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Nature and poetry
Nature and poetry
Representation of nature in romantic poetry
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Can words be art? A part of nature? For centuries, people have written stories, poems, and drawn pictures to represent the world around them. However, the question occurs: Is art a form of nature? One possibility, as suggested through symbolism in Wallace Steven’s “The Poem That Took the Place of a Mountain” is that mankind can recreate nature through art. An alternative, as suggested through personification in “The World is too much With Us“ by Williams Wordsworth is that humans cannot recreate nature through art, and mankind is disconnected from the natural world. Despite the fact these poem’s themes contrast, both of the poems use the natural world as a scene to display these themes. Although both poems utilize the natural world to convey their themes, “The Poem that Took the Place of a Mountain” by Wallace Stevens employs symbolism to suggest humans can recreate nature through art and literature, while “The World is Too Much With Us” by William Wordsworth criticizes human distance from nature through personification.
Both poems utilize the natural world to showcase their opposing themes. For example, in “The Poem That Took the Place of a Mountain”, Wallace Stevens mentions several features of a mountain, for example, “pines” (7), “rocks” (8), “clouds” (8), and “the sea” (13). These features are commonly found while hiking a mountain. In Wordsworth’s “The World is Too Much With Us”, natural items like, “the sea” (5), “the moon” (5), “winds” (6), and “sleeping flowers” (7) are utilized to build a scene. These words describe a natural scene perhaps at night. Both of these poems describe a beach scene, as they both mention the sea. Another similarity shown by these nouns above may be the serenity of the scene. Both poems pai...
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...Took the Place of a Mountain” and “The World is Too Much With Us” showcase a serene and beautiful landscape, “The Poem That Took the Place of a Mountain” utilizes the mountain scene to symbolize how art and literature can recreate nature, while “The World is Too Much With Us” uses the stunning landscape to highlight the beauty that mankind overlooks. So the question remains: Is mankind disconnected with nature? “The Poem That Took the Place of a Mountain” suggest nature’s elegance can be recreated through words and art. However, words and art are not tangible. They only paint a picture in one’s mind, but does this make the mountain any less real?
Works Cited
Stevens, Wallace. “The Poem That Took the Place of a Mountain.” Poetry Foundation. 2011. Web. 30 Jan. 2012
Wordsworth, Williams. “The World is Too Much With Us.” Poetry Foundation. 2011. Web. 30 Jan. 2012
When thinking about nature, Hans Christian Andersen wrote, “Just living is not enough... one must have sunshine, freedom, and a little flower.” John Muir and William Wordsworth both expressed through their writings that nature brought them great joy and satisfaction, as it did Andersen. Each author’s text conveyed very similar messages and represented similar experiences but, the writing style and wording used were significantly different. Wordsworth and Muir express their positive and emotional relationships with nature using diction and imagery.
John Muir and William Wordsworth use diction and tone to define nature as doing a necessary extensile of life. Throughout Muir’s and William’s works of literature they both describe nature as being a necessary element in life that brings happiness, joy, and peace. Both authors use certain writing techniques within their poems and essays to show their love and appreciation of nature. This shows the audience how fond both authors are about nature. That is why Wordsworth and Muir express their codependent relationship with nature using diction and tone.
From the lone hiker on the Appalachian Trail to the environmental lobby groups in Washington D.C., nature evokes strong feelings in each and every one of us. We often struggle with and are ultimately shaped by our relationship with nature. The relationship we forge with nature reflects our fundamental beliefs about ourselves and the world around us. The works of timeless authors, including Henry David Thoreau and Annie Dillard, are centered around their relationship to nature.
In Thinking Like a Mountain, the author, Aldo Leopold, writes of the importance of wildlife preservation through examples of the symbiotic relationship of animals and plant-life with a mountain. He asks the reader to perceive the processes of a mountainous environment in an unusual way. Aldo Leopold wants the reader to "think" like a mountain instead of thinking of only the immediate, or as the hunter did. Taking away one feature of an ecosystem may eventually destroy everything else that that environment is composed of. Nature and wildness is essential for the well being of life on this earth.
