Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Psychoanalysis theory in oedipus the king
Psychoanalysis theory in oedipus the king
Psychoanalysis theory in oedipus the king
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Psychoanalysis theory in oedipus the king
The paper seeks to interrogate the motives of power as sought by the principal characters in Soyinka’s Madmen and Specialists, using psychoanalytic critical tools. Soyinka’s play highlights the challenges inherent in a system made dysfunctional by misguided leadership. The protagonist, Bero, appears to hanker after inordinate desires of power and omnipotence, and in the process orchestrates disruptive processes within the polity. So strange and inexplicable are his actions that they invite comparison to Freud’s idea of Oedipus complex, an unnatural phenomenon of predilection for domestic sexual crises and homicide. The renowned French psychoanalyst, Jacques Lacan, has extended the Freudian examination of this tendency to the wider spheres of social and political life, which helps to provide insight into Soyinka’s Faustian protagonist. By analyzing Dr Bero’s enigmatic behavior in the play as an Oedipal phenomenon, it is possible to make some sense out of what ordinarily is a confounding character. Moreover, it also helps to clarify the vexed question of leadership and power that so often recurs in Soyinka’s oeuvre.
Key terms: Power, Practice, Leadership, Oedipus complex, psychoanalysis.
Introduction
In many ways, Soyinka’s Madmen and Specialists lends itself to discussions of power and leadership.
…show more content…
This history is in the form of a missing key family member, which constitutes a ‘Lack’, in the Lacanian sense of the term, a lack or absence that may have negatively impacted the protagonist’s psyche. The absence of a mother in the life of Dr Bero appears to create a void in his life that is evident in his eccentric behaviour. All this is because, as psychologists have cautioned, the role of parents in the formation of the selfhood of the individual person cannot be
In John Connolly’s novel, The Book of Lost Things, he writes, “for in every adult there dwells the child that was, and in every child there lies the adult that will be”. Does one’s childhood truly have an effect on the person one someday becomes? In Jeannette Walls’ memoir The Glass Castle and Khaled Hosseini’s novel The Kite Runner, this question is tackled through the recounting of Jeannette and Amir’s childhoods from the perspectives of their older, more developed selves. In the novels, an emphasis is placed on the dynamics of the relationships Jeannette and Amir have with their fathers while growing up, and the effects that these relations have on the people they each become. The environment to which they are both exposed as children is also described, and proves to have an influence on the characteristics of Jeannette and Amir’s adult personalities. Finally, through the journeys of other people in Jeannette and Amir’s lives, it is demonstrated that the sustainment of traumatic experiences as a child also has a large influence on the development of one’s character while become an adult. Therefore, through the analysis of the effects of these factors on various characters’ development, it is proven that the experiences and realities that one endures as a child ultimately shape one’s identity in the future.
The lack of paternal figures along with cultural expectations and stereotypes influenced the life and decisions made by Yunior, the protagonist in Junot Diaz’s Drown.
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
Confessions of an Erstwhile Child is an essay which analyses the concept of the nuclear family. At first the author explains the ideas of Thomas More’s Utopia, but afterwards narrows his content by going into explaining his thoughts on children raised in dysfunctional families. He very cleverly shows the reader part family model’s with current ones, allowing his audience to make the decision for themselves. His tone is a logical philosophical. The reader is told of his depressing childhood growing up in a dysfunctional family, and how it had a profound effect upon his life. The author uses his own personal experience and knowledge to express his opinions on his topic, but really doesn’t use much inference to other cases or factual evidence to back up his argument. All and all, the author wrote an essay which would prove to be thought provoking and well organized.
When this story is viewed through Sigmund Freud’s “psychoanalytic lens” the novel reveals itself as much more than just another gory war novel. According to Sigmund Freud psychology there are three parts of the mind that control a person’s actions which are the id, ego, and superego. Psychoanalysis states that there are three parts of the human mind, both conscious and subconscious, that control a person’s actions. The Id, ego, and
In “A Hunger”, “The Penal Colony”, and Metamorphosis by Franz Kafka, Kafka succeeded in showing his individuals as obsessed with their profession; however their obsession caused their doom because society asks so much from an individual, only so much can be done. However, regardless of that, these individuals choose their work over themselves, and not even bad health or death can stop them. Because society places immures pressure on Kafka’s work obsessed character, they neglect their well-being and cause their own downfall.
