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Society in the Victorian era
Society in the Victorian era
Society in the Victorian era
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The pre raphealite movement was a group of young men and women in the mid nineteenth century who challenged the trends and thoughts of Victorian society expressing thier ideas freely in poetry. They responded to the dominant social issues of the time. Clear references of the pre raphaelite movement are evident in dante grabriel rossettis poem "my sisters sleep". It descirbes the occasion of a brother describing his sisters death, and his mothers denial of the situation as it occurs on christmas eve. The persona critiques his mothers irrational devoutness to god and Christianity through her insistence on Christmas as a day of birth and blessing. Thus preventing her from knowing the rational truth that her daughter has died.
The poem begins "she fell asleep on Christmas Eve. At length long ungranted shade/ of weary eyelids overweighed/ the pain nought else might yet relieve". These initial lines though indefinite, with "shade" and "the pain nought else might relieve" . comnontations of death express that the sister is already deceased. Irony is presented in "she fell asleep on Christmas Eve", as Christmas is symbolic in the celebration of new life, yet this is not the case contrasting to the responders perception on the passing existence of the sister.
Yet throughout the poem the persona watcheds his devout, prayerful mother who "had lean'd all day over the bed from chime to chime... did pray/ to work some distance from the bed". Through alliteration in 'chime to chime' demonstartes the only audible disturbance the mother makes as she is cautious of waking the long held vigil by keeping a reasonable distance from the bed.
Following the trace of the title "my sister" the persona speaks from the perspective of first pe...
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...e last stanza, "then kneeling upon Christmas morn" suspiciously having an decorative function symbolizing the beginning of a new graceful day that is Christmas. "Christs blessing on the newly born!". Through exclamatory expression emphasis to the irony of the sisters death is added by the obscure and unusual statement that ends the poem creating again a rich allusion to the Birth of Christ. Margaret has faded away, however god has replaced her with the birth of a newborn.
Thus, there is no doubt that the poem "my sisters sleep" composed by Dante gabriel Rossetti, consists of typical pre-raphaelite stylistic elements. The poem is characterized by the complex interlinking of thought and feeling through its sensually descriptive language . The poem ends with the family acknowledging the sisters death. The poem meeting the creed of the pre-raphaelite
From the combination of enjambed and end-stopped lines, the reader almost physically feels the emphasis on certain lines, but also feels confusion where a line does not end. Although the poem lacks a rhyme scheme, lines like “…not long after the disaster / as our train was passing Astor” and “…my eyes and ears…I couldn't think or hear,” display internal rhyme. The tone of the narrator changes multiple times throughout the poem. It begins with a seemingly sad train ride, but quickly escalates when “a girl came flying down the aisle.” During the grand entrance, imagery helps show the importance of the girl and how her visit took place in a short period of time. After the girl’s entrance, the narrator describes the girl as a “spector,” or ghost-like figure in a calm, but confused tone. The turning point of the poem occurs when the girl “stopped for me [the narrator]” and then “we [the girl and the narrator] dove under the river.” The narrator speaks in a fast, hectic tone because the girl “squeez[ed] till the birds began to stir” and causes her to not “think or hear / or breathe or see.” Then, the tone dramatically changes, and becomes calm when the narrator says, “so silently I thanked her,” showing the moment of
treated by white Australians. In a like manner Christina Rossetti composed a poem At Home which
Hence, the poem's tone contains elements of remorse as well as impassivity. The traveler's detached description of the mother, "...a doe, a recent killing; / she had stiffened already, almost cold" (6-7), and the wistful detail with which he depicts her unborn offspring, "...her fawn lay there waiting...
Although the little girl doesn’t listen to the mother the first time she eventually listens in the end. For example, in stanzas 1-4, the little girl asks if she can go to the Freedom March not once, but twice even after her mother had already denied her the first time. These stanzas show how the daughter is a little disobedient at first, but then is able to respect her mother’s wishes. In stanzas 5 and 6, as the little girl is getting ready the mother is happy and smiling because she knows that her little girl is going to be safe, or so she thinks. By these stanzas the reader is able to tell how happy the mother was because she thought her daughter would be safe by listening to her and not going to the March. The last two stanzas, 7 and 8, show that the mother senses something is wrong, she runs to the church to find nothing, but her daughter’s shoe. At this moment she realizes that her baby is gone. These stanzas symbolize that even though her daughter listened to her she still wasn’t safe and is now dead. The Shoe symbolizes the loss the mother is going through and her loss of hope as well. This poem shows how elastic the bond between the daughter and her mother is because the daughter respected her mother’s wish by not going to the March and although the daughter is now dead her mother will always have her in her heart. By her having her
In Rossetti’s poem “In an Artist’s Studio”, she illustrates a man in the art studio surrounded around his canvases. On each of his canvases, he has painted the same woman in different positions, as depicted in, “One selfsame figure sits or walks or leans” (Rossetti 104). This man continuously paints the same women, each time depicting her differently as demonstrated, “A saint, and angel…” (Rossetti 104). Similarly, in McKay’s poem he illustrates for the readers, a dark skinned, half clothed woman dancing. Both of these poems focus on how men view women, and how men idealize women for their beauty, or some other desirable part of them. Both of these poets express that men do not appreciate the wholeness and complexity of both of these women. McKay’s idealized woman is also a woman of colour, which may lead into a discussion of race gender, and sexuality. In Rossetti’s poem, the artist “feeds upon” (Rossetti 104) the object of his affection, “not as she is, but as she fills his dreams” (Rossetti 104). Also, McKay’s narrator idealizes her physical beauty and describes how everyone “devoured” her beauty, even though “her self was not in that strange place” (McKay 18). The main difference is that McKay’s narrator sees his desired woman as having “grown lovelier for passing through a storm” (McKay 18), whereas Rossetti’s artist uses his art to wash away the pain-and by extension, the
Christina Rossetti was born in London on December 5, 1830 . She had two brothers and one sister, Dante Gabriel Rossetti , William Michael Rossetti and Maria Francesca Rossetti. Their father, Gabriele Rossetti, was an Italian poet and a political asylum seeker from Naples, and their mother, Frances Polidori, was the sister of Lord Byron's friend and physician, John William Polidori.
