Theme Of Heroism In The Great Gatsby

At the beginning, Henry Fleming has an undeveloped identity because his inexperience limits his understanding of heroism, manhood, and courage. For example, on the way to war, “The regiment was fed and caressed at station after station until the youth [Henry] had believed that he must be a hero” (Crane 13). Since he has yet to fight in war, Henry believes a hero is defined by what others think of him and not what he actually does. The most heroic thing he has done so far is enlist, but even that was with ulterior motives; he assumes fighting in the war will bring him glory, yet another object of others’ opinions. At this point, what he thinks of himself is much less important than how the public perceives him. As a result of not understanding

To begin with, after the party from the city returns to Tom’s home, Jordan invites him inside, but he responds, “‘No, thanks…’ I’d be damned if I’s go in; I’d had enough of all of them for one day, and suddenly that included Jordan too” (142). By refusing to enter Tom’s house, he symbolically declines the acceptance of the upper class; something he, Gatsby, and Myrtle all avidly desired and worked towards up to this point. Rather than value those material characteristics that had appealed to him before, he chooses his moral principles instead. His relationship with Jordan perfectly symbolizes his primary choice . Later on, after Gatsby’s death, Nick “found himself on Gatsby’s side, and alone…it grew upon me that I was responsible [for Gatsby’s funeral], because… [Gatsby deserved] that intense personal interest to which every one has some vague right at the end” (164). Once again, Nick favors his personal beliefs over following societal expectations. He stands by the mysterious figure of Gatsby, who possessed “an extraordinary gift for hope”(2) that Nick admired, while everyone else keeps a safe distance and watches, as onlookers in a zoo does to the animals. By admitting his part in the events that took place, primarily Gatsby’s downfall, Nick shows he is not the same careless person as Tom and Daisy who leave their mistakes for others to fix . Whether Nick’s belief that everyone should have a living person stand by h im/her after death is a universal truth or not, he follows his heart rather than the crowd. Finally, before he leaves to the Midwest, Nick “wanted to leave things in order and not just trust that obliging and indifferent sea to sweep my refuse away” (177). Particularly, Nick wanted to end his relationship with Jordan, supporting his original belief that a person should only have one