The account of Berengaria's life ends here, but the few known facts about her raise more questions than answers. An unanswered question relates to her marriage, which gives no evidence that her husband ever had any deeper attachment for her than total indifference.
Perhaps deep-seeded in the flesh that is humankind, lies a poison, villous and infected, whose venom devastates that which is humanity. Indeed, it is a serpent, reducing its victim’s soul to a pathetic shamble of indignity and wrath. Gently caressing its prey’s bones, it slithers here and there, clenching and compressing, ignoring any pleas for mercy. Gradually, it tightens, smothering and slaughtering the purity of human. Indecency plays no mind for the serpent, for it does not act from courage, but rather for authority. Truly, evil has taken the body that once was. Corruption of the mind and soul, however, does not stand unchallenged. Indeed, and quite possibly the miracle that is as equally a part of humankind, stands a fender of evil: There stands conscience. A concrete state of the mind that demands attention; conscience makes room for a moral compass, fighting the powers of inner-barbarity. Conscience may in fact be the humanizing factor, as it makes room for choice. Quite evidently, human would crumble without the freewill that is choice. It tempts us with morality and the freedom of benevolence, while reminding us of the serpent, praying patiently, waiting to strike. This curious balance of wickedness and conscience is no new concept to humankind. As creatures infatuated by our own existence, humans crave knowledge of our own reality. Consequently, countless magnificent literary pieces have been devoted to the study of actuality; most recognizably Shakespeare’s sixteenth century play Hamlet. The play cements itself as a fundamental and relevant piece of literary work in modern study because of its enticing themes, strong entertainment value and intricate characterization. At large, the play draws insight into the depths of...
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
Early in the film , a psychologist is called in to treat the troubled child :and she calmed the mother with a statement to the effect that, “ These things come and go but they are unexplainable”. This juncture of the film is a starting point for one of the central themes of the film which is : how a fragile family unit is besieged by unusual forces both natural and supernatural which breaks and possesses and unites with the morally challenged father while the mother and the child through their innocence, love, and honesty triumph over these forces.
While the intriguing nuances of Hamlet’s insanity provide an interesting outlook on the play, it cannot be ignored that this has been the preferred representation of Hamlet throughout the years of its production. The ‘mastermind’ theme not only represents a perspective on Hamlet (as a play) not commonly found in many productions, but it also captures a totally different underlying theme of cleverness and engineering which makes little appearance in the more traditional insanity interpretation that focuses on emotional turbulence and internal conflict.The mastermind‘ interpretation also features much more depth than the insanity reading, and is much less apparent in the original text, creating an unclearness of Hamlet’s true intentions that far surpasses the depth of any story elements offered by the opposing
...d leads to the deaths of many innocent characters and strips away each person’s individuality and trust, all for attaining power and recognition. Othello is not only a tragedy, but also an important reminder of how people are easily deceived to gain power and recognition. Shakespeare’s Othello stands as a warning to all generations. Some historians agree that William Shakespeare may have been one of the first psychologists in human history, since it enabled him to create a devious and Machiavellian character like Iago. Today, we study about psychopathic historic people like Adolf Hitler who annihilated millions of Jews in the name of revenge. It is in human nature to be vengeful and to attain what one desires. As said by Ghandi “An eye for an eye would make the world blind.”
Moreover, even as the son attended Exeter, she drove up with the family for Parent’s Day and provided a plethora of her cooking; the son then noticed that “beneath the face of her worry, I thought my mother was smiling” (3857). No matter how disconnected the son was from the family when he attended a boarding school, when they were together there was an ultimate bonding experience. Additionally, whenever he came home, she made kalbi (3857). As mentio...
The ideas used to interpret this play are not classically Freudian, but rather a more contemporary understanding of psychodynamics as influenced by modern existential theory. The ideas of Ernest Becker, one of the more influential figures in the new psychoanalysis, are used throughout this psychological examination.
Berie 's personality did not change from the time she was a child to adulthood. Strongly influenced by what Sigmund Freud refers to as the phallic stage, a shift in personality is simply impossible. Freud defined five psychosexual stages of development, phallic being the third (Freud, 1905). During development, Berie went through what is called the Electra complex; the only way to resolve this complex is to adopt feminine characteristics, so she mimicked her mother (Freud, 1913). While growing up, Berie did not get the affection or attention that she yearned for, and every child should rightfully receive. Carl Jung would argue that The Mother archetype was unfulfilled and became a complex (Jung, 1947). The complex manifests itself as a fixation,