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Discuss the role of iago in othello
Iago's character analysis in othello
Discuss the role of iago in othello
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The Role of Iago in William Shakespeare’s Othello
As in any Shakespearean tragedy, there are opposing forces that bring about the tragic ending. William Shakespeare’s play Othello would not be one without an evil catalyst named Iago. He is a standard-bearer, or an “ancient” to the tragic hero Othello, who was a Moorish general in a Venetian army. In the play, Iago is the Satanic figure in whatever the word "evil" connotes. The word “evil” means that of which is morally bad or wrong, or that which causes harm, pain, or misery (Popkin, par. 1).
There are several traits or characteristics that are common to both Iago and Satan. According Professor William Grace, of Fordham University, “Both Iago and Satan are skilled deceivers, accomplished liars, experts in applied psychology, and in the manipulation of the innocent” (par. 1). Theologically, however, Professor William Grace also generalizes that “Satan creates more havoc, waste, and suffering than Iago” (par. 1). It is true that Satan affects a larger worldwide scale than Iago. However, it could be proven that Iago’s thinking and ways creates an incarnation of Satan in the play. As Professor Andrew Bradley writes, “Evil has nowhere else been portrayed with such mastery as in the characters of Iago” (Brooke par. 4)
Both Iago and Satan also rejected good ideas and beliefs. “The Moor […] is of a constant, loving, noble nature” (Oth. 2.1.310-311); Desdemona is “framed as fruitful/ As the free elements” (2.3.361-362). One can see that Iago recognizes beauty, truth, and goodness in an objective way, and he rejects and wishes to corrupt them. This is proven by the line in which he says, “So will I turn her virtue into pitch, And out of her own goodness the net That s...
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...ls, and immortality, prove that Iago is indeed a Satan figure.
Bibliography:
Works Cited
Bokenkotter, Thomas. Dynamic Catholicism, New York: Bantam Doubleday Dell Publishing Group, Inc., 1985, 1986.
Bradley, Andrew. Shakespearean Tragedy, New York: Meridan Books, 1955.
Brooke, Tucker. “Romantic Iago.” online posting 23 July 98 , 1918.
Grace, William. “Critical Commentary.” online posting. 7 June 1999 Bureau of Electronic Publishing, 1963-1990.
Morrow, Lance. “Evil”. Time. Time Inc., 1991
Popkin, Richard. “Evil” Microsoft® Encarta® 97 Interactive Encyclopedia. © 1993-1996 Microsoft Corporation.
Shakespeare, William. Othello. Mowat, Barbara A., ed. And Westine, ed. New York: Washington Square Press, 1992.
The New American Bible, Stephen J. Hartdegen, O.F.M., S.S.L., gen. ed., Christian P. Cereoke, ed. New York: Catholic Book Publishing Co., 1986.
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
Both Othello and Iago have many different qualities but the ones that are the same are what proves the point of them not just simply being two sides of one coin. Othello had many weaknesses and Iago plays off every single one of them, the “hellish villain”(V, ii, 354) that Iago is killed every living ounce that was left in Othello, and once the truth came to the surface, Othello only wished he could awaken and “arise, black vengeance, from the hollow hell” (III, iii, 507). The fact that Iago had “ensnared [Othello’s] soul and body” (V, ii, 354) made Othello believe that “honesty’s a fool” (III, iii, 436) and his life was over.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Iago debases each other character by contrasting them with items that can without much of a stretch be controlled, while Othello, when he dehumanizes individuals, by one means or another makes them out to be more than human. In like manner, when Iago makes reference to paradise and damnation, he generally portrays how hellfire beats the competition. Othello, then again, realizes that paradise speaks to all that is great and right on Earth thus in the long run tosses himself helpless before his God, making him the unfortunate legend of the
Shakespeare, William. The Norton Shakespear. Othello. Dir. Grenblatt, Cohen, Howard, and Eisaman Maus. (second ed.) New York. 2008.
