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Symbolism in the red badge of courage
Symbolism in the red badge of courage
Literary analysis of two kinds
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Lexy Levian
Mrs. Newborn
AP English
26 Aug 2014 Summer Reading Journal
1. The Red Badge of Courage and The Things They Carried definitely differ with regard to their narrative voices. In the Red Badge of Courage, by Stephen Crane, Henry’s thoughts and imagination serve as the foundation for the story that it told in the first person. The narrative voice is a bit confusing because the story is being told as a reflection on Henry’s own interpretations and the way he sees things in his mind. We thus lack knowledge of any of the other’s characters thoughts or feelings. The narration makes it difficult for the reader to detect which of Henry’s perceptions and remarks are accurate, and which are instead influenced by others factors
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Henry’s motivation for being at war surely differs from Tim’s motivation for being at war. Henry’s thoughts give us insight into his motives as to serving in war; he doesn’t value the moral reasons for serving in the war. Instead, Henry is very motivated to acquire a praiseworthy reputation as a war hero. In order to boost his own self-esteem when running away from the battle, Henry actually criticizes and mocks those who decided to stay. Returning to camp, Henry lies about how he got the wound that he has. Henry continuously acts pompous, and acts as if he is entitled to praise for his war heroism. Later, though, Henry redeems himself when he is deeply involved in a battle, and explains that he no longer is seeking praise for his war efforts. He is then, ironically, praised for being one of the best in the regiment. Throughout the novel, we see Henry’s growth and how he actually learns from his mistakes. Tim O’Brien received a full scholarship to study at Harvard, when receiving a draft notice that he was selected to serve in the army. He, in contrast to Henry, decided to go to war because he didn’t want to seem weak in deciding to do otherwise considering that others such as Rat Kiley, Azar, Kiowa, and Sanders have already spent some time in Vietnam. He also is influenced to participate in the war because he believes that in doing so, he will be helping his family and …show more content…
Passages to be discussed:
A). The Red Badge of Courage:
Chapter 2: (Page 17) “He felt alone in space when his injured comrade had disappeared. His failure to discover any mite of resemblance in their viewpoints made him more miserable than before. No one seemed to be wrestling with a terrific problem. He was a mental outcast.”
In this chapter, Henry asks Wilson if he’s going to run, and explains that many good men end up running away. On that same page, Crane describes how Henry felt at this moment as seen in the quote above. Henry feels like a “mental outcast” at this point because he worries of what will happen if he feels the urge to run. The quotes above foreshadows the later instance where Henry runs away.
Chapter 8: (Page 48). Presently he proceeded again on his forward way. The battle was the grinding of an immense and terrible machine to him. The complexities and powers, its grim processes, fascinated him. He must go close and see it produce corpses
The imagery in the quote above is quite interesting. I could almost hear the battle from Crane’s description of it as a “grinding
In 102 Minutes, Chapter 7, authors Dwyer and Flynn use ethos, logos, and pathos to appeal to the readers’ consciences, minds and hearts regarding what happened to the people inside the Twin Towers on 9/11. Of particular interest are the following uses of the three appeals.
Joy Harjo uses a metaphor throughout the memoir Crazy Brave , in order to express her emotions about how she feels about art, her classmates , and the books she has read .
In the book Into the Wild, Jon Krakauer wrote about Christopher McCandless, a nature lover in search for independence, in a mysterious and hopeful experience. Even though Krakauer tells us McCandless was going to die from the beginning, he still gave him a chance for survival. As a reader I wanted McCandless to survive. In Into the Wild, Krakauer gave McCandless a unique perspective. He was a smart and unique person that wanted to be completely free from society. Krakauer included comments from people that said McCandless was crazy, and his death was his own mistake. However, Krakauer is able to make him seem like a brave person. The connections between other hikers and himself helped in the explanation of McCandless’s rational actions. Krakauer is able to make McCandless look like a normal person, but unique from this generation. In order for Krakauer to make Christopher McCandless not look like a crazy person, but a special person, I will analyze the persuading style that Krakauer used in Into the Wild that made us believe McCandless was a regular young adult.
It is always said that war changes people. In the short story 'The Red Convertible', Louise Erdrich uses Henry to show how it affects people. In this case, the effects are psychological. You can clearly see a difference between his personalities from before he goes to war compared to his personalities after returns home from the war. Before the war, he is a care-free soul who just likes to have fun. After the war, he is very quiet and defensive, always watching his back as if waiting for someone to strike.
War changes a person in ways that can never be imagined. Living in a war as well as fighting in one is not an experience witnessed in everyday life. Seeing people die every time and everywhere you go can be seen as an unpleasant experience for any individual such as Henry. The experiences that Henry had embraced during the Vietnam War have caused him to become an enraged and paranoid being after the war. It has shaped him to become this individual of anxiety and with no emotions. The narrator says:
Hosseini’s purpose of writing the Kite Runner was to teach the readers the different ethnic groups in Afghanistan. The main character, Amir, is a Pashtun and Pashtuns are Sunni Muslims, then there are Hazara’s that the Pashtuns do not get along with. Hazara’s are not welcomed by the Pashtuns because they are different social classes.
I chose this word because the tone of the first chapter seems rather dark. We hear stories of the hopes with which the Puritans arrived in the new world; however, these hopes quickly turned dark because the Purtains found that the first buildings they needed to create were a prison, which alludes to the sins they committed; and a cemetery, which contradicts the new life they hoped to create for themselves.