“ maybe it is her birth which she holds close to herself for her death which is just as inseparable and the white wind that encircles her is a part just as the blue sky hanging in turquoise from her neck oh woman remember who you are woman it is the whole earth”(1-12). This poem besides being short it gives a brobdingnagian message which for me the blanket means memories, which this particular authors writes about, as memories is used for the
However, she keeps the traditional rhyme scheme throughout the poem, creating this deep sense of loss, longing, and despair. The repeated –ing sounds such as dying, turning, and waking are symbolic of the speaker's way of dealing with grief. According to the English Oxford Dictionary, This -ing sound is a suffix that "denotes a verbal action, an instance of this, or its result. This sound indicates the grieving that the speaker experiences is interminable and never-ending. These feelings just keep happening, never seeming to have an
Since Sister was affected the most by certain actions of the family, Welty narrated this short story through Sister’s point of view to show how the function of the family declined through these actions. Sister was greatly affected when her sister broke the bonds of sisterhood by stealing her boyfriend and marrying him. Secondly, Sister was affected by the favoritism shown by her family towards her younger sister. Since her sister was favored more than her, this caused her to be jealous of her sister. For example, Sister shows a lot of jealousy by the tone she uses when describing what Stella-Rondo did with the bracelet that their grandfather gave her. Sister’s description was, “She’d always had anything in the world she wanted and then she’d throw it away. Papa-Daddy gave her this gorgeous Add-a-Pearl necklace when sh...
Rossetti’s subject matter is erotic, with very visible sensual undertones. The language Rossetti uses insinuates sexual temptation, repression and desire, and it manages to be situated slightly between children’s folklore and adult prose fiction. Such as “Plump unpeck’d cherries,” “Pluck them, suck them,” and “juice that syrupp’d all her face”. Sisters, Lizzie and Laura, represent women’s double quandary in the Victorian sexual economy: either risk becoming a commodity yourself, or risk never tasting desire, never letting yourself in a sense be free and a whim to your natural physical urges. Rossetti’s repressed protagonists assume an inferior position in the presence of the...
Harrison, Anthongy H. Christina Rossetti in Context. University of NC Press, Chapel Hill and London: 1988.
It says that in stanzas 2-3, 6, and 9. Stanza 2 says,”Hark how the bells, sweet silver bells all seem to say:, throw cares away”. This means to listen to the bells and put aside all our worries because Jesus was born to take away all our sins. Stanza 3 says,”Christmas is here bringing good cheer to young and old, meek and the bold”. This means that Christmas brings happiness for everyone. Also, it reminds me of John 3:16 by it saying,”For God so loved the world….that whoever believes in Him shall not perish, but have eternal life.” Stanza 6 says,”Oh, how they pound, raising the sound O'er hill and dale, telling their tale“. This means that the bells are telling their story to everyone everywhere, which reminds me of Matthew 28:19-20, which says,”Therefore go and make disciples of all nations…” . Stanza 9 says,”On, on they send, on without end Their joyful tone to every home”. This means that the joy and story of the bells are unending for everyone everywhere, which reminds me of eternity and how Christians will be with Jesus forever. The words of Carol of the Bells are important because it proclaims the birth of Jesus.
Edgar Allen Poe’s alliteration and repetition of words support the poem’s flow and musicality. Poe begins with the alliteration of the m sound in “merriment” and “melody” (3). The soft m sound, also known as a liquid consonant, helps to keep a quick and continuous pace for the poem. Similarly, the alliteration of the s sounds in sledges, silver, stars, and seem, emphasize the calming sounds of the bells (1-2, 6-7). The s sound helps express the soothing and comforting effects of the bells, essentially contributing to the merry tone of the poem. Furthermore, the alliteration of t...
Dickens, Charles. A Christmas Carol. Classics of Children's Literature. Ed. John W. Griffith and Charles Frey. 3rd ed. New York: Macmillan, 1992. 197-249.
This Christmas poem is about the Epiphany and was created the very year of Eliot’s conversion to Christianity (Fleisner, 66). Therefore the theme of religion is an important one if we are to analyse the poem correctly. In the book of Ephesians in the Bible, Paul describes the rebirth of the world upon Christ’s death, emphasising the Ephesians’ new life (2:4-5). This theme of death and rebirth is present in the poem Journey of the Magi, which, I will argue, is structurally and internally divided into three stages; corresponding to the Sacrament of Penance: contrition (guilt), confession and satisfaction.