Walt Whitman embraces this power to use nature in his work "Song of Myself." As Emerson's principle outlined, Whitman was able to take images of nature and make them represent something surprising, new, and sometimes slightly obscene. Emerson discusses the idea of obscene images in nature taking on acc...
Nature inspires Wordsworth poetically. Nature gives a landscape of seclusion that implies a deepening of the mood of seclusion in Wordsworth's mind.
Nature is often a focal point for many author’s works, whether it is expressed through lyrics, short stories, or poetry. Authors are given a cornucopia of pictures and descriptions of nature’s splendor that they can reproduce through words. It is because of this that more often than not a reader is faced with multiple approaches and descriptions to the way nature is portrayed. Some authors tend to look at nature from a deeper and personal observation as in William Wordsworth’s “I Wandered Lonely as a Cloud”, while other authors tend to focus on a more religious beauty within nature as show in Gerard Manley Hopkins “Pied Beauty”, suggesting to the reader that while to each their own there is always a beauty to be found in nature and nature’s beauty can be uplifting for the human spirit both on a visual and spiritual level.
In his poem, 'Lines Written in the Early Spring,' William Wordsworth gives us insight into his views of the destruction of nature. Using personification, he makes nature seem to be full of life and happy to be living. Yet, man still is destroying what he sees as 'Nature's holy plan'; (8).
William Wordsworth and John Muir used personification and simile to show how they both love and admire nature and their experiences in it. Out of all the beautiful flowers, different places and trips John Muir has experienced, his most favorite expedition was the Calypso Borealis. In his essay, it states that “It seemed the most spiritual of all the flower people I had ever met. I sat down beside it and fairly cried for joy.”
Through the poems of Blake and Wordsworth, the meaning of nature expands far beyond the earlier century's definition of nature. "The road of excess leads to the palace of wisdom." The passion and imagination portrayal manifest this period unquestionably, as the Romantic Era. Nature is a place of solace where the imagination is free to roam. Wordsworth contrasts the material world to the innocent beauty of nature that is easily forgotten, or overlooked due to our insensitivities by our complete devotion to the trivial world. “But yet I know, where’er I go, that there hath passed away a glory from the earth.
In poetry the speaker describes his feelings of what he sees or feels. When Wordsworth wrote he would take everyday occurrences and then compare what was created by that event to man and its affect on him. Wordsworth loved nature for its own sake alone, and the presence of Nature gives beauty to his mind, again only for mind’s sake (Bloom 95). Nature was the teacher and inspirer of a strong and comprehensive love, a deep and purifying joy, and a high and uplifting thought to Wordsworth (Hudson 158). Wordsworth views everything as living. Everything in the world contributes to and sustains life nature in his view.
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.
The poem “I Wandered Lonely as a Cloud” by William Wordsworth is about the poet’s mental journey in nature where he remembers the daffodils that give him joy when he is lonely and bored. The poet is overwhelmed by nature’s beauty where he thought of it while lying alone on his couch. The poem shows the relationship between nature and the poet, and how nature’s motion and beauty influences the poet’s feelings and behaviors for the good. Moreover, the process that the speaker goes through is recollected that shows that he isolated from society, and is mentally in nature while he is physically lying on his couch. Therefore, William Wordsworth uses figurative language and syntax and form throughout the poem to express to the readers the peace and beauty of nature, and to symbolize the adventures that occurred in his mental journey.
Many poets are inspired by the impressive persona that exists in nature to influence their style of poetry. The awesome power of nature can bring about thought and provoke certain feelings the poet has towards the natural surroundings.
William Wordsworth has respect and has great admiration for nature. This is quite evident in all three of his poems; the Resolution and Independence, Tintern Abbey and Michael in that, his philosophy on the divinity, immortality and innocence of humans are elucidated in his connection with nature. For Wordsworth, himself, nature has a spirit, a soul of its own, and to know is to experience nature with all of your senses. In all three of his poems there are many references to seeing, hearing and feeling his surroundings. He speaks of hills, the woods, the rivers and streams, and the fields. Wordsworth comprehends, in each of us, that there is a natural resemblance to ourselves and the background of nature.