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Shakespeare and his treatment of kingship
Shakespeare and his treatment of kingship
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Expectations of Kingship in Henry IV by William Shakespeare Henry IV is a play that concerns itself with political power and kingship in English history. References to kingship are prevalent throughout the play, especially in the depiction of the characters. Although most of the characters in this play could teach us about kingship, I would like to focus my attention to Prince Henry. I think that this character helps us to best understand what kingship meant at this particular time in history. First, it is important to get a background on Prince Henry and his lifestyle. He is not what you would consider a typical prince. Instead of making appearances as the royalty that he was, he would frequently be seen at the local bar drinking with the common folk. Due to his unacceptable behavior, he has acquired a bad reputation throughout the land, and even with his father, King Henry IV. His character is even further discredited because of the low-life drunks that are his friends. As you can see, Prince Henry is not as proper and well behaved as you would expect with nobility. King Henry was not very proud or accepting of his son. This is shown very early in the play when he speaks about him to Westmoreland. The king states: Yea, there thous mak’st me sad, and mak’st me sin In envy that my Lord Norhtumberland Should be the father to so blest a son; A son who is the theme of honour’s tongue, Amongst a grove the very straightest plant, Who is sweet Fortune’s minion and her pride; Whilst I by looking on the praise of him See riot and dishonour stain the brow Of my you Harry. O that it could be proved That some night-tripping fairy had exchanged In cradle-clothes our children where they lay, And called mine Percy, his Plantangent (EL 486)! Basically, the King is saying that he is very envious of Lord Northumberland’s son (Hotspur), because he is so honorable and praiseworthy. He wishes it could be proved that a fairy exchanged their children because Hotspur was a well-noted warrior, while his son was disreputable low-life. We see Prince Henry being compared to Hotspur many times in this play. I think that it is trying to show how Hotspur is the true example of royalty, not Hal. When King Henry talks to his son in Act 3, Scene 2, he lets him know how he feels that Hotspur is more worthy of the throne then he is.
Hal’s remark to his father indicates a now strong, independent mind, predicting that Douglas and Hotspur will not accept Henry’s offer because of their love for fighting. Henry’s reply in turn indicates a change in attitude towards his son, a newfound respect. Acknowledging Hal’s prediction, the king orders preparations to begin, and we see he has his own set of solid moral values: knowing that their ‘cause is just’ helps him to reconcile with his highly honourable conscience that there is indeed cause for war. Still maintained is the conflict between the very format of the text, with Hal and Henry’s conversation held in formal verse typical of the court world, in which Hal is now firmly embedded. Falstaff, however, sustains his equally typical prose speech, which indicates to the audience the enduring division between the court and tavern worlds.
Prince Hal’s destiny is shaped for him by many forces: his association with the ne'er-do-well Falstaff, the expectations of his father, King Henry IV, and the constant comparison between himself and Hotspur. All three of these forces create in Hal a sense of honor that is an integral part of his education as the ideal king, and throughout the action of Henry IV, Part I, Hal is gaining a knowledge of honor that will shape him into the King that he will become. However, it seems that Hal ultimately chooses one form on honor over the other, although he must compare the honor of Falstaff and the conceptual honor of a chivalric hero before he comes to a final conclusion.
When we look at Henry as a king we have to look in the context of
I side with Loades on this as despite resentment from the nobles, after the Perkin Warbeck imposture there were no more serious uprisings which strongly support the success of Henry’s policies. Whilst most nobles would see his methods as unjust (especially the wide of use bonds and recognisances) Henry succeeded in increasing the crown’s standing at the expense of the nobility, securing his position whilst weakening the nobles. Through most of his policies Henry was successful in limiting the powers of nobility. Henry sought to restrict the noble’s power and yet at the same time needed them to keep order and represent him at local levels, therefore Henry sought not to destroy the nobles but to weaken them enough that they did not pose a threat, he needed a balance of control over the nobles and strong nobility.
In the play Henry V written by Shakespeare. Henry was presented as the ideal Christian king. His mercy, wisdom, and other characteristics demonstrated the behavior of a Christian king. Yet at the same time he is shown to be man like any other. The way he behaves in his past is just like an ordinary man. But in Henry’s own mind he describes himself as “the mirror of all Christian kings” and also a “true lover of the holly church.
