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Essay on richard ii
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An essay on richard iii as a character shakespeare
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The image of Richard was to be corrupted by the Tudors for several hundred years, ironically it was this propaganda that immortalized his name. Cheetham (1972) writes that two persons laid the basis for what other writers such as Shakespeare wrote later. The first one was John Rous. The first book he wrote about Richard had a version in Latin and one in English, both finished before Richard’s death. In the English version Rous describes Richard III as a great and notably good ruler and a dispenser of justice with special emphasis on those oppressing the commoners. However, Cheetham (1972) means that, contrary to the English version, the Latin version was still in Rous’s possession after Richard had been deposed in 1485 and in this version the sentence that commends Richard on his virtuous was edited out. Rous then wrote another book, which was dedicated to Henry Tudor, before Rous’ death in 1491 wherein Richard is described as: “The venomous flavor of this tract can be judged from the statement that Richard was born, after two years in his mother’s womb, with a complete set of teeth, and hair down to …show more content…
his shoulders” (Cheetham, 1972, p.198). Neither of these representations are probably true, although the former description of Richard is reasonably closer to the truth from what have been discussed in previous sections and the last description is obviously very far from the truth which only shows of the Tudors determination to blacken Richard’s name. The second person was Polydore Vergil, he was asked by Henry VII to write an anthology of the history of England. In this book Vergil writes that Richard was the culmination of the divine punishment that was the Wars of the Roses and that it was ‘God’s will’ that was being done when Henry Tudor united York and Lancaster (Cheetham, 1972). Religion was a powerful tool in the medieval world and Henry VII being described as a saint whilst Richard is portrayed as ‘divine punishment’ would have helped Henry’s cause considerably and legitimized his usurpation, especially since Henry didn’t have the strongest claim. Lastly, we have the person that most people think about when we talk about Richard III, Shakespeare and his play. In the play Richard is described as a hunchback tyrant with countless murders on his hands that doesn’t care about anyone but himself (Shakespeare, 1597). When Richard’s body was discovered recently he did indeed have a curvature of his spine. However, this curve was from the condition known as scoliosis and would not have made him a hunchback as Shakespeare claims (Jones, 2015). It is therefore reasonable to question everything that Shakespeare wrote, especially since he wrote it to please the granddaughter of Henry VII, Elisabeth I. 6. Conclusion The view of Richard has been heavily influenced by the propaganda spread by the Tudors.
Shakespeare and other less famous writers wrote books to please their new king, whom needed the good publicity after the usurpation. This means that pretty much everything about Richard has been corrupted by this propaganda, most notably his character and how he ruled England. This essay has shown that these accounts of Richard are untruthful and unjust. Richard may not have been a saint, but he was the archetypical ruthless medieval king that is to be expected of him and he was not really that different from other medieval kings. We will probably never know what is really true about Richard III and how he really was, even though we can get a pretty good idea, but he will remain the most famous and controversial king in English history because of the propaganda spread by the
Tudors.
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
Richard III's Usurpation and His Downfall Richards rule was always unstable due to his unlawful usurpation to the throne and his part as far as the public was concerned in the death of the two princes. As a result right from the start he didn't have the trust or support from his country. As soon as he became King people were already plotting against him. After he was crowned he travelled the country trying to raise support by refusing the generous gifts offered to him by various cities. However unknown to him a rebellion was been planned in the South.
To explore connections between texts is to heighten understanding of humanity’s progressing values and the underlying relevant themes that continue to engage societies regardless of context. William Shakespeare’s King Richard III (1592) (RIII) and Al Pacino’s docudrama Looking for Richard (1996) (LFR) demonstrate how opinion is created through comparative study, both explore the struggle for power within differing contexts to determine the duplicity of humanity. Ultimately, despite the divergent eras of composition and textual form, these connections expose the relevant social commentaries of their composers, highlighting innately human values, which remain constant.
Anne is quite like a modern woman in the way that if a man tells her
In this play of challenge and debate, could it be possibly suggested that King Richard had a part to play in the murder of his uncle the Duke of Gloucester? Could the reader possibly pick up this assumption having known nothing about the play? These are all factors that one must find by reading in between the lines, noticing and understanding the silence that is exchanged. For the silence is just as important as the speech.Why is it assumed that King Richard II has anything to do with the murder? Let us review a scene from the play were Gaunt accuses Richard of being accountable for Gloucester's death.