Wicked, dishonorable, corrupt, villainous, malicious, and vicious all have one thing in common: they define evil. A person or a group of people that display these qualities are often defined as evil beings or creatures. Two people that have many of these characteristics developed within them are Iago from Shakespeare’s Othello and Lucifer from the Bible. Both Iago and Lucifer are developed with many “evil” qualities woven intricately into their character development. The representation of each “evil” characteristic gives them something they have in common, allowing the description and portrayal of both Iago and Lucifer in literature show the audience they share common “evil” characteristics and that they lead to chaos and downfall.
From the very beginning of Shakespeare’s Othello, Iago is held in very high regard within the community in Venice. He is often called “honest Iago” by many people, including his superior, Othello. There is a large juxtaposition between Iago’s character in the beginning of the play, and the general perception at the end of the play, due to Iago’s many character flaws that cause him to create devious plans and a web of deception and lies, spun by his intense anger and hatred. The exposition of Othello holds many indications of the negative traits Iago possesses, and they escalate quickly as the play progresses. There are many points within the play that present Iago falling prey to his issues and therefore lets them control him. Iago’s anger and hatred kept him from dealing with these character flaws and lead to his descent into moral
The Motivations of Iago in Othello Have you ever met a devil who does evil for his own sake? Iago in William Shakespeare's Othello could seem like he has good motives, but I feel that he uses them as his excuses. The first thing that I did was uncover Iago's motives. Iago is the most controversial character in Othello. He is able to keep his true thoughts and motives from everyone.
Is he a heartless man who’s only happiness is to bring sorrow upon others? No, Iago has a just reason for what he does, even though he causes the deaths of Cassio, Emilia, and Desdemona in his search for revenge; Iago is not a heartless fiend, just a man wronged. Fred West addresses the fact of Iago misrepresentation, “It is not sufficient to simply drape Iago in allegorical trappings and proclaim him Mister Evil or a Machiavel or a Vice. Such a limited view of Iago is an injustice to the complexity of his character, since Shakespeare’s studies in personality are acclaimed by psychologists for their accuracy and profundity” (27). West seems to be reminding us that just seeing Iago as the representation of evil within the play of “Othello” is the wrong way to paint him.
In the story of Othello we see how the actions of one man go on to ruin the lives of multiple people. The villain Iago single-handedly creates the tragedy of Othello through his puppeteer like control of the other characters in the play. Iago captivates the audience as his plan progresses. Readers are anxious to know what will happen next in the play. What makes Iago so fascinating is his mysteriousness as a character, his fully devious ways, and how magnificently clever he is in organizing the demise of Othello.
Abbott states "in truth character is what a person is; reputation is what he is supposed to be." (Websters) Is Iago evil? No, he is not. Walter Lippmann says that "evil is not a quality of things as such. It is a quality of our relation to them." (Websters) Iago is not opposed to good (a partial definition of evil) however, he is amoral and malicious.
Shakespeare, William. "Othello". The Norton Shakespeare. Ed. Stephen Greenblatt. New York: W.W. Norton & Company, 1997.
William Shakespeare’s play “Othello”, is play about jealousy, envy, trust, and revenge. In many of Shakespeare’s plays have a bad character who most readers may consider unworthy or irregular, especially with Iago, is probably has the most negative effect on other characters. Although a lot of people may think he evil but he is not that much of an evil human being. He is a normal human and accepted by his society and also a well recognizable character throughout most of Shakespeare’s play. Shakespeare fictionalizes him as an evil character and he became known to readers as sort of Satan and Machiavelli. Even Fred West has criticized people who see Iago as an insignificant person he said:
Iago’s magnificent intelligence and superiority make him a very intriguing character. Iago is not just any villain that comes into a town, with a black cape and knife that scares everyone, he destroys and “kills” by using creative tactics that could only be thought of by someone who is brilliant. He deceives, strategizes, and twists the truth with amazing ease. Iago maintains his on point intelligence by staying completely unconflicted about being evil. Iago is completely committed as he states, “[He will] turn her virtue into pitch, / And… make the net / That shall enmesh them all” (II. Ii. 366-368). Iago is considered a cross between God and the Devil, as shown in the, “Divinity of Hell!” (!!. ii. 356)