Hal isn’t as interested in gaining honor for its own sake as he is in forcing Hotspur to render up all of his. This scene displays how Hal is honorable for himself and for himself only.
One of the key words in his dialogue is 'honour' because in Elizabethan times honour was bound up with ideas of nobility and manliness. Henry has constant reference to the divine, to get permission for his actions, 'God's will.' Additionally there is various uses of semantic fields, associated with religion, God, covet, honour and sin; all taken from the bible. Henry applies a very close relationship term, 'cuz.'
Henry V is not a simple one as it has many aspects. By looking into
In Henry V, the actions of King Henry portray him as an appalling leader. Among Henry's many negative traits, he allows himself to be influenced by people who have anterior motives. This is problematic because the decisions might not be the best decisions for the country, or neighboring countries. The bishops convinced Henry to take over France because they would be able to save land for the Church. Henry doesn't have the ability to accept responsibility for his actions, placing the blame on others. Before Henry begins to take over a French village, he tells the governor to surrender or risk having English troops terrorize civilians. This way, if the governor declines, it would be the governor's fault for the atrocities that would occur. Henry has gotten his troops to go along with the take over by manipulating them. He tells the soldiers that what they're doing is noble, and that they should be proud. In fact, they're attacking another country in order to conquer it. Henry's character comes off as coldhearted and careless. Henry shows ruthlessness towards civilians, threatening them with atrocities. He's careless with his soldiers, thoughtlessly allowing their executions, or playing hurtful games with them.
The relationship between a father and his son is an important theme in Shakespeare's Henry IV, Part One, as it relates to the two main characters of the play, Prince Hal and Hotspur. These two characters, considered as youths and future rulers to the reader, are exposed to father-figures whose actions will influence their actions in later years. Both characters have two such father-figures; Henry IV and Falstaff for Prince Hal, and the Earl of Northumberland and the Earl of Worcester for Hotspur. Both father-figures for Hal and Hotspur have obvious good and bad connotations in their influence on the character. For example, Falstaff, in his drinking and reveling, is clearly a poor influence for a future ruler such as Prince Hal, and Worcester, who shares Hotspur's temper, encourages Hotspur to make rash decisions. The entire plot of the play is based on which father-figure these characters choose to follow: had they chosen the other, the outcome would have been wholly different.
King Henry IV is saddened and ashamed of Harry’s drinking and stealing and wonders if he will ever become a capable leader. King Henry IV even questions if some...
...der to maintain success. King Henry showed that he is restricted to one language which resulted him to not gain the lower class power and it then lead him to focus on his political status. On the other hand, Hal presented himself to the viewers as a friendly character, yet he sustained to manipulate and lie to others to achieve his goals. Henry IV n, Part 1 presents the idea of political power and the different characteristics leaders follow. The lesson for audiences, then, is to develop relationships with different people who will expand one’s area of inspiration and the ability to advance success. One can learn from the mistakes of King Henry and remember to be visible and properly positioned, so society can see one’s strengths and talents.
middle of paper ... ... In conclusion, the character of Henry dominates the play throughout. overshadowing the other characters in the story. He is a religious man, reinforced.
Shakespeare, William. "Henry V." The Norton Shakespeare: Histories. Eds. Stephen Greenblatt, Walter Cohen, Jean E. Howard, and Katherine Eisaman Maus. London: Norton, 1997. 726-795.
He is happy being a drunkard and someone who indulges what he wants. But he also realizes that it is not the type of life that a prince, or a king, should associate himself with, which leads him to his pleading—another reason the scene is prophetic. He pleads with Henry about his morality, much like he will do later in the play and in Henry IV: Part II. Though the play extempore is supposed to prepare Henry for his encounter with his father. Falstaff realizes it may be a good time to practice the inevitable encounter that he will have with Hal once he becomes king. This argument can be further developed when one realizes that it was Falstaff that called for the play extempore, not Hal. Falstaff knew he wanted a trial run before Hal’s kingship, so he gave himself one. However, Hal’s only reaction to Falstaff’s final speech is his line, “I do, I will” (2.4. 465). Some may take this as his answer to Falstaff that he will pardon him, and continue to be his friend. But the argument could be made that Hal is saying that line more to himself than to Falstaff. He is saying that he will do what’s necessary to be a good king. That he does have what it takes to leave a life he enjoys for a life of