...e was also writing in Tudor England and seemed to have openly dislike Richard III. In other portions of his writing he describes Richard as an unattractive deformed man who was born with a full set of teeth. He writes that he had a “sour countenance , which seemed to savour of mischief, and utter evidently craft and deceit.”
Richard had weakened since he had become king and was no longer ruthless as he had no reason to be ruthless. He had got what he wanted and was pleased with himself. He thought he was invincible, and he was too confident, which cost him his life. If he had been more careful, he would have been aware of the danger that lied before him. But, he did use some similar techniques in both the scenes.
King Richard II is Shakespeare's example of a king who removes himself from the reality of the common people. Richard views his position as a source of amusement. His "cares" as King, other than an opportunity for an agreeable audience, are merely a burden. Instead of investigating the accusations of treachery from Henry and Mawbrick, he exiles both men as an easy way out. Richard was born a King, and knows no life other than that of royalty. Unfortunately the lesson that must know men to rule them costs him the thrown. Richard's lesson influences his usurper and his usurper's heir to the thrown, demonstrating to them both the value of humility.
... bloody pathway to kingship. Filled with scorn against a society that rejects him and nature that curses him with a weakened body, Richard decides to take revenge and ultimately declares a war between himself and the world. By achieving goals for the mere sake of self-advancement, a self-made hero, an ambitious king, and an atrocious villain were created. Richard assumes that love forms a bond which men can break, but fear is supported by the dread of ever-present pain (Machiavelli ch. XXIV); thus, for true success the hero must be a villain too. Richard III becomes one of literature’s most recognized anti-heroes under the hands of Shakespeare as he has no objective or thought to take up any other profession than the art of hatred; however, ironically being a representative of a heroic ruler sent by God, he is made to commit murder to redeem society of their sins.
Written during a time of peace immediately following the conclusion of the War of the Roses between the Yorks and the Lancasters, William Shakespeare’s play Richard III showcases a multi-faceted master of linguistic eloquence, Richard, Duke of Gloucester, a character who simultaneously manages to be droll, revolting, deadly, yet fascinating. Richard's villainy works in a keen, detestable manner, manifesting itself in his specific use or, rather, abuse of rhetoric. He spends a substantial amount of time directly interacting and therefore breaking the fourth wall and orating to the audience in order to forge a relationship with them, to make members not only his confidants of murderous intentions, but also his accomplices and powerless, unwilling cohorts to his wrongdoings. Through the reader’s exploration of stylistic and rhetorical stratagem in the opening and final soliloquies delivered by Richard, readers are able to identify numerous devices which provide for a dramatic effect that make evident the psychological deterioration and progression of Richard as a character and villain.
Shakespeare Richard III was a traitor, a murderer, a tyrant, and a hypocrite. The leading characteristics of his mind are scorn, sarcasm, and an overwhelming contempt. It appears that the contempt for his victims rather than active hatred or cruelty was the motive for murdering them. Upon meeting him he sounds the keynote to his whole character. " I, that am curtailed of this proportion, cheated of feature by dissembling nature, Deform'd, unfinish'd sent before my time Into this word scarce half made up"( 1.1.20-23)
From the outset of the play, it is obvious that Richard subscribes to the majority of the Machiavellian principles. Certainly, he is not ashamed or afraid to plot heinous murder, and he does so with an ever-present false front. "I do mistake my person all this while,"1 he muses, plotting Anne's death minutes after having won her hand. He will not even entertain the ideas in public, demanding they "Dive...down to [his] soul."2 He knows that he must be cunning and soulless to succeed in his tasks. Richard also knows it is essential to guard against the hatred of the populace, as Machiavelli warned.
Wars of the Roses were not suitably displayed. The participants in Shakespeare’s Richard III were Henry Tudor, Clarence,
Henry IV is a play that concerns itself with political power and kingship in English history. References to kingship are prevalent throughout the play, especially in the depiction of the characters. Although most of the characters in this play could teach us about kingship, I would like to focus my attention to Prince Henry. I think that this character helps us to best understand what kingship meant at this particular time in history.
In spite of the weaknesses, Ivanhoe and King Richard demonstrate true chivalric characteristics. They exemplify integrity, loyalty to the king, a love for adventure and bravery. Through this book, the reader learns the meaning of moral guidelines due to the examples set by King Richard and Ivanhoe. These examples challenge us to search for our own moral guidelines. Without these, we have nothing to strive for.