Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The importance of theatre and its role in society
Importance of theatre
Importance of theatre
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The importance of theatre and its role in society
The presence of Drama in the form of performative elements both dramatic and theatrical in almost every society throughout civilization is predominant. In the past the function of dramatic performance was evident in the rituals which witnessed enactments that portrayed the culture, beliefs and social being of a particular community. However in due course of time these enactments of rituals and ceremonies ceased to exist whereas dramatic performances were enacted simply for the sake of enjoyment and entertainment. Yet as the years go by the dramatist and playwright saw something else beyond ceremonies and entertainment. Drama was then viewed as an effective medium for the portrayal of real life itself while its objective circulated around creating …show more content…
Most of his themes are based on real life situations while his characters are portrayed in the most realistic manner possible. The play ‘Kamala’ was actually inspired by a real life incident – the Indian Express expose’ by Ashwin Sarin , who like Jaisingh in the play , bought a girl from a rural flesh market and presented her at a press conference to expose a flesh trade racket. In another play , ‘Sakharam Binder’, Tendulkar exposes another masochistic practice whereby men arranged contractual cohabitation based on convenience with single women who have been deserted by their husbands or have walked out on them. Such men would bring home wives, have their way with them for a certain period of time, ill treat them and throw them out when they have had their fill. The concept of extra – marital affairs and unmarried pregnancy which is also colored with realism forms another subject matter of Tendulkar’s plays. ‘Silence the court is in session’ portrays this social taboo where even in real life is unacceptable in our society. In the real India the woman is expected to adhere to the rules and norms of society whereas the man is endowed with the right to indulge himself irrespective of his marital status or his relationship with the woman. Leela Bernare’s trial is evident of the actual reaction that a typical …show more content…
Each play tells the audience or the reader of a pre dominant problem that infects the middle class Indian society. In ‘Kamala’ although Jaisingh’s action of purchasing Kamala at a flesh trade market seems to portray him in a positive light yet his intentions say otherwise. His aim to expose the flesh trade racket was clearly secondary while the primary objective was simply to boost his image and career as a journalist. Even in modern day most organizations dealing with journalism and mass media seem to be interested in what sells rather than the truth where the singular motive is to improve their ratings at any cost, be it at the expense of an individual’s prestige. On the other hand, in the play ‘Sakharam Binder’, Tendulkar deals with another regular social problem which is domestic violence. The ill treatment that Lakshmi faces in the hands of Sakharam physically, mentally and emotionally brings us face to face with the ordeal that an abused ‘kept woman’ experiences day after day. Sakharam views Lakshmi not as a human but an object of gratification whose sole purpose is to fulfill his every need. Tendulkar shows the dehumanization of a woman which is an everyday affair in the middle class Indian society, where she is regarded more like an object with a limited utilization period. The cynical and negative attitude of the Indian society
In Euripides’ tragic play, Medea, the playwright creates an undercurrent of chaos in the play upon asserting that, “the world’s great order [is being] reversed.” (Lawall, 651, line 408). The manipulation of the spectators’ emotions, which instills in them a sentiment of drama, is relative to this undertone of disorder, as opposed to being absolute. The central thesis suggests drama in the play as relative to the method of theatrical production. The three concepts of set, costumes, and acting, are tools which accentuate the drama of the play. Respectively, these three notions represent the appearance of drama on political, social, and moral levels. This essay will compare three different productions of Euripides’ melodrama, namely, the play as presented by the Jazzart Dance Theatre¹; the Culver City (California) Public Theatre²; and finally, the original ancient Greek production of the play, as it was scripted by Euripides.
For this paper, I will be focusing on Erving Goffman’s concept of dramaturgy. Erving Goffman was a sociologist who studied social interaction, and is well known for his work on ‘the self.’ His book, Presentation of Self, continues to be an important and relevant book in sociology since it explains by social interaction within humans is important. In his theory, Goffman explains that people are like actors performing on a stage because of how they live their lives. Drama is used as a metaphor for how an individual presents their self to society. In his work, Goffman explains that ‘the self’ is the result of the dramatic interaction between the actor and the audience he or she performs to. There are many aspects of how an individual performs his or her ‘self’.
The eunuch is an integral part of the 18th century play The Mogul Tale, by Elizabeth Inchbald. He serves a historical role by being the Mogul’s advisor, watchman, and, most importantly, harem guard. Eunuchs are generally defined as castrated males and are thus excellent choices to guard the Mogul’s women – no fear of the guard taking the ladies for himself. Inchbald reinforces these noble positions by showing the eunuch as the Mogul’s “right-hand man”. But with the passing of time these traditional roles have died along with the people who embraced them. Eunuchs now exist in an India that has all but forgotten their position as protectors. They are now part of a larger, marginalized group that exists on the fringe of Indian society - the hijras1.
