Wildlife Preservation in Thinking Like a Mountain In Thinking Like a Mountain, the author, Aldo Leopold, writes of the importance of wildlife preservation through examples of the symbiotic relationship of animals and plant-life with a mountain. He asks the reader to perceive the processes of a mountainous environment in an unusual way. Aldo Leopold wants the reader to "think" like a mountain instead of thinking of only the immediate, or as the hunter did. Taking away one feature of an ecosystem may eventually destroy everything else that that environment is composed of. Nature and wildness is essential for the well being of life on this earth. The excerpt begins by telling of the echoing sound of a wolf's cry. Every creature has a different perception of the meaning of that howl, while the mountain has a different view as well. A deer might be alarmed by it and flee. A hunter may become more alert and trigger-happy. All the while, it's a comfortably soothing sound for the mountain. Leopold goes on to explain his experience as a hunter and the only time he killed a wolf. He saw the fire die in the wolf's eyes and later realized what he had done. Before, like most hunters, he thought that by killing the wolves off there would be more deer in return. Therefore, there would be more game for the hunters. Leopold writes, "I thought that because fewer wolves meant more deer, that no wolves would mean hunter's paradise. But after seeing the green fire die, I sensed that neither the wolf nor the mountain agreed with such a view." Prior to this event, Leopold never thought to consider the destructive, long-term effects that could be made by reducing the wolf species on the mountain. He had been overtaken by the... ... middle of paper ... ...ly with wilderness and believe that these are the places that have touched me most deeply. To "think" like a mountain, you need to consider a different perspective than normal. You have to be mature, think objectively, consider others before yourself, and most importantly, you are obligated to think about the future. The natural world is an entity, with a pulse that reverberates through all living organisms. By taking away one aspect of the mountain terrain, you may be wiping out a possible necessity for the environment to survive. This is what he defines as the hidden meaning behind the howl of the wolf. Humans need to open their eyes and realize that there is a meaning and place for everything that is natural in the wild. Leopold summarizes this thought at the end of the excerpt with Thoreau's famous line: In wildness is the preservation of the world.
Although Leopold’s love of great expanses of wilderness is readily apparent, his book does not cry out in defense of particular tracts of land about to go under the axe or plow, but rather deals with the minutiae, the details, of often unnoticed plants and animals, all the little things that, in our ignorance, we have left out of our managed acreages but which must be present to add up to balanced ecosystems and a sense of quality and wholeness in the landscape.
Leopold would most likely approve of the work being done to preserve Gorongosa National Park and would agree with Wilson in that nature is our home and we should treat it as such, but Leopold, unlike Wilson, argues that it is our moral obligation, and not just our pleasure, to respect nature. Additionally, Wilson seems to focus specifically on the plants and animals that make up an ecosystem, but Leopold extends his focus to non-living components such as soil and water because they are instrumental in maintaining the integrity of land communities. Leopold might urge Wilson to make sure that he is not simply educating people at Gorongosa, but really help them genuinely understand land ethics. This way, humans can evolve a sense of praise and approval for preserving the integrity and beauty of the biotic community (262), and social disapproval for doing the exact
In my generation, I am able to catch what is relatively the tail end of this slow extinction. And to be quite honest, I had not devoted a moment of thought to this phenomenon until I read Leopold’s passages. In fact, I am always the first one to compliment a new highway project that saves me five minutes of driving or even a tidy farmstead as I pass. Now, more than ever, my thoughts are in limbo. It was just last week when my dad pointed out an area off the highway that displayed miles of slowly rolling cornfields. His reaction was to the beauty of the countryside. Mine was to question his. I found myself thinking about all of the hard work that created that beauty, and then how much more beautiful it was fifty, a hundred, or even two centuries ago. Only the mind’s eye can create this beauty now, and that is exactly why Leopold’s concerns are validated.
The wild is a place to push yourself to the limit and take a look at who you truly are inside. “Wilderness areas have value as symbols of unselfishness” (Nash). Roderick Nash’s philosophy states that the wilderness gives people an opportunity to learn humility but they fight this because they do not have a true desire to be humble. Human-kind wants to give out the illusion that they are nature lovers when in reality, they are far from it. “When we go to designated wilderness we are, as the 1964 act says, "visitors" in someone else's home” (Nash). People do not like what they cannot control and nature is uncontrollable. Ecocentrism, the belief that nature is the most important element of life, is not widely accepted. The novel Into the Wild by Jon Krakauer depicts a young boy who goes on an exploration to teach himself the true concept of humility. Chris McCandless, the protagonist, does not place confidence in the universal ideology that human beings are the most significant species on the planet, anthropocentrism.
the idea of the wild and its importance and necessity of human interaction with the wild.
McCarthy uses detailed descriptions, creates a somber mood through religious references, and elucidates upon the main character’s perspective to convey the impact of the experience on the protagonist. His actions reveal significant care and respect for the animal, as it seems difficult for the protagonist to cope with the loss of such a great creature. McCarthy portrays the wolf through an uncommon perspective; a frightful and beastly creature is transformed into a magnificent and bold animal. The wolf is pictured as an animal destined for honor and high admiration through its spiritual characteristics. Emphasis on the wolf’s positive qualities reveals human beings’ tendency to ignore the favorable characteristics of an individual or animal. Human beings commonly disregard the inner beauty all creatures possess.
