Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Postmodernism In Literary Criticism
Postmodernism literary criticism
Postmodernism literary criticism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Postmodernism In Literary Criticism
Being Divergent was not her choice, it was her fate. In the book Divergent by Veronica Roth, Beatrice “Tris” Prior has to go on an intriguing adventure to find herself. She is torn between finding herself through who she is, and who everyone else wants her to be. The book’s setting takes place in a dystopian version of present-day Chicago, where the people must be placed into factions based on who they are supposedly supposed to “be”. This shows how government control comes into terms with a Utopian-type society. The factions also exert the struggle with one’s own identity, self-versus social. These themes are constantly exposed throughout the book. Veronica Roth wanted to uncover through literature how post-modernism is beginning to become more and more common. The distrust level in the government is rising as they create more power for themselves to render upon us and our civil liberties. In this present day, it is extremely hard to find oneself, but what if the government controlled every aspect of this process? How difficult might it become then? Roth uses Tris as an example to utilize this throughout the intensifying Divergent. All of these pieces of the puzzle play a key role in helping Tris overcome her journey of discovering where she truly belongs.
Divergent does not exactly take place in a faraway kingdom with fairy tale like endings. The book is set in a dystopian version of present-day Chicago. The government controls absolutely everything: the home, the workplace, and the people. Veronica Roth wanted it to be completely clear that the city was meant to be a Utopia, but it was not exactly anyone’s “perfect” society. According to Alistair Fox, “a Literary Utopia may be defined as the representation of an idea, nonexist...
... middle of paper ...
...opia: An Elusive Vision. New York, NY: Twayne Publishers, 1993. 11, 12.
Print.
Garity, Joshua. “Crossroads: Making Life Changing Decisions.” Joshua Garity. N.p, N.d. Web.
28 April 2014.
Giddens, Anthony. Modernity and Self-Identity: Self and Society in the Late Modern Age.
Standford, CA: Stanford University Press,1991. 187-201. Print.
Levitas, Ruth. The Concept of Utopia. Great Britain: Peter Lang International Academic
Publishers, 1990. 36. Print.
Muench, Frederick. “The Burden of Choice.” Psychology Today. N.p., November 1, 2010. Web.
29 April 2014.
Olson, Eric T. “Personal Identity.” Stanford Encyclopedia of Philosophy. N.p., 2010. Web. 22
April 2014.
Roth, Veronica. Divergent. New York, NY: HarperCollins Publishers, 2011. Print.
Shoemaker, David. “Personal Identity and Ethics.” Stanford Encyclopedia of Philosophy. Broadview Press, 2010. Web. 22 April 2014.
Longstaff, Simon. "Australian Identity." Ethics.org.au. St. James Ethics Centre, Dec. 1995. Web. 16 Aug. 2011. .
There are many factors that lead to the development of an individual’s identity. Franz Kafka’s “The Metamorphosis” illustrates an extreme change in Gregor Samsa’s external identity and the overall outward effect it has on the development of his family. While James Baldwin’s “Sonny’s Blues” illustrates a young man struggling to find his identity while being pushed around by what society and his family wants him to be. Both of these characters exhibit an underlying struggle of alienation but both also demonstrate a craving for belongingness. This conflict of trying to belong to something as well as satisfying the needs of society, has directly impacted their own individuality and the lives of the people around them.
Imagine having your personality given to you the minute that you are born. Factions; a way to separate people into groups by an outcome of a test. In this Utopia, your faith and future is already determined. Where perfection is ideal. Divergent by Veronica Roth is an exciting science fiction and thriller with a quickly moving plot that builds an exciting tone, and a point of view that is told through Tris in a unique way since she is like no one else in the story.
Porus, V. N. "Identity of the Ego: Conflicting Interpretations." Cultural-Historical Psychology 3 (2011): 27-35. Print.
Cahn, Steven M. and Peter Markie, Ethics: History, Theory and Contemporary Issues. 4th Edition. New York: Oxford University Press, 2009.
Shafer-Landau, R. (2013) Ethical Theory: An Anthology (Second Edition). West Sussex: John Wiley & Sons, Inc.
In his 1971 paper “Personal Identity”, Derek Parfit posits that it is possible and indeed desirable to free important questions from presuppositions about personal identity without losing all that matter. In working out how to do so, Parfit comes to the conclusion that “the question of identity has no importance” (Parfit, 1971, p. 4.2:3). In this essay, I will attempt to show that Parfit’s thesis is a valid one, with positive implications for human behaviour. The first section of the essay will examine the thesis in further detail, and the second will assess how Parfit’s claims fare in the face of criticism. Problems of personal identity generally involve questions about what makes one the person one is and what it takes for the same person to exist at separate times (Olson, 2010).
Personal identity, in the context of philosophy, does not attempt to address clichéd, qualitative questions of what makes us us. Instead, personal identity refers to numerical identity or sameness over time. For example, identical twins appear to be exactly alike, but their qualitative likeness in appearance does not make them the same person; each twin, instead, has one and only one identity – a numerical identity. As such, philosophers studying personal identity focus on questions of what has to persist for an individual to keep his or her numerical identity over time and of what the pronoun “I” refers to when an individual uses it. Over the years, theories of personal identity have been established to answer these very questions, but the
Michael, T. (1998) 'Personhood' in Kuhse & Singer (eds.) A Companion to Bioethics. New Jersey:
—. Sources of the Self: The Making of the Modern Identity. Cambridge: Harvard University Press, 1989.
Dystopia, a word that inflicts feelings of malcontent, fear, a place where abysmal conditions are the new normal, this genre describes a society where everything has and continues to go wrong. This genre has gripped the hearts of many readers and is compelling for people of all ages. The dystopian book Fahrenheit 451 by Ray Bradbury is a thrilling book that introduces the reader to a world where the society tries to force everything to be perfect, and danger lurks around every twist and turn. The meaning of dystopia, the characteristics of the genre, and how it is presented in Fahrenheit 451, contributes to how one could understand the dystopian style of literature.
Thiroux, Jacques P., and Keith W. Krasemann. Ethics: Theory and Practice. Upper Saddle River, NJ: Prentice Hall, 2009. Print.
What is personal identity? This question has been asked and debated by philosophers for centuries. The problem of personal identity is determining what conditions and qualities are necessary and sufficient for a person to exist as the same being at one time as another. Some think personal identity is physical, taking a materialistic perspective believing that bodily continuity or physicality is what makes a person a person with the view that even mental things are caused by some kind of physical occurrence. Others take a more idealist approach with the belief that mental continuity is the sole factor in establishing personal identity holding that physical things are just reflections of the mind. One more perspective on personal identity and the one I will attempt to explain and defend in this paper is that personal identity requires both physical and psychological continuity; my argument is as follows:
“Faction before blood,” is the motto of the post apocalyptic, Chicago society in the dystopian novel Divergent, written by Veronica Roth. The Prior family lives in a world where, at 16, they choose how they’re going to live the rest of their life. Beatrice Prior had to make that decision. Would she stay in her born faction and make her parents proud or become a transfer and a traitor to Abnegation? In the novel Divergent all types of symbolism appear, among the most important in meaning are the ravens, the train, and the guns.
Postmodernism attempts to call into question or challenge the notion of a single absolute unified master narrative without simply replacing it with another. It is a paradoxical, recursive, and problematic method of critique.