We learn that when Henry comes home from the war, he is suffering from PTSD. "It was at least three years before Henry came home. By then I guess the whole war was solved in the governments mind, but for him it would keep on going" (444). PTSD changes a person, and it doesn 't always stem from war. Henry came back a completely different person. He was quiet, and he was mean. He could never sit still, unless he was posted in front of the color TV. But even then, he was uneasy, "But it was the kind of stillness that you see in a rabbit when it freezes and before it will bolt"
Henry is somewhat naïve, he dreams of glory, but doesn't think much of the duty that follows. Rather than a sense of patriotism, it is clear to the reader that Henry goals seem a little different, he wants praise and adulation. "On the way to Washington, the regiment was fed and caressed for station after station until the youth beloved
In the first part of the novel, Henry is a youth that is very inexperienced. His motives were impure. He was a very selfish and self-serving character. He enters the war not for the basis of serving his country, but for the attainment of glory and prestige. Henry wants to be a hero. This represents the natural human characteristic of selfishness. Humans have a want and a need to satisfy themselves. This was Henry's main motive throughout the first part of the novel. On more than one occasion Henry is resolved to that natural selfishness of human beings. After Henry realizes that the attainment of glory and heroism has a price on it. That price is by wounds or worse yet, death. Henry then becomes self-serving in the fact that he wants to survive for himself, not the Union army. There is many a time when Henry wants to justify his natural fear of death. He is at a point where he is questioning deserting the battle; in order to justify this, he asks Jim, the tall soldier, if he would run. Jim declared that he'd thought about it. Surely, thought Henry, if his companion ran, it would be alright if he himself ran. During the battle, when Henry actually did take flight, he justified this selfish deed—selfish in the fact that it did not help his regiment hold the Rebs—by natural instinct. He proclaimed to himself that if a squirrel took flight when a rock was thrown at it, it was alright that he ran when his life was on the line.
At the beginning, Henry Fleming has an undeveloped identity because his inexperience limits his understanding of heroism, manhood, and courage. For example, on the way to war, “The regiment was fed and caressed at station after station until the youth [Henry] had believed that he must be a hero” (Crane 13). Since he has yet to fight in war, Henry believes a hero is defined by what others think of him and not what he actually does. The most heroic thing he has done so far is enlist, but even that was with ulterior motives; he assumes fighting in the war will bring him glory, yet another object of others’ opinions. At this point, what he thinks of himself is much less important than how the public perceives him. As a result of not understanding
“No, they did not bury me, though there is a period of time which I remember mistily, with a shuddering wonder, like a passage through some inconceivable world that had no hope in it and no desire. I found myself back in the sepulchral city resenting the sight of people hurrying through the streets to filch a little money from each other, to devour their infamous cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. They trespassed upon my thoughts. They were intruders whose knowledge of life was to me an irritating pretence, because I felt so sure they could not possibly known the things I knew. Their bearing, which was simply the bearing of commonplace individuals going about their business in the assurance of perfect safety, was offensive to me like the outrageous flaunting of folly in the face of a danger it is unable to comprehend. I had no particular desire to enlighten them, but I had some difficulty in restraining myself from laughing in their faces so full of stupid importance. I dareway I was not very well at that time. I tottered about the streets—there were various affairs to settle—grinning bitterly at perfectly respectable persons. I admit my behaviour was inexcusable, but then my temperature was seldom normal in these days. My dear aunt’s endeavours to `nurse up my strength´ seemed altogether beside the mark. It was not my strength that wanted nursing, it was my imagination that wanted soothing. I kept the bundle of papers given me by Kurtz, not knowing exactly what to do with it. His mother had died lately, watched over, as I was told, by his Intended. A clean-shaved man, with an official manner and wearing gold-rimmed spectacles, called on me one day and made me inquiries, at first circuitous, afterwards suavely pressing, about what he was pleased to denominate certain `documents´. I was not surprised, because I had had two rows with the manager on the subject out there. I had refused to give up the smallest scrap out of the package, and I took the same attitude with the spectacled man. He became darkly menacing at last and with much heat argued that the Company had the right to every bit of information about its `territories´. And said he, `Mr. Kurtz’s knowledge of unexplored regions must have been necessarily extensive and peculiar—owing to his great abilities and to the deplorable circumstances in which he had been placed: therefore--`I assured his Mr.
War is often romanticized, mostly to persuade people to be interested in serving. This is what happens to Henry. When Henry realizes the horrors of the war, he develops resent for it, and becomes
When people go through certain traumatic events it is expected that they will have certain emotions and those emotions will bring them down. Eventually they could lead to depression. In An Episode of War, when the lieutenant comes home, his family sobs at the sight of his flat sleeve. Instead of telling them that he is angry at the doctor because he lied or even crying along with them he just says, “Oh, well. I don’t suppose it matters so much as all that.” His tone is sort of passive, which is totally unexpected from someone who just lost their arm. In The Red Badge of Courage, Henry is very guilty because he reacted angrily and left the tattered soldier all alone when he asked him, “Where is your'n located?” Towards the end of the book, Henry uses this guilt and humiliation to redeem himself (Stallman) to help him mature morally and become a courageous man (Dillingham). Instead of letting his guilt drag him down, Henry unexpectedly uses it to help build himself
Milton presents a dual image of battle lines shifting and being wrenched out of shape in parallel with the picture of bodies being crushed and mangled. Following his announcement that the devils' "Mightiest quell'd", we are shown that the "battle swerv'd" and we see "inroad[s] gor'd" into the broken battle formations and the broken bodies of the fighters (386-87).