When Rape of Sita was first published it was immediately attacked because of the title linking the Hindu goddess Sita, who symbolized chastity, to the word “rape.” Even though Collen’s novel does focus around political struggles, literature is not politics. However, literature is able to be a form of social action. What is literature is it doesn’t post those crucial questions that get humans thinking? Collen believes in reflecting on concrete situations and posing moral dilemmas in literature. For her it is a way to share experiences towards the “other” (Williams 201). The Rape of Sita is a part of a postmodern turn to ethics. Where it uses language to make political comments suggesting a new perspective on history. Williams examines how The Rape of Sita calls for that change in attitudes through its narrative structure and symbolism. Which in turns allows for the story of rape to be told differently.
Mahesh Dattani writes on the burning issues that beset the post-independence Indian society, whether it is communal discord, politics and crime, growing homosexuality or the gender bias. He uses stage to condemn many of the drawbacks prevailing in society. His plays depict marginalized groups of society, people who are considered misfits in a society where stereotyped attitudes and notions reign supreme. His plays have varied content and varied appeal.
In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.
A few upper caste youths, hiding behind parapet of the building in an opposite auction place, stoned the pot. “C-r-a-ash” a sound Teeha heard. The youths struck Methi’s pot and her whole body became drenched completely. It is her caste that is her flaw. By the time, Teeha moved towards Methi as soon as the pot shattered. Methi’s companions stood at some distance from them. Mathi was wet from head to feet. She stood rooted to the ground. The upper caste youths’ eyes roved over Methi’s breast and navel visible through her wet clothes, because the woman was an untouchable’s community in that village. So the upper caste youths wanted to humiliate her in public place. Look at this caste that became a weak and means of under-estimation. Teeha, a Dalit and an outsider, has openly hit a Patel youth that is a burning issue. But a low-caste girl was assaulted which is considered as sign of upper caste
On a smaller scale, Ghosh presents a narrative rich with culture, and it appears that not a single detail was overlooked. Calcutta as a location is not only a backdrop, but is a central, crucial character. The camera navigates through the city of Calcutta, India, developing at once both the main characters on screen, and the city in which they traverse. As Vidya’s story and actions raise in climactic fashion, so too does the city; it is a reflection of Vidya’s own increasing anxiety and turmoil. There is a minor detail in the police station that many might overlook: a crime board. The board lists out t...
Garg in ‘Hari Bindi’ discusses the story of a common woman and made it extraordinary by the active force she was experiencing in herself to live her life. The husband of the protagonist symbolises the power and control of patriarchy that had restricted her life in such a way
Theatre will always survive in our changing society. It provides us with a mirror of the society within which we live, and where conflicts we experience are acted out on stage before us. It provides us with characters with which we identify with. The audience observes the emotions and actions as they happen and share the experience with the characters in real time.
The novel Delhi penned by Khushwant Singh is a story that compasses both the loftiness and messiness of the city that it tries to reveal through an irrational sentiment. A city that has seen no less than seven rounds of complete decimation and amusement, Delhi, the capital of India, is a city of society and disaster, of pomposity and ability, of journalists and aggravations, of legislators and examples of piety. To catch the show and unmanifest appearances of Delhi obliges a canvas that delights and disgusts in equivalent measure. Maybe Khushwant Singh knew of this part of his dearest city, when he made a ribald, old, delinquent hero, in veneration with a hijra (enunch) prostitute, as the individual attempting to depict his friendship detest association with that whore and this city. While the important storyteller busies himself with curious sexual acts with his half-man, half-lady accomplice
Indian Writing in English has a special status in English Literature owing to its treatment of women characters. Short stories help the writers to project select characters in an impressive way to the readers. In Indian context the status of woman in a society and her treatment is very different from those of her European or American counterparts. Women are depicted both as a good and evil in literature by various writers. However, in no literature is a women stereotyped as was done in Indian literature. Away from the mythical stereotyping of women, Ruskin Bond portrayed his women in a different way. The female characters of his short stories range from a small child to a grandmother. These characters are as powerful as men and have left a strong impression on the readers. I have chosen following eight short stories for the critical analysis of Ruskin Bond’s Women in this paper.
In the present play Vijay Tendulkar chooses a term of judicial register as the title of his play to make a powerful comment on a society with a heavy patriarchal bias that makes justice impossible and that converts the august judicial system into an instrument of oppression of women and the vulnerable. Ideally justice can be provided only if the judge and the judicial system are objectively detached. But the same objective detachment can become the face of a very repressive and dehumanized system if the persons involved in the process of justice are themselves devoid of human value and compassion.
Theatre first came about from all different cultures acting out part of their bible, or performing rituals to the Gods. It was not until the middle ages when dramatists wrote about all aspects of life. Theatre has therefore changed continuously to suit the demands of each new age for fantasy, spectacle, or serious drama.