What does a man do when the canyon that he so dearly loves is transformed into an unrecognizable monstrosity at the hands of others that have no affinity to the area they have destroyed? Some may bemoan the destruction, yet lament that what’s done is done and move on. Others may voice their concerns with the unsightliness they see. However, rarely does one voice their views in such a poignant and direct way as to grab the attention of the reader and powerfully force the writer’s views into the mind of the reader. The essay “The Damnation of a Canyon” by Edward Abbey is a revealing look into the mind of an environmental activist and his dissatisfaction with man’s detrimental impacts on the environment and the natural world. Edward Abbey is acclaimed
"The Bull Moose" is a poem by one of the great Canadian poets, Alden Nowlan. It is a finely crafted poem by a very talented poet. It reminds us how far away from Nature the lives of ordinary men and women have strayed. This is something common to all of us who live so much our lives in buildings and who so rarely experience Nature in its raw form. Nowlan creates powerful layers of images, and contrasts them in a way to make us feel just how damaging to our minds and souls this separation from Nature has been. His poem is Romantic in the way it tries to remind us of how far we have fallen and how hollow our idea of progress is. Indeed, Nowlan suggests that we may be more of a beast than the moose.
John Muir, Gifford Pinchot, and Aldo Leopold all have moderately different views and ideas about the environment in terms of its worth, purpose, use and protection. At one extensively non-anthropocentric extreme, Muir’s views and ideas placed emphasis on protecting environmental areas as a moral obligation. That is to say, Muir believed that wilderness environments should be used for divine transcendence, spiritual contemplation, as a place for repenting sins and obtaining devotional healing, rather than being used for exploitative materialistic greed and destructive consumption, such as industrialism, mining, and lumbering. At the other extreme, anthropocentric, Pinchot views nature simply as natural resources. In other words, nature is explicitly
In Wallace Stegner’s “Wilderness Letter,” he is arguing that the countries wilderness and forests need to be saved. For a person to become whole, Stegner argues that the mere idea of the wild and the forests are to thank. The wilderness needs to be saved for the sake of the idea. He insinuates that anyone in America can just think of Old faithful, Mt. Rainier, or any other spectacular landform, even if they have not visited there, and brought to a calm. These thoughts he argues are what makes us as people whole.
One motif which reappears in the film is the power of nature, especially in relation to the individual. In fact, the film begins with a majestic shot of the Rocky Mountains showing its beauty and height. The beauty of nature and even friendliness of nature changes as the film develops. As the movie progresses the snow still seems white and pure, almost virgin like, but nature becomes an isolating force, not providing the family with a retreat from the pressures of modern life, but forcing the family to turn in on its dysfunctional and psychopathic self. Imprisoned by the snow and the tall mountains , the family seems weak and vulnerable.
Many years ago, people saw the wilderness as a savage wasteland, but today, it is viewed as “the last remaining place where civilization, that all too human disease, has not fully infected the earth.” (Cronon) He discusses this changed point of view by stating the difficulties that society will have rectifying environmental ailments if it stops viewing wilderness as “a dualistic picture in which the human is completely outside the nature.” (Cronon) This is understandable because humans rely on others to create opinions, and they do not know how to form their own thoughts and solutions to issues such as environmental ones. Therefore, it is with great importance that humans begin to learn how to formulate their own thoughts and share those personal thoughts with others, such as sharing solutions about environmental
Muir’s wilderness is rooted in the idea of an aesthetically pleasing natural scape given they fit into certain criteria such as, “ none of Nature’s landscape’s are ugly so long as they are wild” (Muir). The attachment of this emphasis on an aesthetically pleasing landscape was partial truth, which drove people out the national parks. While these places where indeed wild and beautiful, Muir sold the masses on this idea of all nature being pristine and pure, when in reality that was not the
Leopold’s view is a glorified dream at best. While most people do acknowledge the need for some type of ecological consciousness, the one illustrated by Leopold is far from probable. Today’s society is overrun with the desire for speed and convenience, and driven by competition. Asking the busy world to stop, step backward, and work the concerns for such things as soil, rocks, or oak trees into its contracts and agreements is a foolish notion. It has come to be that to most individuals, the sight of a city skyline that is bustling with business and life is just as pristine as the sight of a natural forest.
In Into the Wild, Jon Krakauer explores the human fascination with the purpose of life and nature. Krakauer documents the life and death of Chris McCandless, a young man that embarked on an Odyssey in the Alaskan wilderness. Like many people, McCandless believed that he could give his life meaning by pursuing a relationship with nature. He also believed that rejecting human relationships, abandoning his materialistic ways, and purchasing a book about wildlife would strengthen his relationship with nature. However, after spending several months enduring the extreme conditions of the Alaskan wilderness, McCandless’ beliefs begin to work against him. He then accepts that he needs humans, cannot escape materialism, and can never fully understand how nature functions. Most importantly, he realizes that human relationships are more valuable than infinite solitude. McCandless’ gradual change of heart demonstrates that exploring the wilderness is a transformative experience. Krakauer uses the life and death of Chris McCandless to convey that humans need to explore nature in order to discover the meaning of life.