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Country music history
Classification essay about classic country music
Classification essay about classic country music
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Is country music still country music? Country music has roots unlike any other genre of American music. Country music was one of the most influential styles of music in the twentieth century. It had stars such as Hank Williams and Johnny Cash. These stars represented what the South felt. They understood shotgun weddings, not knowing where the next meal would come from, and fearing the wrath of God while simultaneously loving the sweet and instant satisfaction that sin brings. They took those pains and painted beautiful, harsh, and most importantly real portraits of life. The majority of today’s country music, the country that is played on mainstream radio, has lost its serious feel and replaced it with a more laid back sound—which at times makes it hard to hear the difference between a rock song and a country song—and it has left behind authenticity for its Nashville sound and pursuit of money and popular appeal. Country music branches off into many sub-genres. You have the blues of Robert Johnson, the more pure country music of Williams and Cash, and the southern rock of Lyndyrd Skynyrd and The Drive-By Truckers. What is the difference between this music and the music played on the radio today? Dana Jennings, the author of Sing Me Back Home and a self-proclaimed country music lover opens his book describing authentic country music like this: “Country music is the backfire of a rattletrap pickup truck creaking down a dirt road and the lowing of a lone cow. It’s music for scouring junkyards, setting out to the porch, and shooting horseshoes…its TB, orphan music, and outhouse music. It’s potato sack dresses, loyal three-legged dogs, and water lugged from the well” (Jennings 1). This is the type of music played on the radio fifty ... ... middle of paper ... ...hen I had it/ now it is gone I’m learning what that is”. This is the story of hating a nine to five job but realizing life is not easy by any stretch of the imagination. It is real. Good country music is still being made, just not for the radio. Trampled by Turtles, Avett Brothers, Bill Mallonee, and Drive-By Truckers are all consistently putting out great country albums. There are plenty more artists like them, putting out songs not just to make a buck, but also to express their pains and struggles, songs you can relate to and songs with feeling. It makes it that much more special finding a good country band. Sooner or later, Nashville will pay for her sins. But until then, listening to Southern Rock Opera will teach you ten times more about human frailty and the daily struggles of ordinary people than listening to a hundred hours of a country radio station.
Alan Shapiro is a poet whom uses the sorrowful tragedies that occurred in his lifetime and turns them into beautiful poems in which he greatly expresses through his poetry. Most of his poems symbolize either a type of sorrow or tragic death, and the expressions used throughout his poetry make it noticeable that Alan Shapiro endured a life of hardship and tragedy. While Shapiro was growing up he lost his brother and his sister in which the poem “Sleet” by Alan Shapiro beautifully encompasses his feeling of grief and sorrow due to the loss of his siblings.
Times have changed, and along with the times so has country music. American country music lovers have went from Loretta Lynn and Waylon Jennings, just two of the many classic oldies, to Carrie Underwood and Luke Bryan, two very appealing country music artists. However, it is not only the tune of the music that has changed, it is the image, the appeal, and overall the type of icons the media is portraying these modern music stars as. Icons such as Lynn and Jennings had identifiable features within their music as well as their appearance that spoke sweet southern belle and rugged twang. Whereas Underwood’s and Bryan’s appeal now is much more sexualized than it was during the oldies. These changes affect the way modern day singers are marketed compared to former country music stars, instead of focusing on talent it is now looks.
The Rise and Fall of Jack Johnson Ask someone who was one of the first people to break the color barrier in sports and you're almost guaranteed that the answer is Jackie Robinson. Yet almost 40 years earlier there was a black boxer by the name of Jack Johnson, also known as John Arthur Johnson. Most would argue that he was the best heavyweight boxer of his time, having a career record of 79 wins and 8 losses, and being the first black to be the Heavyweight champion of the World. (Jack Johnson (boxer), October 9th, 2006.) Not only was this impressive, but he had to deal with racism and black oppression.
George Harvey Strait, is a an American singer, actor, songwriter, and music producer, known as the “King of Country”, of the twentieth century to present. Strait was a vocalist blessed with good looks and a vibrant personality. He is one of the most influential and popular recording artists of all time. George was a 50s baby. He is also known for his neotraditionalist country style, cowboy look , and being one of the first and main country artists to bring country music back to its roots and away from the pop country era in the 1980s. George Strait has been a country music icon since the 1980s.
For almost 90 years, The Grand Ole Opry has withstood the test of time to become one of the tried and true traditions in country music. From the show's humble beginnings as an obscure radio program, to it's renowned place today as one of the premiere stages for music, The Grand Ole Opry has had an extremely colorful and interesting existence. Over the 88 years that have passed since the show's inception, The Grand Ole Opry has featured many talented performers. Those performers, along with social changes and economics, have all contributed to the growth and success of The Grand Ole Opry.
