The Renaissance: Humanism And Neo-Platonism

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As new civilizations develop new intellectual trend are formed. As the renaissance took action new ideas evolved since the rebirth was all about finding the truth/ perfection and the natural beauty. The Renaissance was an era when educated people became very enthusiastic about the classical era, such as the Greek and Roman times. They thought that classical styles in art, literature, architecture were as close to finding perfection. As some may know that the Middle ages was all about finding the connections with a greater power (God), the Renaissance was about finding the connections within this earthly realm. Two intellectual ideas/beliefs that contributed a lot to the Renaissance were Humanism and Neo-Platonism. Humanism was the growing …show more content…

In Donatello’s and Michelangelo’s David, done in the late 1420’s and 1501. Donatello’s statue was casted in bronze and Michelangelo’sin marble, they both portrayed David before/after the battle with Goliath. These statue were a return to ancient Greece and Rome’s beauty and respect of the body not the soul. Though these David statue’s portrayed a section of the David in the bible it was not meant to connect the real realm with the divine one but it was more of representing the power of Florence as an individual’s liberties and freedom (a humanistic belief). On Leonardo’s Mona Lisa, a painting done in 1503-1516 in Milan (probably the most famous painting in the world). This painting was done with oil on panel. The reason in why this is a humanistic artwork is because of its intention and the portraying of beauty. This painting is not a painting of any goddess but of an ordinary peasant women. Leonardo depicted Mona Lisa as the standard beauty of that time. It represents the philosophy of the humanism by focusing on the human being and realism. It also shows nature, which is shown in the background. Da Vinci’s painting was not to ponder on whether she represented anything divine, but to see the beauty at the …show more content…

In Raphael’s Three Graces, done in1501-1505 with oil on panel. The Neo-platonic belief in this painting is shown by the personification of chastity, beauty, and love. It makes the reference and connection between the divine and earth through human form by portraying the attendants of a goddess. In Michelangelo’s Pieta, done in 1498-99 with chisel and marble. This statue depicts the body of Jesus on the lap of his mother Mary after the Crucifixion (generally what pieta stands for). He is able to balances the Renaissance ideals of classical beauty with naturalism. Michelangelo did an extraordinary representation of the human body and the heavenly realm (idealism). Lastly we have Botticelli who complete many Neo-platonic paintings. His two most famous paintings are Primavera, and Birth of Venus. The Primavera paining done in 1482 with oil and tempera on panel, he does something similar to Raphael’s Three Graces, and that is portraying the three graces the same way and many other goddesses, such as Mercury, Flora accompanied with Zephyr, a putto, and Venus with her three graces (mythological figures). They are all set in a garden in the real world. His other famous art piece is the Birth of Venus, done in 1486. In this painting Venus, the goddess of beauty, sex, fertility, prosperity and desire, is a

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