimme Shelter. Larger cultural discourses shape the way non-fiction narratives are told, and the only entity larger than the notion of disaster within the film is the notion of Jagger as a celebrity. In the words of Amanda Howell, “Jagger's ‘double self’ literally takes center stage in Gimme Shelter. On the one hand, Jagger embodies the freedom, expressivity and hedonism of the countercultural movement, while on the other he appears adept in his relation to "straight" society.” In addition to this “double self,” Jagger can also be described as a commodity in the eyes of his adoring fans. What happened at Altamont was, in a sense, an explosion of tensions that had built up over the sixties; an explosion which Gimme Shelter depicts Mick Jagger to have been shielded from as a result of his three façades. First of all, Jagge... ... middle of paper ... ...ge of people; naked men, topless women, hippies, bums, drug addicts, alcoholics, and everyone in between. As horrific as that night turned out to be, the one thing the Altamont free concert did right was bring together all of these people. Despite his or her differences, each and every person was there for the same purpose - to achieve a state of ecstasy invoked by rock - and this speaks volumes about just how powerful the art of music can be. What makes Gimme Shelter so popular to this very day is that it allows viewers to live vicariously through the film. By shrinking down time and space for our consumption, we are able to relive the pandemonium that occurred at Altamont in as little as an hour and a half. Gimme Shelter documents a rather violent vision of America, one which had been inconceivable to the many sides of Mick Jagger before the catastrophe took place.
In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.
When the word "Woodstock" is mentioned, what do you think of? Perhaps you think of the little yellow bird from the Peanuts cartoons, or maybe you think of a small town in New York. However, you also might know that Woodstock was the largest and most famous of all rock festivals.
Rock n’ roll gave people the voice they did not have in the early years. As the genre of music became more wide spread, people actually began to speak out. Altschuler touches on the exploration of how the rock n' roll culture roughly integrated with replaced and conflicted with preceding cultural values. Many of these values were very touch topics. Besides black civil rights, sexuality were one of the most sensitive t...
In this paper, I want to share the history of Haight Ashbury, and its transition from a small town with nice Victorian homes, to its deterioration in the 1960’s. The importance of a farm in Woodstock, to the Cultural Revolution and how it all spread from there including the role of radio and television in spreading the news of the hippie movement and how an attempt to free culture from its moral ideals and standards only led it with no standards or moral compass, and all they were left with was thought to be an idea of the Summer of Love.
Etheridge Knight’s “Hard Rock Returns to Prison from the Hospital for the Criminal Insane” (1968) effectively illustrates the devastation a group of prisoners’ feel as the state of their hero, Hard Rock, is realized. Though he was once the most fearless of the inmates, he is no longer the man he once was due a lobotomy performed by the doctors. Hard Rock is no typical hero, however, he still represents the hope for a future that all the inmates admire. The loss of hope that comes with the destruction of the inmates’ hero is artfully communicated through Knight’s use of tonal shifts representing the shifts in the inmates’ reaction to this situation, the use of diction in the deification of Hard Rock, and the use of similes to avoid the acceptance
McLeese, Don. “The Spirit of a Rocker.” New York Times. 18 October 1987. Web. 11
Following the great depression, a period of great prosperity overcame America. However, as a side result of this prosperity, many of the ideas expressed by writes of the 1940’s regarding the counter-culture began to die down. In their wake, the traditional ideas of conformity and support of capitalism increased. However, over the course of the documentary “Woodstock”, American ideas on love, profanity, and war are questioned by the Hippie counter-cultural
This article demonstatres how important Kurt Cobain was both as a rock and roll icon and a philosopher. His songs which he recorded himself are still popular today, over 20 years after his death. The author argues how Cobain influences other young artists and his effect on the direction of the music industry.
Not all films which adhere to the classical Hollywood paradigm eschew issues. The film Singin’ in the Rain follows Don Lockwood, a popular silent film actor, as he attempts to maintain his star status during the advent of “talkies”. Lockwood’s journey manifests fame’s capricious temperament, the studio’s commercial interest, and the influence of outside variables on a film. Singin’ in the Rain uses Lockwood’s struggle with celebrity to expose the importance of public image and self esteem.
By the end of Nick Broomfield's controversy-plagued documentary Kurt & Courtney, I think I knew as much about Broomfield himself as I knew about Kurt Cobain or Courtney Love. The film might have begun as a biographical study, exploring the tempestuous tives of Nirvana lead singer Cobain and Courtney Love both before and after their 1992 marriage, but that's not the story it ends up telling. Instead, it becomes the tale of Broomfield's ongoing battle with Love over the making of the film -- her successful efforts to persuade MTV to withdraw funding, her objection to the use of
Big Mama's Funeral Gabriel García Márquez story, Big Mama's Funeral, is a story filled with fantastical scenes and events, much in line with Don Quixote and Candide. The introductory paragraphs of Big Mama's Funeral and Candide sound so similar in voice the two authors could be mistaken for the same. In Candide, one finds a series of episodes that are so far from the truth and yet perfectly explainable. The story of the fate of Dr. Pangloss, the death and resurrection of Cunegund and of her Jesuit brother, and the story of the old woman with one buttock are farcical in the same way as the episodes in Big Mama's Funeral.
FANS OF THE Grateful Dead are big believers in serendipity. So a certain knowing approval greeted the news last year that the band would be donating its copious archive—four decades’ worth of commercial recordings and videotapes, press clippings, stage sets, business records, and a mountain of correspondence encompassing everything from elaborately decorated fan letters to a thank-you note for a fund-raising performance handwritten on White House stationery by President Barack Obama—to the University of California at Santa Cruz. Santa Cruz was understood to be a fitting home not only because it exemplifies the spirit of the counterculture as much as, and perhaps even more than, Berkeley and Stanford, which also bid for the archive, but because
As the dark stadium filled with fire, with the sounds of guns and bombs exploding everywhere, the crazed fans yelled at the top of their lungs. The enormous stage was rumbling with the sound of a single guitar as the band slowly started their next encore performance. Soon after I realized that I was actually at the Sanitarium concert listening to Metallica play "One", I thought to my self, "Is this real, am I actually here right now?" I had a weird feeling the entire time because I had worked all summer to simply listen to music with a bunch of strangers.
were all packed in there liked caged wildcats. I had to move as the crowd