The difference between Americans today and way back when is very different. Johnny Cash and Luke Bryan are both very great men that achieved great things. They are very similar but are also very different. From the 1920s to now, country music has changed drastically from singing about love to having fun and partying, and this shows how different things were important as a whole.
Country music is one of the most popular genres of music throughout America. There are many influential figures that have changed the way country music sounds, and how people interpret it. Two important people who have made a huge impact on country music overtime are Johnny Cash and Luke Bryan. From their early life, their career, and how society views them, they have opened the minds of people and country musicians all over the country. Johnny Cash’s songs help people to experience his life growing up through the Great Depression and how people lived back then. Through Luke Bryan’s songs people could understand what life was like for Luke growing up in Georgia and all the hardships he faced. Johnny Cash and Luke Bryan are two of the many country singers that have influenced country fans to be more optimistic and hopeful.
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
Country music, as we know it today, was first called “Hillbilly music”. The name “Country” was not widely used until around the 1950s. The creation of this Hillbilly music, very much like American culture, was influenced from many different cultures and styles of music.
At the end of the day, racism and prejudice will always exist in some form for whatever reason is most convenient. Additionally, it’s not as if fans of country music are all raging bigots who dream of segregation and a return to slavery-driven southern values. After all, there are plenty of ‘southern pride’ songs that don’t feature race, nativism, and are beloved by most without an ulterior message that is appreciated by Stormfront. After all, Lynyrd Skynyrd’s Sweet Home Alabama features anti-segregation lyrics. Charlie Daniels Band wrote and performed The Devil Went Down to Georgia, lyrically referencing the south as far as Georgia by name alone. Yet both of these are hailed as quintessentially southern pride songs, meaning that southern pride isn’t the same as white pride. The reason the comparison matters, then, is because there is a significant overlap between the two. It is certainly possible to enjoy country music without wishing for a return to Aryan values, and the majority of country music doesn’t advocate it. But enough popular songs feature nativism as a theme to the point that it shouldn’t be ignored. There is a tangible connection between Southern Pride and nativism through music, and a definite connection between nativism and the White Pride movement. Music connects people and spreads ideas; culturally relevant music tends to stay around for a lifetime. Music has power, and the power of hate music is not one that should be
Growing up, my dad controlled the radio almost always, and his choice was the local country station. This lead to hearing my fair share of Kenny Chesney, Keith Urban, and Martina McBride. They often sung about beer, front porches and Jesus, and none of that really resonated with me.I never truly hated the music, it was absolutely inoffensive listening, but very few songs struck a chord with me. That is until I heard the Dixie Chicks. They made beautiful use of harmony, melody, instrumentation, emotion and storytelling that worked together beautifully.
Country music originated in the Appalachian mountains of the Southern United States and has traditional folk roots that date from the early 20th century. The commercial history of country music began in the Southern United States in the 1920’s, during a ‘period of intense modernization’ (Ellison, 1995). It wasn’t until this time that country was considered a viable music genre. It was first identified as ‘hillbilly’ music in 1925 and later became known officially as ‘country’ by its designation on the Billboard Music charts (Shmoop, 2014). Widely considered the ‘Mother Church’ of country, the Grand Ole Opry in Nashville became the home of many emerging and already established artists (Tichi, 1994:21). Coupled with the rise of radio and barn dance programs, country’s popularity increased greatly. Ellison (1995) describes country’s evolution from ‘rustic radio programs’ to a genre with an ‘extensive national network of fans unparalled in other forms of popular music’. During the 1930’s, the Great Depression assisted in the spread of country music throughout the US, with many poor unemployed Southerners migrating north, t...
Many would argue that country music isn't country anymore; straying too far from the older generation of fiddles, violins and guitars by incorporating a "pop" feel and focusing more on the beat than the content. Pop music is typically viewed as up-beat and differs from the sad, lonesome sounds of country from the past. I would agree that today's country has a very different sound than previous years, however, still incorporates the down-to-earth feel many of us can relate
It should be brief but comprehensive, as it may also be the introduction of the music to teachers as a study guide before or after an in-school presentation, or they may include this information in a history of social studies discussion if a program presentation is not possible. Bluegrass Music: The Roots. The street balladry of the people who began migrating to America in the early 1600s is considered to be the roots of traditional American music. As the early Jamestown settlers began to spread out into the Carolinas, Tennessee, Kentucky and the Virginias, they composed new songs about day to day experiences in the new land. Since most of these people lived in rural areas, the songs reflected life on the farm or in the hills and this type of music was called "mountain music" or "country music." The invention of the phonograph and the onset of the radio in the early 1900s brought this old-time music out of the rural Southern mountains to people all over the United States.
Country music was brought over by the first European settlers. In medieval times, storytelling was a tradition that allowed history to be recorded when few were able to read and write. When the first British settlers came to America, they brought this tradition with them, along with songs that they had learned in Europe. The people who settled the Appalachian Mountains and the West did not have an easy life and their music gave them an outlet to express their hardships.