Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essays on film music
The scene I’ve chosen to analyze is the “Our Secret” scene from The Red Violin. For this display, there is mainly silence and dialogue between the mother and son. Sounds of the violin and bow clinking together as the mother handles them are the only background noises we hear. Even the voices, when not reading the subtitles, become a static noise for those who do not speak the language. These details focus our attention closer to the violin, the one object the viewers and actors connect with. As she starts to play, viewers recognize a variation of the melody played throughout the movie, once again connecting a life with the journey of this violin. As she plays we hear a soft and melancholy minor tune. Starting at a low pitch, the song
crescendos to another minor key change, then decrescendos and returns to the lower previous key. Even though we have heard the theme before, the slow tempo and swelling sadness the musician plays on the instrument reveals the emotion of the character in this specific time period. It is the pure and simple love for music and the instrument that is revealed. The Red Violin is described as “the single most perfect acoustical machine,” however it is the player that gives the instrument true meaning. Through the instrument the woman presents her love and appreciation for the violin and music, as well as her sadness caused by the economic time that oppresses such beauty.
It is true that the essence of any story is emphasised through distinctively visual images created for the audience. The ability of any composer- an artist with paint brushes, a musician with chords or the writer with words- to entice and evoke is at the centre of a narrative. Both Peter Goldsworthy’s novel Maestro and Beneath Clouds by Iven Sen evoke emotions in the responder through distinctively visual elements and exploration of the concepts appearance versus reality and influence of environment.
Initially the audience is witness to how particular sound techniques shape this film. For instance, one of the main details that the audience hears is the song that the murderer whistles. Due to the marvel of sound the audience can pick out that the whistling is related to the murderer. Along with the blind man who figured this mystery out, the audience could only put these two together with this sound technique. The director shows the audience how such a simple part of every day sound can be so important to solving such a terrible crime.
...such an historical art form presented in your place of study by talented actors/actress and musicians. I believe they were astonishing in preserving an artwork that has been around for years staying in strict accordance to rules and its fundamentals. I believe the rest of the audience will agree that though it was a different experience for most of us it’s a performance one can never forget.
The conveyance of distinctive visuals within texts draw great significance to the various aspects of life poised within their stories. Performed with the aim of elevating the audience’s understanding, this can suggestively nurture the common response amongst them of the significant aspects of life. This references a deep awareness of the composer’s concerns; further concocting the profound significance of the provided visuals and their implied meaning. This is clearly evident within John Misto’s play ‘The Shoe-Horn Sonata’ which with the provided listening stimulus of John Misto’s Interview and Peter Skrzynecki’s poem ‘Crossing The Red Sea’ through the exploration of delicate notions such as the physical journey through times of hardship
The Glass Menagerie by Tennessee Williams is a loosely autobiographical memory play this is enriched with symbolism. The play itself is symbolic and parallels with much of Williams own unhappy family background. The symbolism used by the playwright is used to represent the desire to escape or to distinguish the difference between illusion and reality. Much of the symbolism used is specific to each character, but the most important symbol is Laura’s glass menagerie.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
In Browne’s essay, he describes what he calls the “position of the spectator”, and suggests that cinematic techniques can constitute a connection between a given character(s) and the spectator. Browne values less of what David Bordwell believes to be important in narration, the syuzhet (Bordwell 1986). Browne believes the connection between the spectator and the character(s) solidifies less through narrative techniques, the syuzhet, than through cinematic means, for instance, cinematography. The composition of a shot can allow the audience to see over the shoulder of a given character, thus positioning the spectator in the character’s approximate point of view. Likewise, action or dialogue from another character can be shown from the approximate field of vision of the character that is linked with the spectator. (Browne 1986).
In Hitchcock's own words: "I think what sound brought of value to the cinema was to complete the realism of the image on the screen. It made everyone in the audience deaf mutes." Because he is known for his visual techniques, Alfred Hitchcock’s unique use of sound is a topic which does not receive the attention it deserves. This is what this paper will try to accomplish, to explain why his unique use of sound deserves so much attention.
Today I will be focusing in depth of the crucial role ‘The Distinctively Visual’ has in influencing audience’s experiences through providing evidence from the text ‘The Shoe Horn Sonata’, a complex drama presentation by John Misto. Specifically, Act 2 Scene 9 and Act 2 Scene 11, raises the experiences of power relationships and the complexity that is war, demonstrated
She plays the Il Matto in front of the nuns, before her and Zampanò to go sleep, and after Zampanò leaves her. By playing the song diegetically through her trumpet, Fellini is cueing the audience that she learned what The Fool told her. The diegetic aspect of the sound emphasizes this message because it shows how the song has become a part of her, and it forces the other characters to interact with in, and relish in its beauty. The only character who doesn’t enjoy it is Zampanò.
Pedro Almodovar’s 1997 film Live Flesh (Carne Tremula), is rich in both visual and story elements, making in the perfect candidate for a scene analysis. Upon writing this paper, however, this was almost to my disadvantage. I watched it through and whittled it down to about five scenes I considered analyzing. This self-challenge is a testament to not only this film, but Almodovar’s whole body of work; he has created so many thoughtful, intricate, and all together entertaining films in his career, I had to somehow forgive myself for just choosing one short scene out of only one of his movies for analysis. So, without further ado, here is an analysis of a scene from Live Flesh.
... then plays allegro passages of semi quavers, accompanied by timpani and descending scales in the woodwind. The clarinet, takes over the main melody whilst the cello accompanies with sequences. The French horn takes over the melody, accompanied by the strings. The flute briefly plays the melody before the cello plays octaves, accompanying the woodwind as they play a reprise of the DSCH theme and the timpani crashes. Repeating the themes in the first movement, the cello plays the DSCH motif followed by the "tate ta, tate ta" rhythm in the strings. The horn then plays the theme in augmentation, whilst the cello plays passages of ascending and descending scales, and the theme is heard again in the strings. The movement builds up with the motif appearing increasingly often in the woodwind and strings and climaxes with octaves by the soloist and a boom from the timpani.
The narration that accompanies the scene is allowing our voyeuristic desires to enter into the
The violin bow is very important because it’s what makes the instrument create music. The bow structure play a huge role in the sound created, therefore, if it was changed the sound would be completely different. Throughout history the violin has remained pretty much the same though the violin bow was altered multiple time in order for the performer to create the sound they desire.Overall the history of the violin bow is split into three periods, Baroque, Classical, and Modern.
Upon an initial examination of William Shakespeare’s play, The Merchant of Venice, a reader is provided with superficial details regarding the moral dilemmas embedded in the text. Further analysis allows a reader to recognize the multi-faceted issues each character faces as an individual in response to his or her surroundings and/or situations. Nevertheless, the subtle yet vital motif of music is ingrained in the play in order to offer a unique approach to understanding the plot and its relationship with the characters. Whether the appearance of music be an actual song or an allusion to music in a mythological or social context, the world of Venice and Belmont that Shakespeare was writing about was teeming with music. The acceptance or denunciation